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Лісова пісня. Мавка [Lisova pisnya. Mavka / A Story of the Forest: Mavka] (Yuri Ilyenko, 1981)
Jun
7
National Trails Day
Mavka (Lyudmila Efimenko) and the Spirit of the Forest (Boris Khmelnitskiy). DP: Yuri Ilyenko.
Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.
The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.
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El gran calavera [The Great Madcap] (Luis Buñuel, 1949)
May
31
Lobbycard. DP: Ezequiel Carrasco.
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Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)
May
29
Ascension Day
The birth, life, death or teachings of Jesus on Ascension Day
“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”
– Klaus Kinski
It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.
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The Trial of the Catonsville Nine (Gordon Davidson, 1972)
May
17
1968
Director Gordon Davidson and the defense attorney (David Spielberg) on set. DP: Haskell Wexler.
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Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)
May
8
VE Day
A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.
A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.
“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”
– Stepan
When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite
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Bell Book and Candle (Richard Quine, 1958)
Mar
12
Gillian Holroyd (Kim Novak) and her Siamese, Pyewacket. DP: James Wong Howe.
“I sit in the subway sometimes, on buses, or the movies, and I look at the people next to me and I think… 'What would you say if I told you I was a witch?'”
– Queenie
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Little Malcolm and His Struggle Against the Eunuchs (Stuart Cooper, 1974)
Scrawdyke
2
Malcolm Scrawdyke (John Hurt), disgruntled art student. DP: John Alcott.
“So, this month becomes the month of Scrawdyke.”
– Malcolm Scrawdyke
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Die bitteren Tränen der Petra von Kant [The Bitter Tears of Petra von Kant] (Rainer Werner Fassbinder, 1972)
Jan
31
freebie: high fashion
Fashion designer Petra von Kant (Margit Carstensen) – pouting in her emerald-green dress – is kneeled on a large, sheepskin carpet in front of a huge Baroque painting (Nicolas Poussin's Midas und Bacchus, ca. 1624). In front of her a small bottle of gin and a phone. DP: Michael Ballhaus.
A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.
– You have a good figure. You could use it to your advantage. Get in touch with me some time.
– I'd love to.
With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.
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Libahunt [Лесная легенда / Werewolf] (Leida Laius, 1968)
Jan
13
soup
A dinner table shown from above. Several people, we mainly see their hands and wooden spoons, eat from a hand-carved bowl. DP: Algimantas Mockus.
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Libahunt [Лесная легенда / Werewolf] (Leida Laius, 1968)
Jan
13
wolf moon
Tiina (Ene Rämmeld) walking through the forest. DP: Algimantas Mockus.
Wolves for Wolf Moon, the first full moon after Yule.
In Livonia, which covers modern day Estonia, the 17th century was when the werewolf trials reigned.
“Better to be with wolves in the forest, than with people like you!”
Tiina, a young liberated woman taken in by a family of farmers after her mother was put on trial for witchcraft, is accused of hunting with the wolves as a werewolf by her half-sister with whom she shares a lover.