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Morte a Venezia [Death in Venice] (Luchino Visconti, 1971)
Jun
11
Say HI Day
Von Aschenbach (Dirk Bogarde) and Tadzio (Björn Andrésen). DP: Pasqualino De Santis.
Characters say or wave hello on Say HI Day
A sickly composer meets and becomes infatuated with a boy during his stay in Venice.
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跑道終點 [Pao dao zhong dian / The End of the Track] (Tun-Fei Mou, 1970)
Jun
2
Dennis Haysbert – 1954
Hsiao-Tung and Yung-shen at the track. DP: Chung-Hsin Chen.
A [favourite]* fictional athlete for Dennis Haysbert's birthday (1954).
Close friends Hsiao-Tung and Yung-shen spend their time together, wandering about, eating dumplings, and training for athletics. Until one of them pushes too hard, leaving the other alone in his grief.
* this month's Bales' Challenge is marred with “favourites”, something I don't believe in. Instead, I stick to great cinema and will squeeze in a few LGBT-themed films for Pride Month.
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Ich bin meine eigene Frau [I Am My Own Woman] (Rosa von Praunheim, 1992)
May
16
Honor Our LGBT Elders Day
Ichgola Androgyn, Jens Taschner, and Charlotte von Mahlsdorf as Charlotte von Mahlsdorf. DP: Lorenz Haarmann.
“Ich bin meine eigene Frau” (“I am my own woman/wife”)
– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married
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Compulsion (Richard Fleischer, 1959)
May
16
Straus (Bradford Dillman) with Steiner (Dean Stockwell) behind the wheel. They're beaming. DP: William C. Mellor.
“Murder's nothing. It's just a simple experience. Murder and rape? Do you know what beauty there is in evil?”
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The Angelic Conversation (Derek Jarman, 1985)
Apr
23
William Shakespeare — 1564
Two men in tender embrace. DPs: Derek Jarman & James Mackay.
A Shakespearean play or quote for the Bard's (assumed) birthday (1564).
Sweet love, renew thy force; be it not said
Thy edge should blunter be than appetite,
Which but to-day by feeding is allay’d,
To-morrow sharpen’d in his former might:
So, love, be thou; although to-day thou fill
Thy hungry eyes even till they wink with fullness,
To-morrow see again, and do not kill
The spirit of love with a perpetual dulness.
Let this sad interim like the ocean be
Which parts the shore, where two contracted new
Come daily to the banks, that, when they see
Return of love, more blest may be the view;
Or call it winter, which, being full of care,
Makes summer’s welcome thrice more wish’d, more rare.
Accompanied by Coil's brooding lust and Judi Dench's solemn recital of 14 of Shakespeare's sonnets, men cross dreamlike landscapes and dark desires.
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Sebastiane (Paul Humfress + Derek Jarman, 1976)
Feb
18
Pluto Day
Sebastian (Leonardo Treviglio) sits on a rock in a barren landscape. Two men in the distance, and a sheep, all have their backs turned to him. DP: Peter Middleton.
“His body is golden like molten gold. This hand of his… will smooth away these wounds. Justin, he is as beautiful as the sun. This sun which caresses me… is his burning desire. He is Phoebus Apollo. The sun… is his… burning kiss.”
– Sebastian
Sebastian, member of the Emperor's personal guard, is exiled after an incident. He finds himself on a rocky outpost, and the object of the other men's lust. One of them – a centurion rejected by the Christian boy – subjects Sebastian to torture and eventually lifts him up martyrdom.
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Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Feb
17
1962
The actor (Umberto Orsini) approaches a hotel lobby. A blackboard notes the date: February 17, 1962. DP: Ennio Guarnieri.
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Some Like It Hot (Billy Wilder, 1959)
Feb
14
St. Valentine's Day
Sugar, Josephine, Daphne, and Sweet Sue and Her Society Syncopators rehearse Runnin’ Wild on the sleeper train to sunny Florida. DP: Charles Lang.
A movie about romance, of the Mafia, for St. Valentine's Day.
“Real diamonds! They must be worth their weight in gold!”
– Sugar Kane Kowalczyk
The opening shootout was directly inspired by the February 14 1929 Saint Valentine's Day Massacre (graphic), and shares an actor from one of its most famous adaptations, Scarface (1932); George Raft as the wonderfully named Spats Colombo.
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Die bitteren Tränen der Petra von Kant [The Bitter Tears of Petra von Kant] (Rainer Werner Fassbinder, 1972)
Jan
31
freebie: high fashion
Fashion designer Petra von Kant (Margit Carstensen) – pouting in her emerald-green dress – is kneeled on a large, sheepskin carpet in front of a huge Baroque painting (Nicolas Poussin's Midas und Bacchus, ca. 1624). In front of her a small bottle of gin and a phone. DP: Michael Ballhaus.
A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.
– You have a good figure. You could use it to your advantage. Get in touch with me some time.
– I'd love to.
With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.
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Orlando (Sally Potter, 1992)
Jan
24
Billy Zane's birthday
Orlando (Tilda Swinton) and Shelmerdine (Billy Zane) in intimate embrace. DPs: Aleksey Rodionov & Andrew Speller.
A [favourite] Billy Zane film for his birthday (1966).
“This future of yours Shelmerdine, when it's gonna begin? Today? Or, is it always tomorrow?”
– Orlando
As ordered by Queen Elizabeth I (Quentin Crisp), nobleman Orlando remains young and traverses exotic scenery, civilisations, time, and gender.