settima

1970s

Ucho [The Ear] (Karel Kachyňa, 1970)

Jul

17

Ucho (1970)

Party member, and rather drunk, Anna (Jiřina Bohdalová) and her newspaper hat at the officials' party. DP: Josef Illík.

“The 17th of July. Comrade Anna is not lying!”

Figures in a Landscape (Joseph Losey, 1970)

Jul

17

Figures in a Landscape (1970)

MacConnachie (Robert Shaw, standing and peering upwards) and Ansell (Malcolm McDowell, squatting and facing away) in a barren landscape. Both have their hands tied behind their back. DPs: Henri Alekan, Peter Suschitzky & Guy Tabary.

“I'll tell you what though, Mac. There'll be no more games from now on.”

– Ansell

點指兵兵 [Dian zhi bing bing / Cops and Robbers] (Kwok-Ming Cheung, 1979)

Jul

15

點指兵兵 (1979)

La mort d'un bûcheron [The Death of a Lumberjack] (Gilles Carle, 1973)

Jul

12

1920

La mort d'un bûcheron (1973)

Blanche Bellefeuille (Denise Filiatrault) in front of a wall covered in catholic knickknacks. Through a door, nightclub entrepreneur Armand St. Amour (Willie Lamothe) can be seen asleep, his beloved cowboy boots carefully placed next to his improvised bed. DP: René Verzier.

La dame dans l'auto avec des lunettes et un fusil [The Lady in the Car with Glasses and a Gun] (Anatole Litvak, 1970)

Jul

10

Vendredi

La dame dans l'auto avec des lunettes et un fusil (1970)

A man with a lot of swagger and rolled up blueprints is about to enter a room with a prominent Coca-Cola machine and a jazzy leather swivel chair on display. An electronic flip clock tells the time and date. It's 17:52. DP: Claude Renoir.

The Governor (Stan Brakhage, 1977)

Jul

4

1976

And July 20

“On July 4, 1976 I and my camera toured the state of Colorado with governor Richard D. Lamm, as he traveled in parades with his children, appeared at dinners, lectured, etc. On July 20, I spent the morning in his office in the state capitol and the afternoon with himself and his wife in a television studio, then with Mrs. Lamm greeting guests to the governor’s mansion and finally with Governor Lamm in his office again. These two days of photography took me exactly one year to edit into a film which wove itself thru multiple superimpositions into a study of light and power.”

– Stan Brakhage

Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)

Jul

1

1978

Farewell, Etaoin Shrdlu (1980)

All set for the July 2, 1978 edition of The New York Times, hot off the press.

Production of the last hot type copy of The New York Times on the night of July 1, 1978. The ETAOIN SHRDLU in the title refers to the accidental string of letters that sometimes would pop up using hot metal typesetting.

 

That Linotype setting, and narration, was provided by Carl Schlesinger. That same old, but now digitally set New York Times, provided a lovely farewell when the man passed. Read it here

Burnt Offerings (Dan Curtis, 1976)

Jul

1

Burnt Offerings (1976)

The chauffeur (Anthony James). DP: Jacques R. Marquette.

“The house takes care of itself.”

– Roz Allardyce

Un posto ideale per uccidere [An Ideal Place to Kill / Oasis of Fear] (Umberto Lenzi, 1971)

Jun

19

champagne

Un posto ideale per uccidere (1971)

A white hand places a champagne filled coupe on a tiled floor, right in front of a tabby cat. Said Highness is also enjoying a full plate of carefully prepared seafood. DP: Alfio Contini.

 

La maudite galette [Dirty Money] (Denys Arcand, 1972)

Jun

16

La maudite galette (1972)

Berthe (Luce Guilbeault) points a rifle offscreen. Next to her a perpetual wall calendar from Desjardins with the date. It's June 16. DP: Alain Dostie.