“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)
May
20
1943
A dark-haired woman lounging on a bed. DP: Gérard de Battista.
“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)
May
20
1943
A dark-haired woman lounging on a bed. DP: Gérard de Battista.
“Spotkał katar Katarzynę –
A – psik!
Katarzyna pod pierzynę –
A – psik!”Katar [Cold] (Hieronim Neumann, 1984)
May
6
Childhood Depression Awareness Day
One little girl sneeze even bursts the camera! A – psik (achoo)! DP: Zbigniew Kotecki.
A child with health struggles for Childhood Depression Awareness Day (USA)
– Jan Brzechwa, Katar (via)
A little girl has the sniffles, sees the doctor, and so happily spreads the bug all over town. A quirky animated short based on a poem by Jan Brzechwa.
“Celui qui n’a jamais rien dit a cinquante ans d’âge et ne dira jamais rien s’est appris à lire dans les moindres gestes” Le moindre geste [The Slightest Gesture] (Jean-Pierre Daniel, Fernand Deligny + Josée Manenti, 1962–1964, 1971)
Apr
2
World Autism Awareness Day
Yves (Yves Guignard), resting. Deligny wrote a lot about the lack of words, and how it stays close to the heart of cinema. Still (and a wonderful essay) via. DP: Josée Manenti.
An autistic actor or character for World Autism Awareness Day
– Fernand Deligny, Essi & Copeaux. Derniers écrits et aphorismes, via
Fernand Deligny was an educator who promoted play and exploration, as opposed to drugs and force, to open up the lives of young nonverbal, autistic people. We follow Yves Guignard, one of Deligny's “patients”, who, in his own wordless rhythm shows us his world.
Over time, the film was forgotten and even lost, until it was found in a tree, then completed with a narrative and soundtrack in 1969, selected for the 1971 Cannes Film Festival and praised by Cahiers du Cinéma, lost once more, and eventually – with support of Chris Marker – restored and brought to a wider audience.
“You're a foreigner and you're lost.”L'immortelle (Alain Robbe-Grillet, 1963)
Mar
12
National Hitchcock Day
A woman in silhouette (Françoise Brion) enters a building. The setup is perfectly symmetrical except a beam of light passing through the opened doors that highlight's the woman's presence, adding a sense of wrong to the scene. DP: Maurice Barry.
A favourite non-Hitchcock mystery for National Hitchcock Day (USA).
Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)
Mar
10
ithrah69's birthday
Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.
A film ithrah69 may like for their birthday.
Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.
The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.
“Antoine Lavoisier (1743-1794) was a French chemist who gave the first accurate scientific explanation of the mysteries of fire. He also provided the law of conservation of matter which states that matter can be neither created or destroyed.n His work and this film are situated between modern chemistry and alchemy. The film stages a drama of abstraction and theoretical realism. Everyday life seen photo-chemically and musically. The film is a materialist projected-image conversion of matter.”To Lavoisier, Who Died in the Reign of Terror (Michael Snow, 1991)
Mar
6
chemistry
Shot from below through a glass pane, a man pushes a sulphur-yellow substance around.
Chemistry: Dimitri Mendeleev presented his version of the periodic table on this date in 1869. He claimed to have had a dream in which he envisioned a table in which all the chemical elements were arranged according to their atomic weight (via).
– Michael Snow, via
The film stock was chemically altered, giving it an dreamlike quality.
“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)
Feb
22
National Wildlife Day
A frame (source) shows a freshly killed zebra on its side. The film stock's perforations and sound track are visible. DP: Peter Kubelka.
Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.
– Peter Kubelka, via
Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.
“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”Der Riese [The Giant] (Michael Klier, 1983/1984)
Feb
15
freebie: a movie from 1984
A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.
January 21 redux: a film from 1984 on the date Orwell died (1950).
– Michael Klier, via
According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.
Amerikai anzix [American Torso] (Gábor Bódy, 1975)
Feb
12
Lincoln born
A soldier on a swing set, high up a tree. Other soldiers and civilians look on. Screenshot (and more information) via. DP: István Lugossy.
Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).
Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.
*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.