settima

AlainDelon

Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)

Sep

6

Tue

Mélodie en sous-sol (1963)

Mario (Henri Virlojeux), bathhouse proprietor. A nearby wall calendar reads mardi, septembre 6. DP: Louis Page.

Flic Story [Cop Story] (Jacques Deray, 1975)

Sep

3

1947

Flic Story (1975)

A close-up of a man's feet hastily walking along a corridor. Superimposed it reads 3 SEPTEMBRE 1974. DP: Jean-Jacques Tarbès.

Plein soleil [Purple Noon] (René Clément, 1960)

Aug

20

1959

Plein soleil (1960)

A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.

“Marge, my love, my angel.”

La piscine [The Swimming Pool] (Jacques Deray, 1969)

Jul

20

La piscine (1969)

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.

Shopping for food*

“I thought you'd be hungry, maybe.”

Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…

 

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

10

Mon

L'eclisse (1962)

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.

“Everything's crashing here.”

– Vittoria's mother

Les félins [Joy House / The Love Cage] (René Clément, 1964)

May

14

Les félins (1964)

Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Mar

20

natural phenomena

L'eclisse (1962)

Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.

A natural phenomenon for this year's March equinox, three supermoons, and the March 25 solar eclipse.

“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”

During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.

Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)

Nov

22

banquet

Mélodie en sous-sol (1963)

Backstage at the Cannes casino, stars and stagehands enjoy their well-deserved end-of-season banquet. Just walking in front of the showgirls is piano player Sam (Jimmy Davis). DP: Louis Page.

Plein soleil; Die Konsequenz

Jun

15

passports

Plein soleil (1960)
Die Konsequenz (1977)

Top to bottom: Plein soleil (René Clément, 1960), Die Konsequenz (Wolfgang Petersen, 1977).

Watched on June 15 and 17 respectively.

“I might not look it, but I've got lots of imagination.”

– Alain Delon as Tom Ripley in Plein soleil (1960)

Plein soleil [Purple Noon] (René Clément, 1960)

Jun

15

croissants

Plein soleil (1960)

Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.

“Why bother having money when you can spend other people's?”

– Philippe Greenleaf