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Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
May
2
A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.
“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”
– Fontaine
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Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Mar
13
Walter Steiner, flying. DP: Jörg Schmidt-Reitwein.
“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”
– Walter Steiner
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Superstar: The Karen Carpenter Story (Todd Haynes, 1987)
Feb
4
A brunette Barbie doll representing Karen Carpenter makes a statement in front of the White House. DP: Barry Ellsworth.
“Mother, didn't you know there are children starving in Africa?”
– “Karen Carpenter”
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کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Jan
19
Hossain Sabzian on the back of a motorcycle on a busy tree-lined, four lane street. He's holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.
– Is there anything I can do for you?
– You could make a film about my suffering.
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Sprawa Gorgonowej [The Gorgon Case] (Janusz Majewski, 1977)
Dec
30
1931
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Street of Dreams – Musical Mirror Maze [Tiny Tim's Street of Dreams] (Martin Sharp, 1988)
Dec
4
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A theme park*, or in this case, amusement park.
“Just take it from me
I'm just as free as any daughter
I do what I like
Just what I like and how I love it
I'm right here to stay when I'm old and gray
I'll be right in my prime
Living in the sunlight, loving in the moonlight
Having a wonderful time”
– Tiny Tim, Livin' in the Sunlight, Lovin' in the Moonlight (Al Sherman & Al Lewis, 1930), from God Bless Tiny Tim (1968)
Tiny Tim is a personal hero of mine. A decade after his mainstream TV debut, Tiny's career had taken a tumble but he still was – God bless him – Tiny Tim, and he performed a two-hour-and-seventeen-minute singing marathon at Luna Park Sydney. Just months after that, tragedy hit the park's Ghost Train ride. A fire, arson as it was determined decades later, killed seven. Fellow Tiny-aficionado and OZ artist Don Lane saw a connection between these two events and spend years cutting and editing the musical marathon, nude drunken interview and disaster footage, and Tiny wandering around a mirror maze into a narrative.
Lane passed in 2013 and, in respect of his family's wishes, Street of Dreams remains unfinished.
* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.
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Ciao Manhattan (John Palmer + David Weisman, 1972)
Nov
21
1971
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A newspaper, partially obscured blares “[…], Andy's Star of '65, Is Dead at 28”. The article mentions she (Edie/Susan) died “a week ago today”, making the newspaper's date November 21. DPs: John Palmer & Kjell Rostad.
“It's sort of like a mockery, in a way, of reality, because they think everything is smiles and sweetness and flowers, when there is something bitter to taste. And to pretend there isn't is foolish.”
– Susan
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20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)
Nov
20
1936
Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.
A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.
“Fascism is not to be debated, it is to be destroyed.”
– Buenaventura Durruti
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Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)
Nov
4
1933
Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.
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Il caso Mattei [The Mattei Affair] (Francesco Rosi, 1972)
Oct
27
1962
A group of well-dressed men, somewhere in a field, with Enrico Mattei (Gian Maria Volontè) in the centre. DP: Pasqualino De Santis.
“IF they want to kill me, let them do it.”
– Enrico Mattei