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Il vangelo secondo Matteo [The Gospel According to Matthew] (Pier Paolo Pasolini, 1964)
Jun
22
National Kissing Day
Judas (Otello Sestili) kisses Jesus (Enrique Irazoqui) in intimate closeup. DP: Tonino Delli Colli.
A [favourite] movie kiss for National Kissing Day (USA*), not to be confused with International Kissing Day aka World Kiss Day which falls on July 6.
“I don’t have the inhibitions that a practicing Catholic would in that I’m not paralysed by the sacredness of the text, nor do I have the inhibitions of a lapsed Catholic who would view approaching the story of Jesus as compromising his Marxist beliefs, of sinking back into conformity.”
An neorealist, straightforward adaptation of the Gospel of Matthew, populated by non-actors (“Jesus” is a 19-year Catalan trade unionist picked for his resemblance to El Greco's Christ), intellectuals, and anachronistic characters based on biblical art through the ages.
According to said Gospel, apostle Judas kissed prophet Jesus to signal to the police who of the 13 men present was the one to arrest.
Interestingly, the word Matthew chose to describe the kiss is καταφιλέω, the same word used by philosopher Plutarch to describe the kiss between Alexander the Great and his eunuch Bagoas
* no one wants to kiss you anymore, America
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Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)
May
29
Ascension Day
The birth, life, death or teachings of Jesus on Ascension Day
“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”
– Klaus Kinski
It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.
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Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
May
8
birthdays
Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.
May 8 is both director Rossellini and Bergman's character Karen's #birthday.
“What mystery, what beauty.”
– Karen
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Todo modo [One Way or Another] (Elio Petri, 1976)
May
1
National Day of Prayer
M. (Gian Maria Volontè) speaks to the gathered elite while a gypsum Christ multiplies bread and fishes. DP: Luigi Kuveiller.
“Have you ever tried to dress as a priest? Try it, at least once. It's a bit like being a woman. In summer the breeze enters under the genitals. You can go without briefs. Priests are half men and half women.”
– Don Gaetano
Inspired by the Spiritual Exercises of Ignatius of Loyola, Italy's political leaders, industrialists, bankers, and business leaders gather for a retreat as an atonement for their past crimes of corruption and unethical practices, and to reinforce their power.
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La última cena [The Last Supper] (Tomás Gutiérrez Alea, 1976)
Apr
18
Good Friday
The count, Christ, flanked by two of his slaves, John and Thomas respectively. DP: Mario García Joya.
Good Friday: an occurrence during a Friday or weekend.
During Holy Week, a count visits his sugar mill on the day one of his slaves has escaped. Reluctant, overseer Don Manuel picks twelve slaves to join the count at his dinner table for a lecture about the possibility of happiness in slavery, all made up to resemble the Last Supper, with the count as Christ and the slaves as his apostles. Then conversation picks up, and the slaved men request, and are granted, a day off on Good Friday.
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ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956)
Apr
8
花祭り
Mizushima (Shōji Yasui) holding his harp, looked over by the reclining Buddha. DP: Minoru Yokoyama.
A film about Buddhism, or set in Japan, in honour of the birth of Buddha, celebrated in Japan on April 8 as 花祭り (Hana Matsuri, aka Flower Festival)
“Can't you see that whatever you do is futile? The armies of Britain and Japan can come and fight all they wish. Burma is still Burma. Burma is the Buddha's country.”
– old monk
While stationed in Burma, Mizushima disguises himself as a dhutanga, a wandering Buddhist monk, burying the remains of his fellow Japanese soldiers.
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कालिया मर्दन [Kaliya Mardan / The Childhood of Krishna] (Dhundiraj Govind Phalke, 1919)
Apr
1
April Fools' Day
Shri Krishna (Mandakini Phalke, the director's seven-year old daughter), playing his flute with a twinkle in his eye. DP: Dhundiraj Govind Phalke.
Kaliya Mardan is one of the handful films from India's early cinematic output that has survived. Do check your attic
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L'udienza [The Audience] (Marco Ferreri, 1972)
Feb
2
Aiche (Claudia Cardinale) washing Principe Donati's (Vittorio Gassman) feet. DP: Mario Vulpiani.
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Sevmek Zamanı [Time to Love] (Metin Erksan, 1965)
Jan
6
Muslim-American Heritage Month
The man, the woman, and her portrait. DP: Mengü Yeğin.
“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.”
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The Book of Life (Hal Hartley, 1998)
Dec
31
1999
The “New York News” of December 31, 1999. The headline reads LAST DAY OF CENTURY BELIEVERS PRAY FOR END. DP: Jim Denault.
“It was the morning of December 31, 1999 when I returned, at last, to judge the living and the dead. Though still, and perhaps always, I had my doubts.”