settima

1990s

重慶森林 [Chung Hing sam lam / Chungking Express] (Wong Kar-Wai, 1994)

Apr

28

8:59

重慶森林 (1994)

A flipclock. It's April 28, a Friday, and 8:59 pm. DPs: Christopher Doyle & Wai Keung Lau.

“We broke up on April's fools day, so I took it as a joke. I'm willing to humor her for a month.”

– He Zhiwu, Cop 223

Распад [Raspad / Collapse / Decay] (Mikhail Belikov, 1990)

Apr

25

1986

Распад (1990)

A young boy looks over his shoulder into the camera. He's seated at an extended table, set with food for many. A man in the back is on the phone; a woman walks around cradling a newborn child. In the corner of the room a baby cot. DP: Vasiliy Trushkovskiy.

Moment of Impact (Julia Loktev, 1998)

Apr

1

1989

Moment of Impact (1998)

A person holds Leonid Loktev's head from behind, while someone else cups his left eye with one hand. DP: Julia Loktev.

کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)

Jan

19

Nema-ye Nazdik (1990)

Hossain Sabzian on the back of a motorcycle on a busy tree-lined, four lane street. He's holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.

– Is there anything I can do for you?

– You could make a film about my suffering.

X2000 (François Ozon, 1998)

Jan

1

2000

X2000 (1998)

A young, naked man holding a drink observes two men asleep in a sleeping bag on the floor. On the wall behind them the text “2000” spelled out with tinsel garlands. DP: Pierre Stoeber.

The Book of Life (Hal Hartley, 1998)

Dec

31

1999

The Book of Life (1998)

The “New York News” of December 31, 1999. The headline reads LAST DAY OF CENTURY BELIEVERS PRAY FOR END. DP: Jim Denault.

“It was the morning of December 31, 1999 when I returned, at last, to judge the living and the dead. Though still, and perhaps always, I had my doubts.”

The Last Broadcast (Stefan Avalos + Lance Weiler, 1998)

Dec

15

1995

The Last Broadcast (1998)

An anxious looking camera man in the woods on grainy VHS stock. DP: Lance Weiler.

“At 10 PM, in what will be the last broadcast, Fact or Fiction goes live.”

– David Leigh, the filmmaker

The Baby of Mâcon (Peter Greenaway, 1993)

Dec

12

Dīpāvalī

The Baby of Mâcon (1993)

The miraculous child (Nils Dorando) surrounded by candles. DP: Sacha Vierny.

Candles for Diwali*. Today's and tomorrow's theme are virtually interchangeable.

 

When an old crone gives birth to a beautiful baby, a young virgin claims the child as hers. With the Immaculately Conceived wonder put on display – to the child's contemporaries, the court of Cosimo de' Medici attending a reenactment of the events, and us film viewers – He protects the false Virgin from losing her chastity and blurs the walls between staging and gospel.

 

* “Diwali, one of the major religious festivals in Hinduism, Jainism, and Sikhism, lasting for five days from the 13th day of the dark half of the lunar month Ashvina to the second day of the light half of the lunar month Karttika. The corresponding dates in the Gregorian calendar usually fall in late October and November.” (source).

Outer Space (Peter Tscherkassky, 1999)

Oct

26

Outer Space (1999)

Barbara Hershey as Carla Moran. DP of The Entity: Stephen H. Burum.

[Favourite] psychological horror*

“A premonition of a horror film”

– tagline

Real horror is not found in broken dinner plates or corpuscular masses of light. It's in what the mind does with that input, in how those lux morph into human-like shapes. In how gusts of wind becomes larynx-touched voices. Cut up the neatly filed research papers and be left with the whispers of the mind.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.