settima

religion

ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956)

Apr

8

花祭り

ビルマの竪琴 (1956)

Mizushima (Shōji Yasui) holding his harp, looked over by the reclining Buddha. DP: Minoru Yokoyama.

A film about Buddhism, or set in Japan, in honour of the birth of Buddha, celebrated in Japan on April 8 as 花祭り (Hana Matsuri, aka Flower Festival)

“Can't you see that whatever you do is futile? The armies of Britain and Japan can come and fight all they wish. Burma is still Burma. Burma is the Buddha's country.”

– old monk

While stationed in Burma, Mizushima disguises himself as a dhutanga, a wandering Buddhist monk, burying the remains of his fellow Japanese soldiers.

कालिया मर्दन [Kaliya Mardan / The Childhood of Krishna] (Dhundiraj Govind Phalke, 1919)

Apr

1

April Fools' Day

कालिया मर्दन (1919)

Shri Krishna (Mandakini Phalke, the director's seven-year old daughter), playing his flute with a twinkle in his eye. DP: Dhundiraj Govind Phalke.

A fool or jokester for April Fools' Day

 

As a child, Shri Krishna, the eighth avatar of Lord Vishnu, was a prankster. The Lord and his childhood friends would steal makhan and, if there was too much to eat all at once, would share it with the monkeys.

 

Kaliya Mardan is one of the handful films from India's early cinematic output that has survived. Do check your attic

L'udienza [The Audience] (Marco Ferreri, 1972)

Feb

2

L'udienza (1972)

Aiche (Claudia Cardinale) washing Principe Donati's (Vittorio Gassman) feet. DP: Mario Vulpiani.

Sevmek Zamanı [Time to Love] (Metin Erksan, 1965)

Jan

6

Muslim-American Heritage Month

Sevmek Zamanı (1965)

The man, the woman, and her portrait. DP: Mengü Yeğin.

“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.”

Rumi

The Book of Life (Hal Hartley, 1998)

Dec

31

1999

The Book of Life (1998)

The “New York News” of December 31, 1999. The headline reads LAST DAY OF CENTURY BELIEVERS PRAY FOR END. DP: Jim Denault.

“It was the morning of December 31, 1999 when I returned, at last, to judge the living and the dead. Though still, and perhaps always, I had my doubts.”

Teorema [Theorem] (Pier Paolo Pasolini, 1968)

Dec

29

Independence Day of Mongolia

Teorema (1968)

The visitor (Terence Stamp) in intimate closeup. DP: Giuseppe Ruzzolini.

Someone finds their independence: Independence Day of Mongolia (Үндэсний эрх чөлөө, тусгаар тогтнолоо сэргээсний баярын өдөр).

“I no longer even recognize myself. What made me like the others has been destroyed. I was like everyone else, with many faults, perhaps, mine and those of the world around me. You made me different by taking me out of the natural order of things.”

– Pietro, the son

行者 [Jingang Jing / Walker] (Tsai Ming-liang, 2012)

Dec

8

बोधि

行者 (2012)

The monk (Kang-sheng Lee) walking Hong Kong. DP: Tsai Ming-liang.

A Buddhist theme for Bodhi Day.

“The reason why I wanted to do something like the Walker series is rooted in my obsession with the idea of Xuanzang, and the characteristics of the times he lived. There was no car, no train, no airplane, and no cell phone. He just walked.”

– Tsai Ming-liang, via

A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)

Aug

27

A Canterbury Tale (1944)

Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.

“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”

– Thomas Colpeper, JP

Kontrakt [The Contract] (Krzysztof Zanussi, 1980)

Jun

4

Coca-Cola

Kontrakt (1980)

Two middle-aged men in discussion with a woman, semi off-screen, holding a drink. There's food covered with a napkin and a wineglass in front of the men. Behind the men, the maid – a tense woman cradling many small Coca-Cola bottles – looks on. DP: Slawomir Idziak.

Rain (Lewis Milestone, 1932)

May

13

canned tamales

Rain (1932)

Sadie Thompson (Joan Crawford) looking for canned tamales in the pantry of the island's only convenience store. DP: Oliver T. Marsh.

“We seem to hear the winds of reform whistling down the chimney. Whereas the low hussy frolics off to buy her supper. Where do you keep your canned tamales, partner?”

– Sadie Thompson