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La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20
“I thought you'd be hungry, maybe.”
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
10
Mon
Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.
“Everything's crashing here.”
– Vittoria's mother
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Les félins [Joy House / The Love Cage] (René Clément, 1964)
May
14
Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Mar
20
natural phenomena
Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.
“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”
During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.
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Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Nov
22
banquet
Backstage at the Cannes casino, stars and stagehands enjoy their well-deserved end-of-season banquet. Just walking in front of the showgirls is piano player Sam (Jimmy Davis). DP: Louis Page.
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Plein soleil; Die Konsequenz
Jun
15
passports
Top to bottom: Plein soleil (René Clément, 1960), Die Konsequenz (Wolfgang Petersen, 1977).
Watched on June 15 and 17 respectively.
“I might not look it, but I've got lots of imagination.”
– Alain Delon as Tom Ripley in Plein soleil (1960)
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Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
“Why bother having money when you can spend other people's?”
– Philippe Greenleaf
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
19
fruit
“I still can't figure out if it's an office, a market place, or a boxing ring. And maybe I don't even need to.”
– Vittoria
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La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
13
“Chinese food”
The two couples (Delon and Schneider, and Ronet and Birkin) awkwardly share dinner. There's wine in red glasses and the food, plated on rustic French dinnerware, is handled with chopsticks. DP: Jean-Jacques Tarbès.