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KIPHO [Du musst zur KIPHO] (Julius Pinschewer, 1925)
Sep
25
1925
A very modern dressed woman with a small film camera. Superimposed but suggested she's filming it, a large teddybear – a bear is #Berlin's official mascot – to remind viewers that the Kino und Photoausstellung [“Film and Photo Fair”) takes place in the German capital. DP: Guido Seeber.
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Die Republik der Backfische [The Republic of Flappers] (Constantin J. David, 1928)
Sep
20
1928
The Berliner Zeitung (a rag of a paper that's still around to this day) of September 20, 1928. It blares something about America and Graf Zeppelin, the then-new airship. DP: Mutz Greenbaum.
Depending on the language version you watch, you'll see a 1928 newspaper headline dated September 20 (a Thursday), January 10 (a Tuesday), or January 9 (a Monday).
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Menschen am Sonntag [People on Sunday, a Film Without Actors] (Robert Siodmak, Edgar G. Ulmer, Rochus Gliese, Curt Siodmak + Fred Zinnemann, 1929)
Jul
31
Someone goes to work*
“Du, Wolf, nächsten Sonntag — ?”
– title card
Berliners rest on Sunday, we still do. People lounge in the many parks, and on the shores of the city's many lakes. And then, it's Monday.
Released in 1929, according to Atlas Film, who restored this important Weimar classic long before Criterion put their grubby hands on it.
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Lonesome (Pál Fejős, 1928)
Jul
3
Sat
“You've won a doll and a kiss. I'll give you the doll and your girl can give you the kiss!”
– Coney Island barker
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Combat de boxe (Charles Dekeukeleire, 1927)
Jun
30
Mike Tyson – 1966
One of the fighters receives a direct hit. The camera is so close that we see abstract shapes, texture and contrast before recognising the scene. DP: Antoine Castille.
A [favourite] athlete in a film role for Mike Tyson's birthday
“But this art of total synthesis that is Cinema, this fabulous newborn of Machine and Sentiment, is beginning to cease its moans and is entering its infancy. Its adolescence will soon arrive, seize its intelligence, and multiply its dreams; we ask that we hasten its development, precipitate the advent of its youth. We need Cinema to create the total art toward which the other arts have always tended.“
– Ricciotto Canudo, Gazette des sept arts, 1923 (via)
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The Unholy Three (Tod Browning, 1925)
May
6
Tweedledee (Harry Earles), Hercules (Victor McLaglen), and Echo – The Ventriloquist (Lon Chaney). DP: David Kesson.
“It's spooky! It sounds… unholy!”
– Echo
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The Man Who Laughs (Paul Leni, 1928)
Jan
29
1690
A hand-painted carnival banner reading “URSUS ye Philosopher presents THE LAUGHING MAN. Don't fail to see GWYNPLAINE who was deserted at ye age of ten on ye night of ye 29th of January 1690 by ye Villainous Comprachicos on ye coast of Cornwall. This little boy has grown up and is now known as THE LAUGHING MAN”. DP: Gilbert Warrenton.
“What a lucky clown you are! You don't have to wipe off your laugh.”
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The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)
Jan
28
Gaslights
An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.
Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.
“Feast your eyes. Glut your soul on my accursed ugliness.”
– The Phantom
However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .
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Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)
Jan
17
inventions
An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.
“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”
– Benjamin Franklin in his autobiography
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The Cameraman (Edward Sedgwick + Buster Keaton, 1928)
Jan
14
National Dress Up Your Pet Day
Buster (Buster Keaton) with Josephine the monkey on his shoulder. DPs: Reggie Lanning & Elgin Lessley.
– Now, see! You kill-a de monk!
– Pay him for that baboon… or I'll run you in!
After cameraman Buster accidentally knocks over a monkey, he has no choice but to take the sailor-suited simian along on his movie shoots.