A [favourite] Frankenstein film.

 

One wet, ungenial summer in 1816, lovers Mary Godwin and Percy Shelley, and Mary's stepsister Claire Clairmont, visited a dear friend at Villa Diodati. That friend was Lord Byron, exiled and residing in the Swiss villa with his physician Dr John Polidori

“There are no ghosts in daylight. You'll get used to our nights at Diodati. A little indulgence to heighten our existence on this miserable Earth. Nights of the mind, the imagination. Nothing more.”

– Lord Byron

Forced indoors, over the cause of three days they turned to the occult, to laudanum, to stories from the Fantasmagoriana, and the horrors of their own. That summer, Frankenstein saw the light of day.

A translator for International Translation Day

“This mirror reflected a painting… with words. Chinese idiograms. 'The she-crane calls in the shadow. Her cheek answers.'”

– Alice Campos

Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.

 

Some English-language posters try to sell Le orme as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you're in for one unsettling treat! Le orme can be placed somewhere between Don't Look Now and that other Alice film, Chabrol's Alice ou la dernière fugue. Drifting and elegant, distant and claustrophobic.

“Tot dusver had ik mij steeds vrij tevreden met het leven gevoeld, zonder er wonderen van te verwachten. Die morgen geloofde ik, dat het voor een mens niet onmogelijk is gelukkig te zijn, kortstondig gelukkig misschien, maar gelukkig onmiskenbaar.”

– Hubert Lampo, De komst van Joachim Stiller (1960)

We watch the final report by Will Roczinski, who sadly died in a car crash while working on a TV documentary about UFOs and the like. A fascinating early “faux footage” film from the BRD. One can only wonder how the average West German processed the fantastic premise.

“We've been to Haunted Hills, and through Tinglers, and even Ghosts... but now we're going to meet a group of people who just happen to be… Homicidal.”

– William Castle, introduction

“Everything is rotten. Decadence is everywhere. Why fight it?”

“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”

– Thomas Colpeper, JP

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.

 

* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.