settima

dance

Sioux Ghost Dance (William K.L. Dickson + William Heise 1894)

Dec

1

Hornbill Festival

Sioux Ghost Dance (1894)

A Sioux troupe – these particular people were part of Buffalo Bill’s Wild West show – perform a Ghost Dance in #ThomasEdison's Black Maria studio in New Jersey. DP: William Heise.

Indigenous dance for Hornbill Festival, Nagaland.

Salón México (Emilio Fernández, 1949)

Aug

13

$120 cerveza

Salón México (1949)

Mercedes (Marga López) sitting at a small round table at the salón. A waiter just came over to take her order. In the other room, meticulously dressed couples dance to live music. DP: Gabriel Figueroa.

Get Rollin' (J. Terrance Mitchell, 1980)

Jun

22

Positive Media Day

Get Rollin' (1980)

Young Black men jammin' to resident DJ “Big Bob” Clayton's grooves with Maurice Gatewood taking centre stage. Later in the 80s, the Empire Roller Disco would become a meeting point for gay Black and Latinx men who would hold rollerdance competitions. DP: Joseph Friedman.

The groove is driving and the characters jammin' in J. Terrance Mitchell's Get Rollin' (1980). We follow entrepreneur Vinzerrelli (Vinnie Vinzerrelli) who aims to become “the Muhammad Ali of #RollerBoogie” and to enter the Guinness Book of World Records as the first roller skater to make a million dollars. In his tow, smooth-as-silk Pat the Cat (Pat Richardson), who calls it a day to become a star roller derby player in “London, England”. Pat's wife and suddenly-ex-boss are less charmed by the idea. Those skates are expensive, and steam-cleaning those customised tees cost a dime, too. But Pat, he's determined. He's the Cowboy on Skates, rollin' his and everyone's blues away.

“It's spontaneous combustion!”

– Vinzerrelli

And in her own quiet way, there's soft-spoken physical therapist Inez from Alabama, who can be seen swerving around like a Disco Queen if not teaching a mangled man in Central Park how to rollerskate with flair and self-esteem.

 

A movie awash with so much groove and good vibes, so much love for Black life on #Brooklyn's Empire Roller Disco rink, it can not do other than put a huge grin on your face.

A Midsummer Night's Dream (William Dieterle + Max Reinhardt, 1935)

Jun

10

Superman Week

A Midsummer Night's Dream (1935)

Oberon (Victor Jory) – King of the Fairies – on his horse with Puck (Mickey Rooney) – a trickster sprite. While they ride of, Oberon's cape flows behind them through the trees, supported by the fae. A lot of the other-worldly fairy sparkle was accomplished by generous amounts of DuPont® cellophane and cinematographer Hal Mohr's contribution of trimming the trees with aluminium paint, cobwebs, and small metal particles. DP: Hal Mohr.

Capes, cloaks, and mantles are everywhere in Dieterle and Reinhardt's lavishly outfitted A Midsummer Night's Dream. The dreamlike #CostumeDesign by Max Rée and the uncredited Milo Anderson is as much as a personality as #Shakespeare's characters are.

“Now, until the break of day, Through this house each fairy stray…”

– Oberon, Act 5, Scene 1

Any reports of Kenneth Anger's presence as the Changeling Prince are greatly exaggerated.

Sur un air de Charleston [Charleston Parade] (Jean Renoir, 1927)

Feb

14

Extraterrestrial Culture Day

Sur un air de Charleston (1927)

Parisian savage Catherine Hessling and African explorer Johnny Hudgins exploring each other's alien ways. DP: Jean Bachelet.

Legendary African-American #vaudeville performer Johnny Hudgins – in historically correct Blackface – plays an African explorer who descends onto 2028 Paris to learn about the primitive ways of the white natives. Soon, he discovers the Charleston.

“I have finally discovered my ancestors' traditional dance.”

– Johnny Hudgins

A fantastic Afrofuturist short, made a decade before Sun Ra's trip to Saturn.

Bröder Carl [Brother Carl] (Susan Sontag, 1971)

Feb

7

Ballet Day

Bröder Carl (1971)

Carl (Laurent Terzieff) in a the opening position of a brisé (litt. “broken”) – a leap – on a veranda, with choreographer Martin (Keve Hjelm) watching over him. DP: Rune Ericson.