settima

Germany

Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)

Feb

28

unemployment

Kuhle Wampe oder: Wem gehört die Welt? (1932)

The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.

Someone quits something or is unemployed: the abdication of Pope Benedict XVI in 2013.

“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”

– Marcel Carné, via

Kuhle Wampe, Berlin slang that means something like “empty stomach”, is the name of a real-world, improvised encampment for the unemployed at the Müggelsee. Here we find a family who lost everything after the death of one of them.

 

This late-Weimar, brechtian film was quickly banned by the German government.

Homunculus, 4. Teil – Die Rache des Homunculus (Otto Rippert, 1917)

Feb

3

finance

Homunculus, 4. Teil - Die Rache des Homunculus (1917)

Richard Ortmann, the homunculus (Olaf Fønss). DP: Carl Hoffmann.

A film about finance because “the Commonwealth of Massachusetts issues the first paper money on February 3, 1690”. The oldest surviving paper bill in what is now the United States bears the date February 3, 1690. The first documented paper money was issued during the Tang and Song dynasties in China, starting in the vulgar year 618. Who would have thought those new colonies were not the center of world history… sigh…

 

In the fourth instalment of the Homunculus saga, the artificial man callously heads the nation's financial powerhouse while secretly goading the workers in revolt against the ruling class. Soulless and unable to love, he aims for the annihilation of mankind.

 

Some claim that Die Rache des Homunculus, “The Wrath of the Homunculus”, foreshadows Hitler. I say, beware of businessmen enthralling the working classes.

Die Nibelungen: Siegfried (Fritz Lang, 1924)

Jan

2

dragons

Die Nibelungen: Siegfried (1924)

Siegfried (Paul Richter), seen from the back, bathing in the blood of the slain dragon. On his left shoulder blade, a linden leaf. DPs: Carl Hoffmann, Günther Rittau & Walter Ruttmann.

Dragons or lizards, January's soul symbol.

Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Robert Wiene, 1920)

Dec

25

Hanukkah + Christmas

Das Cabinet des Dr. Caligari (1920)
Joseph Nicéphore Niépce (1822 – 1827)

Cesare (Conrad Veidt) escapes with Jane (Lil Dagover) in his arms. Composition and distribution of light and shadow – much of which was painted directly on the set pieces – strike a strong resemblance with the oldest known survived photograph by Nicéphore Niépce from ca. 1822 – 1827. DP: Willy Hameister.

A favourite scene featuring light for Hanukkah and Christmas.

Alan “How long will I live?”

Cesare “Till the break of dawn.”

Die Puppe [The Doll] (Ernst Lubitsch, 1919)

Dec

16

Stupid Toy Day

Die Puppe (1919)

The doll (Ossi Oswalda) mischievously sticks out her tongue. DPs: Theodor Sparkuhl & Kurt Waschneck .

A ridiculous toy for Stupid Toy Day.

“She must have one complex mechanism!”

– Lancelot

KIPHO [Du musst zur KIPHO] (Julius Pinschewer, 1925)

Sep

25

1925

KIPHO (1925)

A very modern dressed woman with a small film camera. Superimposed but suggested she's filming it, a large teddybear – a bear is #Berlin's official mascot – to remind viewers that the Kino und Photoausstellung [“Film and Photo Fair”) takes place in the German capital. DP: Guido Seeber.

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.

Werckmeister harmóniák (Béla Tarr, 2000)

Sep

26

Shamu The Whale Day

Werckmeister harmóniák (2000)

A man in a dark hat and coat approaches the whale. The huge creature lays in an enormous open wooden crate in the middle of a town square. DPs: Patrick de Ranter, Miklós Gurbán, Erwin Lanzensberger, Gábor Medvigy, Emil Novák & Rob Tregenza.

“All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign.”

– János Valuska

Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)

Sep

25

Orlacs Hände (1924)

Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.

Vampyr, ou l'étrange aventure de David Gray (Carl Theodor Dreyer, 1932)

Sep

25

World Dream Day

Vampyr, ou l'étrange aventure de David Gray (1932)

Allan Grey (Julian West) sees himself in a coffin in a dream. DPs: Rudolph Maté & Louis Née.

“This is the tale of the strange adventures of the young Allan Gray, who immersed himself in the study of devil worship and vampires. Preoccupied with superstitions of centuries past, he became a dreamer for whom the line between the real and the supernatural became blurred. His aimless wanderings led him late one evening to a secluded inn by the river in a village called Courtempierre.”

– title card