“Marge, my love, my angel.”Plein soleil [Purple Noon] (René Clément, 1960)
Aug
20
1959

A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.
“Marge, my love, my angel.”Plein soleil [Purple Noon] (René Clément, 1960)
Aug
20
1959

A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.
“Have you seen Mr Tavernier tonight?”Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Jun
18
International Panic Day

M Tavernier (Maurice Ronet) seated in an elevator, calmly smoking. Around him several items speak of less calm moments. DP: Henri Decaë.
A character in panic mode on International Panic Day
Julien Tavernier has a plan about how to run off with his boss' wife. There's just this one snag. No time to panic, c'est cool c'est cool.
– I saw you the other morning, eating frites. – I like frites.Bob le flambeur [Bob the Gambler] (Jean-Pierre Melville, 1956)
Jun
13
frites

Anne (Isabelle Corey), a cute blonde with a beret, eats a fry (French, obviously) while giving us a side glance. It's all very proto-Vague. DP: Henri Decaë.
“I'd even lose at hopscotch these days.”Bob le flambeur [Bob the Gambler] (Jean-Pierre Melville, 1956)
Jun
13
Friday

Bob (Roger Duchesne) at the tables, gambling. DP: Henri Decaë.
An unlucky character on Friday the 13th
– Bob Montagné
Bob gambles, and always wins. But then he starts losing. And not just games.
“Why bother having money when you can spend other people's?”Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants

Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
– Philippe Greenleaf
“Have you seen Mr Tavernier tonight?”Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Dec
13
croissants

Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.
“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”Les enfants terribles [The Terrible Children] (Jean-Pierre Melville, 1950)
Nov
13
World Orphans Day

The siblings – children on the cusp of adulthood, played by adults – sharing a bed. Elisabeth (Nicole Stéphane) points up towards the ceiling with one arm wrapped around her brother Paul's (Edouard Dermithe) neck. Both wear dressing gowns. DP: Henri Decaë.
With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.
– Jean Cocteau, Les enfants terribles (1929)
Withdrawn in their family home, they form a strong manipulative bond, drawing others into their games.
“I never lose. Never really.”Le Samouraï [The Samurai] (Jean-Pierre Melville, 1967)
Apr
25
License Plates Day

A pair of hands switching license plates on the front of a Citroën DS. The scene is almost black-and-white. DP: Henri Decaë.
Hitman Jef Costello (Alain Delon) coolly drives a #Citroën DS 21 to his garagiste (André Salgues), who routinely switches the license plates in a beautifully wordless, efficiently lit scene.