A brawl over a woman. That's what breaks The Great Phroso. After recovery, a year later, he finds himself a #paraplegic and his stolen wife dead in a church with an infant next to her. To Africa he takes the child – it's the other man's, the ivory trader's – and carefully, vengefully raises her.

“How did God ever put a thing like you on this earth?”

– Maizie

Phroso, now known as Dead-Legs and White Voodoo to the tribe he resides over, uses his magician's skills to rule over his own little jungle empire. We see the gestation of Kurtz, oddly too an ivory trader in that other White Hell, Heart of Darkness (Joseph Conrad, 1899).

 

Despite attempts to tone it down on request of censors, West of Zanzibar is one of Tod Browning's meanest. Lon Chaney is fantastic, of course. His Phroso, torn by love and #revenge, one of the early and rare depictions of male frailty in western cinema.

“Grand Hotel… always the same. People come, people go. Nothing ever happens.”

– Flaemmchen