settima

1920s

The Unholy Three (Tod Browning, 1925)

May

6

The Unholy Three (1925)

Tweedledee (Harry Earles), Hercules (Victor McLaglen), and Echo – The Ventriloquist (Lon Chaney). DP: David Kesson.

“It's spooky! It sounds… unholy!”

– Echo

Japanicky [Felix the Cat in Japanicky] (Otto Messmer, 1928)

May

03

Japanicky (1928)

A cheeky looking Felix stands in a doorway with a bamboo roller shutter. Inside the room a woman in Japanese dress sits in front of a tea bowl and pot on top of a small platform. From the ceiling hangs a (Chinese) lantern and from the wall a large scroll that reads May 3 in stereotypical Oriental lettering.

and May 4.

 

Le Juif errant (Luitz-Morat, 1926)

Feb

13

1682

Le Juif errant (1926)

Antonin Artaud as Gringalet. DPs: Maurice Arnou, Raoul Aubourdier, Georges Daret, Karémine Mérobian & André-Wladimir Reybas.

The Man Who Laughs (Paul Leni, 1928)

Jan

29

1690

The Man Who Laughs (1928)

A hand-painted carnival banner reading “URSUS ye Philosopher presents THE LAUGHING MAN. Don't fail to see GWYNPLAINE who was deserted at ye age of ten on ye night of ye 29th of January 1690 by ye Villainous Comprachicos on ye coast of Cornwall. This little boy has grown up and is now known as THE LAUGHING MAN”. DP: Gilbert Warrenton.

“What a lucky clown you are! You don't have to wipe off your laugh.”

München-Berlin Wanderung [Walking from Munich to Berlin] (Oskar Fischinger, 1927)

Nov

20

München-Berlin Wanderung (1927)

A bunch of Buben take a moment to pose between troublemaking. DP: Oskar Fischinger.

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

La chute de la maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928)

Oct

21

La chute de la maison Usher (1928)

A rapid tracking shot along a dark corridor. Dead leaves follow the camera (via). DPs: Georges Lucas & Jean Lucas.

A favourite horror film adapted from a book or short story*

“Everything in this masterpiece contributes to its unity: the absolute mastery of editing and rhythm; slow motion, superimpositions, tracking shots, the mobile camera all play their roles and never gratuitously. The photographic quality, worthy of the most learned German operators, the lighting of the sets which envelops them in mystery, the sets themselves, neither realistic nor stylized, but as if sketched; the acting neither realistic nor expressionist, and yet adapted to the fantastic, to the violence; to the pauses; to the blur.”

Henri Langlois, via

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Au secours ! [Help!] (Abel Gance, 1924)

Oct

18

Au secours !

Au secours ! (1924)

A rather tall ghost struts along a nonplussed Max. DPs: Émile Pierre, André-Wladimir Reybas & Georges Specht.

A [favourite] horror comedy*. This post goes out to Max Linder, who – together with his wife Hélène “Ninette” Peters – took his own life 100 years ago, on October 31, 1925.

 

Max (Max Linder) bets that he can spend one whole hour in a haunted castle without calling for help. In face of all the (in camera!) terrors, Max faces his fears with ease. Until, just minutes before the clock strikes midnight, the phone rings.

“Strange things are happening today.”

– title card

And there was this other bet. One between Linder and director Abel Gance. Linder bet that Gance would not be able to shoot a movie in only three days. With ghosts, skeletons, and wildlife galore, the result is a delightful Grand Guignol à la Max.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)

Oct

14

silent cinema

Kurutta ichipėji (1926)

A masked inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel's bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (via). DP: Kōhei Sugiyama.

A [favourite] silent horror film*

 

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

KIPHO [Du musst zur KIPHO] (Julius Pinschewer, 1925)

Sep

25

1925

KIPHO (1925)

A very modern dressed woman with a small film camera. Superimposed but suggested she's filming it, a large teddybear – a bear is #Berlin's official mascot – to remind viewers that the Kino und Photoausstellung [“Film and Photo Fair”) takes place in the German capital. DP: Guido Seeber.

ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)

Sep

21

wine

Tariel Mklavadzis mkvlelobis saqme (1925)

A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.