settima

ExperimentalFilm

Katar [Cold] (Hieronim Neumann, 1984)

May

6

Childhood Depression Awareness Day

Katar (1984)

One little girl sneeze even bursts the camera! A – psik (achoo)! DP: Zbigniew Kotecki.

A child with health struggles for Childhood Depression Awareness Day (USA)

“Spotkał katar Katarzynę – A – psik! Katarzyna pod pierzynę – A – psik!”

– Jan Brzechwa, Katar (via)

A little girl has the sniffles, sees the doctor, and so happily spreads the bug all over town. A quirky animated short based on a poem by Jan Brzechwa.

Normalsatz [Ordinary Sentence] (Heinz Emigholz, 1982)

Apr

30

1975

Normalsatz (1982)

A woman, seated on a bed, speaks to a second woman who is pressed against the side of a bookcase. Still via. DP: Heinz Emigholz.

Part of the Trilogie der Siebziger Jahre (“Trilogy of the Seventies”).

Le moindre geste [The Slightest Gesture] (Jean-Pierre Daniel, Fernand Deligny + Josée Manenti, 1962–1964, 1971)

Apr

2

World Autism Awareness Day

Le moindre geste (1971)

Yves (Yves Guignard), resting. Deligny wrote a lot about the lack of words, and how it stays close to the heart of cinema. Still (and a wonderful essay) via. DP: Josée Manenti.

An autistic actor or character for World Autism Awareness Day

“Celui qui n’a jamais rien dit

a cinquante ans d’âge

et ne dira jamais rien

s’est appris à lire

dans les moindres gestes”

– Fernand Deligny, Essi & Copeaux. Derniers écrits et aphorismes, via

Fernand Deligny was an educator who promoted play and exploration, as opposed to drugs and force, to open up the lives of young nonverbal, autistic people. We follow Yves Guignard, one of Deligny's “patients”, who, in his own wordless rhythm shows us his world.

 

Over time, the film was forgotten and even lost, until it was found in a tree, then completed with a narrative and soundtrack in 1969, selected for the 1971 Cannes Film Festival and praised by Cahiers du Cinéma, lost once more, and eventually – with support of Chris Marker – restored and brought to a wider audience.

L'immortelle (Alain Robbe-Grillet, 1963)

Mar

12

National Hitchcock Day

L'immortelle (1963)

A woman in silhouette (Françoise Brion) enters a building. The setup is perfectly symmetrical except a beam of light passing through the opened doors that highlight's the woman's presence, adding a sense of wrong to the scene. DP: Maurice Barry.

A favourite non-Hitchcock mystery for National Hitchcock Day (USA).

“You're a foreigner and you're lost.”

Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)

Mar

10

ithrah69's birthday

Le Songe Des Chevaux Sauvages (1960)

Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.

A film ithrah69 may like for their birthday.

 

Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.

 

The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.

To Lavoisier, Who Died in the Reign of Terror (Michael Snow, 1991)

Mar

6

chemistry

To Lavoisier, Who Died in the Reign of Terror (1991)

Shot from below through a glass pane, a man pushes a sulphur-yellow substance around.

Chemistry: Dimitri Mendeleev presented his version of the periodic table on this date in 1869. He claimed to have had a dream in which he envisioned a table in which all the chemical elements were arranged according to their atomic weight (via).

Antoine Lavoisier (1743-1794) was a French chemist who gave the first accurate scientific explanation of the mysteries of fire. He also provided the law of conservation of matter which states that matter can be neither created or destroyed.n His work and this film are situated between modern chemistry and alchemy. The film stages a drama of abstraction and theoretical realism. Everyday life seen photo-chemically and musically. The film is a materialist projected-image conversion of matter.”

– Michael Snow, via

The film stock was chemically altered, giving it an dreamlike quality.

Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)

Feb

22

National Wildlife Day

Unsere Afrikareise (1966)

A frame (source) shows a freshly killed zebra on its side. The film stock's perforations and sound track are visible. DP: Peter Kubelka.

Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.

“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”

– Peter Kubelka, via

Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.

Der Riese [The Giant] (Michael Klier, 1983/1984)

Feb

15

freebie: a movie from 1984

Der Riese (1983/1984)

A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.

January 21 redux: a film from 1984 on the date Orwell died (1950).

“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”

– Michael Klier, via

According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.

Amerikai anzix [American Torso] (Gábor Bódy, 1975)

Feb

12

Lincoln born

Amerikai anzix (1975)

A soldier on a swing set, high up a tree. Other soldiers and civilians look on. Screenshot (and more information) via. DP: István Lugossy.

Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).

 

Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.

 

*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.

Symbiopsychotaxiplasm: Take One (William Greaves, 1968)

Feb

1

Filmmaking

Symbiopsychotaxiplasm: Take One (1968)

Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.

A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.

“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”

– William Greaves – Director

During a screentest for a documentary in a documentary in a film, director William Greaves attempts to cast the leads for his upcoming piece Over the Cliff, while a documentary crew records their progress.