settima

mystery

Les créatures [The Creatures] (Agnès Varda, 1966)

Aug

29

Les créatures (1966)

Mylène (Catherine Deneuve) and Edgar (Michel Piccoli) Piccoli playing checkers at a small table. DPs: Willy Kurant, William Lubtchansky & Jean Orjollet.

“Everything is rotten. Decadence is everywhere. Why fight it?”

A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)

Aug

27

A Canterbury Tale (1944)

Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.

“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”

– Thomas Colpeper, JP

The Beast with Five Fingers (Robert Florey, 1946)

Aug

15

The Beast with Five Fingers (1946)

Hilary Cummins (Peter Lorre). DP: Wesley Anderson.

“Eight bones has the carpus, five the metacarpus, fourteen the phlanges, all in all, all in all, twenty-seven all in all. Abracadabra.”

– Donald Arlington

Carne de tu carne [Flesh of Your Flesh] (Carlos Mayolo, 1983)

Aug

6

1956

Carne de tu carne (1983)

A teenage boy reads out a handwritten letter to a teenage girl (via). DP: Gabriel Beristain.

 

Vergogna, schifosi!… [Dirty Angels] (Mauro Severino, 1969)

Aug

4

Vergogna, schifosi!… (1969)

A small desk calendar. The 4 is circled. DP: Angelo Lotti.

While the month is never explicitly stated, there's mention of August traffic jams.

“Matto, caldo, soldi, morto… girotondo…”

Les trois couronnes du matelot [Three Crowns of the Sailor] (Raúl Ruiz, 1983)

Jul

25

1958

Les trois couronnes du matelot (1983)

Prostitute María (Nadège Clair) sitting on her bed. The bed is covered in dolls. DP: Sacha Vierny.

“On the night of July 25, 1958 I killed Ladislaw Zukarevitch, antique dealer, my mentor, my master in the art of polishing diamonds, my tutor at Warsaw Theological School.”

– the student

Ansiktet [The Face / The Magician] (Ingmar Bergman, 1958)

Jul

14

Ansiktet (1958)

Granny Vogler (Naima Wifstrand) telling a sobbing Sara (Bibi Andersson) that yes, she may indeed be a witch. DP: Gunnar Fischer.

“I see what I see, and I know what I know. But nobody believes me.”

– Granny Vogler

La mort d'un bûcheron [The Death of a Lumberjack] (Gilles Carle, 1973)

Jul

12

1920

La mort d'un bûcheron (1973)

Blanche Bellefeuille (Denise Filiatrault) in front of a wall covered in catholic knickknacks. Through a door, nightclub entrepreneur Armand St. Amour (Willie Lamothe) can be seen asleep, his beloved cowboy boots carefully placed next to his improvised bed. DP: René Verzier.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

10

Mon

L'eclisse (1962)

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.

“Everything's crashing here.”

– Vittoria's mother

La dame dans l'auto avec des lunettes et un fusil [The Lady in the Car with Glasses and a Gun] (Anatole Litvak, 1970)

Jul

10

Vendredi

La dame dans l'auto avec des lunettes et un fusil (1970)

A man with a lot of swagger and rolled up blueprints is about to enter a room with a prominent Coca-Cola machine and a jazzy leather swivel chair on display. An electronic flip clock tells the time and date. It's 17:52. DP: Claude Renoir.