settima

Germany

Ich bin meine eigene Frau [I Am My Own Woman] (Rosa von Praunheim, 1992)

May

16

Honor Our LGBT Elders Day

Ich bin meine eigene Frau (1992)

Ichgola Androgyn, Jens Taschner, and Charlotte von Mahlsdorf as Charlotte von Mahlsdorf. DP: Lorenz Haarmann.

An LGBTQ actor, director, or character over 55 for Honor Our LGBT Elders Day (USA)

“Ich bin meine eigene Frau” (“I am my own woman/wife”)

– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married

The extraordinary life of Charlotte von Mahlsdorf, Berliner, gender bender, Nazi killer (her own father, with a wooden rolling pin, mind you), prisoner, custodian, museum founder, barmaid, Stasi informer (arguably), den mother to the GDR's LGBT+ youngsters, but most of all, her own woman.

Das Netz – Unabomber / LSD / Internet [The Net] (Lutz Dammbeck, 2003)

Apr

27

personal computer mouse – 1981

Das Netz (2003)

A mouse in action. Note the stress ball. DPs: James Carman, István Imre & Thomas Plenert.

A computer mouse: the first personal computer mouse debuted on this day in 1981.

“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.”

– Theodore J. Kaczynski

A Gedankenspiel.

 

Similar to the way moveable print has accelerated the spread of ideas, the personal computer mouse accelerated the speed of which individualist's ideas can spread. However, like the printing press and unlike the spoken word, the mouse can only point and enhance pre-existing notions, thus neutering any prospect of revolutionary change on an individual level.

 

In a grotesque snub to nature, the pointing finger has transcended the mouse, detaching our minds from our bodies in one infinite scroll.

Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)

Feb

28

unemployment

Kuhle Wampe oder: Wem gehört die Welt? (1932)

The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.

Someone quits something or is unemployed: the abdication of Pope Benedict XVI in 2013.

“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”

– Marcel Carné, via

Kuhle Wampe, Berlin slang that means something like “empty stomach”, is the name of a real-world, improvised encampment for the unemployed at the Müggelsee. Here we find a family who lost everything after the death of one of them.

 

This late-Weimar, brechtian film was quickly banned by the German government.

Homunculus, 4. Teil – Die Rache des Homunculus (Otto Rippert, 1917)

Feb

3

finance

Homunculus, 4. Teil - Die Rache des Homunculus (1917)

Richard Ortmann, the homunculus (Olaf Fønss). DP: Carl Hoffmann.

A film about finance because “the Commonwealth of Massachusetts issues the first paper money on February 3, 1690”. The oldest surviving paper bill in what is now the United States bears the date February 3, 1690. The first documented paper money was issued during the Tang and Song dynasties in China, starting in the vulgar year 618. Who would have thought those new colonies were not the center of world history… sigh…

 

In the fourth instalment of the Homunculus saga, the artificial man callously heads the nation's financial powerhouse while secretly goading the workers in revolt against the ruling class. Soulless and unable to love, he aims for the annihilation of mankind.

 

Some claim that Die Rache des Homunculus, “The Wrath of the Homunculus”, foreshadows Hitler. I say, beware of businessmen enthralling the working classes.

Die Nibelungen: Siegfried (Fritz Lang, 1924)

Jan

2

dragons

Die Nibelungen: Siegfried (1924)

Siegfried (Paul Richter), seen from the back, bathing in the blood of the slain dragon. On his left shoulder blade, a linden leaf. DPs: Carl Hoffmann, Günther Rittau & Walter Ruttmann.

Dragons or lizards, January's soul symbol.

Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Robert Wiene, 1920)

Dec

25

Hanukkah + Christmas

Das Cabinet des Dr. Caligari (1920)
Joseph Nicéphore Niépce (1822 – 1827)

Cesare (Conrad Veidt) escapes with Jane (Lil Dagover) in his arms. Composition and distribution of light and shadow – much of which was painted directly on the set pieces – strike a strong resemblance with the oldest known survived photograph by Nicéphore Niépce from ca. 1822 – 1827. DP: Willy Hameister.

A favourite scene featuring light for Hanukkah and Christmas.

Alan “How long will I live?”

Cesare “Till the break of dawn.”

Die Puppe [The Doll] (Ernst Lubitsch, 1919)

Dec

16

Stupid Toy Day

Die Puppe (1919)

The doll (Ossi Oswalda) mischievously sticks out her tongue. DPs: Theodor Sparkuhl & Kurt Waschneck .

A ridiculous toy for Stupid Toy Day.

“She must have one complex mechanism!”

– Lancelot

KIPHO [Du musst zur KIPHO] (Julius Pinschewer, 1925)

Sep

25

1925

KIPHO (1925)

A very modern dressed woman with a small film camera. Superimposed but suggested she's filming it, a large teddybear – a bear is #Berlin's official mascot – to remind viewers that the Kino und Photoausstellung [“Film and Photo Fair”) takes place in the German capital. DP: Guido Seeber.

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.

Werckmeister harmóniák (Béla Tarr, 2000)

Sep

26

Shamu The Whale Day

Werckmeister harmóniák (2000)

A man in a dark hat and coat approaches the whale. The huge creature lays in an enormous open wooden crate in the middle of a town square. DPs: Patrick de Ranter, Miklós Gurbán, Erwin Lanzensberger, Gábor Medvigy, Emil Novák & Rob Tregenza.

“All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign.”

– János Valuska