Orange: a building or structure*

“Today is the first day of a life of sacrifice.”

– Moritoo Endō

Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii.

 

Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté's Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come.

 

Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.

 

* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.

“You'll go under like all the others.”

– Judith Denning

Local nightlife: people dancing or at a show*

“Don't know why There's no sun up in the sky Stormy weather Since my man and I ain't together Keeps raining all of the time

Oh, yeah Life is bad Gloom and misery everywhere Stormy weather, stormy weather And I just can get my poor self together Oh, I'm weary all of the time The time, so weary all of the time

When he went away The blues walked in and met me Oh, yeah if he stays away Old rocking chair's gonna get me All I do is pray The Lord will let me Walk in the sun once more

Oh, I can't go on, can't go on, can't go on Everything I have is gone Stormy weather, stormy weather Since my man and I, me and my daddy ain't together Keeps raining all of the time Oh, oh, keeps raining all of the time Oh, yeah, yeah, yeah raining all of the time Stormy stormy Stormy weather Yeah”

– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)

A radiant Goddess (Elisabeth Welch) performs the torch song Stormy Weather. Enchanted sailors dance.

 

* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.

A movie that takes place in nature for National Trails Day (USA)

 

Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.

 

The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.

The birth, life, death or teachings of Jesus on Ascension Day

“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”

– Klaus Kinski

It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.

A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.

“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”

– Stepan

When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite

 

The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.

“I sit in the subway sometimes, on buses, or the movies, and I look at the people next to me and I think… 'What would you say if I told you I was a witch?'”

– Queenie