settima

mystery

L'ange et la femme [The Angel and the Woman] (Gilles Carle, 1977)

Dec

3

L'ange et la femme (1977)

Gabriel (Lewis Furey) and the woman he named Fabienne (Carole Laure). DP: François Protat.

A caregiver*

 

A woman is brutally murdered and taken home by a young man. This man – this angel – takes away her wounds, returns her to life, and nurses her. They fall in love.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Belle (André Delvaux, 1973)

Nov

28

Belle (1973)

Belle (Adriana Bogdan) in front of her cabin on the moors. DPs: Ghislain Cloquet & Charles Van Damme.

El escapulario [The Scapular] (Servando González, 1968)

Nov

20

El escapulario (1968)

Padre Andrés (Enrique Aguilar). DP: Gabriel Figueroa.

The Big Combo (Joseph H. Lewis, 1955)

Nov

15

1946

The Big Combo (1955)

A man's hand holds up a photo negative of a black-and-white picture, showing two men and a woman, and the date 11-15-46 underneath. DP: John Alton.

“I'm trying to run an impersonal business. Killing is very personal. Once it gets started, it's hard to stop.”

– Mr. Brown

E tanta paura [Plot of Fear] (Paolo Cavara, 1976)

Nov

14

1975

spoiler warning: click to toggle image E tanta paura (1976)

Two newspaper clippings in a scrapbook, one of them with the date November 14. DP: Franco Di Giacomo.

 

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Nov

11

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Bela Lugosi). DPs: Eric Cross & Geoffrey Faithfull.

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

Das Gold der Liebe [The Gold of Love] (Eckhart Schmidt, 1983)

Nov

9

Das Gold der Liebe (1983)

DAF-fan Patricia (Alexandra Curtis). DP: Bernd Heinl.

“Oh keiner macht's wie du, Wie du so traut sich's keiner, So wie du”

– DAF – El Que (Gold und Liebe (1981)

Outer Space (Peter Tscherkassky, 1999)

Oct

26

Outer Space (1999)

Barbara Hershey as Carla Moran. DP of The Entity: Stephen H. Burum.

[Favourite] psychological horror*

“A premonition of a horror film”

– tagline

Real horror is not found in broken dinner plates or corpuscular masses of light. It's in what the mind does with that input, in how those lux morph into human-like shapes. In how gusts of wind becomes larynx-touched voices. Cut up the neatly filed research papers and be left with the whispers of the mind.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

La donna del lago [The Lady of the Lake / The Possessed] (Luigi Bazzoni + Franco Rossellini, 1965)

Oct

25

La donna del lago (1965)

Tilde (Virna Lisi) caressing a man's hand, resting on her shoulder, with her cheek. DP: Leonida Barboni.

Until November 20.

Il caso Valdemar [The Facts in the Case of M. Valdemar] (Gianni Hoepli + Ubaldo Magnaghi, 1936)

Oct

24

Il caso Valdemar (1936)

M. Valdemar on his deathbed.

[A] favourite horror movie overall*

”'M. Valdemar,' I said, 'are you asleep?' He made no answer, but I perceived a tremor about the lips, and was thus induced to repeat the question, again and again. At its third repetition, his whole frame was agitated by a very slight shivering; the eye-lids unclosed themselves so far as to display a white line of the{n} ball; the lips moved sluggishly, and from between them, in a barely audible whisper, issued the words:

'Yes; — asleep now. Do not wake me! — let me die so!'”

– Edgar Allan Poe, The Facts in the Case of M. Valdemar (1845) (via)

A man agrees on being hypnotised while in the state of dying. This particularly haunting and efficiently gory film – the first in the genre – is the result.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.