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Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)
Feb
28
unemployment
The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.
“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”
– Marcel Carné, via
Kuhle Wampe, Berlin slang that means something like “empty stomach”, is the name of a real-world, improvised encampment for the unemployed at the Müggelsee. Here we find a family who lost everything after the death of one of them.
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Homunculus, 4. Teil – Die Rache des Homunculus (Otto Rippert, 1917)
Feb
3
finance
Richard Ortmann, the homunculus (Olaf Fønss). DP: Carl Hoffmann.
A film about finance because “the Commonwealth of Massachusetts issues the first paper money on February 3, 1690”. The oldest surviving paper bill in what is now the United States bears the date February 3, 1690. The first documented paper money was issued during the Tang and Song dynasties in China, starting in the vulgar year 618. Who would have thought those new colonies were not the center of world history… sigh…
In the fourth instalment of the Homunculus saga, the artificial man callously heads the nation's financial powerhouse while secretly goading the workers in revolt against the ruling class. Soulless and unable to love, he aims for the annihilation of mankind.
Some claim that Die Rache des Homunculus, “The Wrath of the Homunculus”, foreshadows Hitler. I say, beware of businessmen enthralling the working classes.
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Die Nibelungen: Siegfried (Fritz Lang, 1924)
Jan
2
dragons
Siegfried (Paul Richter), seen from the back, bathing in the blood of the slain dragon. On his left shoulder blade, a linden leaf. DPs: Carl Hoffmann, Günther Rittau & Walter Ruttmann.
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Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Robert Wiene, 1920)
Dec
25
Hanukkah + Christmas
Cesare (Conrad Veidt) escapes with Jane (Lil Dagover) in his arms. Composition and distribution of light and shadow – much of which was painted directly on the set pieces – strike a strong resemblance with the oldest known survived photograph by Nicéphore Niépce from ca. 1822 – 1827. DP: Willy Hameister.
A favourite scene featuring light for Hanukkah and Christmas.
Alan “How long will I live?”
Cesare “Till the break of dawn.”
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Die Puppe [The Doll] (Ernst Lubitsch, 1919)
Dec
16
Stupid Toy Day
The doll (Ossi Oswalda) mischievously sticks out her tongue. DPs: Theodor Sparkuhl & Kurt Waschneck .
A ridiculous toy for Stupid Toy Day.
“She must have one complex mechanism!”
– Lancelot
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KIPHO [Du musst zur KIPHO] (Julius Pinschewer, 1925)
Sep
25
1925
A very modern dressed woman with a small film camera. Superimposed but suggested she's filming it, a large teddybear – a bear is #Berlin's official mascot – to remind viewers that the Kino und Photoausstellung [“Film and Photo Fair”) takes place in the German capital. DP: Guido Seeber.
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Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)
Jul
19
Wed
Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.
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Werckmeister harmóniák (Béla Tarr, 2000)
Sep
26
Shamu The Whale Day
A man in a dark hat and coat approaches the whale. The huge creature lays in an enormous open wooden crate in the middle of a town square. DPs: Patrick de Ranter, Miklós Gurbán, Erwin Lanzensberger, Gábor Medvigy, Emil Novák & Rob Tregenza.
“All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign.”
– János Valuska
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Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)
Sep
25
Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.
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Vampyr, ou l'étrange aventure de David Gray (Carl Theodor Dreyer, 1932)
Sep
25
World Dream Day
Allan Grey (Julian West) sees himself in a coffin in a dream. DPs: Rudolph Maté & Louis Née.
“This is the tale of the strange adventures of the young Allan Gray, who immersed himself in the study of devil worship and vampires. Preoccupied with superstitions of centuries past, he became a dreamer for whom the line between the real and the supernatural became blurred. His aimless wanderings led him late one evening to a secluded inn by the river in a village called Courtempierre.”
– title card