settima

ExperimentalFilm

La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)

May

20

1943

La Femme Bourreau (1968)

A dark-haired woman lounging on a bed. DP: Gérard de Battista.

“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”

Normalsatz [Ordinary Sentence] (Heinz Emigholz, 1982)

Apr

30

1975

Normalsatz (1982)

A woman, seated on a bed, speaks to a second woman who is pressed against the side of a bookcase. Still via. DP: Heinz Emigholz.

Part of the Trilogie der Siebziger Jahre (“Trilogy of the Seventies”).

Children's Party (Joseph Cornell, c. 1938/1969)

Dec

18

Las Posadas

Children's Party (1938)

Exuberant dancers at the children's party.

A festive child for Las Posadas

“Shadow boxes become poetic theaters or settings wherein are metamorphosed the element of a childhood pastime.”

– Joseph Cornell

Children of all ages are entertained by a menagerie of dancers, acrobats, talented fauna and bobbing apples in this exhilarating found-footage party. Part of The Children's Trilogy, together with Cotillion (c. 1938/1969) and The Midnight Party (c. 1938/1969).

Report (Bruce Conner, 1967)

Nov

23

1963

Report  (1967)

Television footage of JFK's state funeral with the caption “November 23, 1963”, superimposed over it.

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

21

Mix-Up ou Meli-melo (1986)

One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

München-Berlin Wanderung [Walking from Munich to Berlin] (Oskar Fischinger, 1927)

Nov

20

München-Berlin Wanderung (1927)

A bunch of Buben take a moment to pose between troublemaking. DP: Oskar Fischinger.

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

Frank Stein (Iván Zulueta, 1972)

Oct

30

Karloff

Frank Stein (1972)

The Monster (Karloff) in Zulueta's recut (via). DP: Iván Zulueta / Arthur Edeson + Paul Ivano.

A [favourite] Boris Karloff film*

“Well, as I said before, I say again, here's… Here's to a son… to the house of Frankenstein.”

– Baron Frankenstein

Zulueta's mycotoxic fever dream of Whale's Frankenstein.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Outer Space (Peter Tscherkassky, 1999)

Oct

26

Outer Space (1999)

Barbara Hershey as Carla Moran. DP of The Entity: Stephen H. Burum.

[Favourite] psychological horror*

“A premonition of a horror film”

– tagline

Real horror is not found in broken dinner plates or corpuscular masses of light. It's in what the mind does with that input, in how those lux morph into human-like shapes. In how gusts of wind becomes larynx-touched voices. Cut up the neatly filed research papers and be left with the whispers of the mind.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)

Oct

14

silent cinema

Kurutta ichipėji (1926)

A masked inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel's bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (via). DP: Kōhei Sugiyama.

A [favourite] silent horror film*

 

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.