A character who is always on the GO [sic] for World Productivity Day

“I am the great traitor. There must be no other. Anyone who even thinks about deserting this mission will be cut up into 198 pieces. Those pieces will be stamped on until what is left can be used only to paint walls. Whoever takes one grain of corn or one drop of water… more than his ration, will be locked up for 155 years. If I, Aguirre, want the birds to drop dead from the trees… then the birds will drop dead from the trees. I am the wrath of God. The earth I pass will see me and tremble. But whoever follows me and the river, will win untold riches. But whoever deserts…””

– Don Lope de Aguirre

Conquistador Don Lope de Aguirre drives his men deep into the Peruvian jungle, to El Dorado

Mythology on the date Wrath of the Titans (2012) was released.

 

With their shaman lost to alcohol, villagers make their way to a diviner in the hope to appease Chac, the rain god.

“This is the account of when all is still silent and placid.   All is silent and calm.   Hushed and empty is the womb of the sky.”

– Popul Vuh, The Primordial World

Filmed in the forests of Tenejapa, Chiapas, Chac is probably the first film completely in Tzotzil, one of several Maya languages, and based on themes found in the Popol Vuh.

Poverty (National Poverty in America Awareness Month).

 

Macario, poor and hungry, wishes to eat a whole turkey all by himself on Día de los Muertos. When he finally has the opportunity, he is interrupted three times: by the Devil, by God, and by Death. With one of them, he shares his meal.

“It has been a good day for everyone, even for God. No sign of rain. No evidence of disease or blood.”

A dish best served cold.

An underdog for National Underdog Day (USA)

 

Underdog Ánimas Trujano is dead set on becoming his town's next mayordomio, the wealthy, respected man in charge of funding one of Oaxaca's major religious festivals. He does find a way, a terrible one, and does get the respect and riches he wishes for. But even with all the money and praise in the world, Ánimas' continuous down his well-trodden path of gambling away the riches bestowed, and cheating on his long-suffering wife.

 

It took me a moment to get comfortable with the casting of Japanese movie legend Toshirō Mifune as the titular important man (also see Noé Murayama in Rodríguez's Los hermanos Del Hierro from 1961, but from that moment on, Ánimas Trujano feels as universal as any great cinematic experience should be.