“Marge, my love, my angel.”
Plein soleil [Purple Noon] (René Clément, 1960)
Aug
20
1959
A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.
“Why bother having money when you can spend other people's?”
Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
– Philippe Greenleaf
“Have you seen Mr Tavernier tonight?”
Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Dec
13
croissants
Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.
“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”
Les enfants terribles [The Terrible Children] (Jean-Pierre Melville, 1950)
Nov
13
World Orphans Day
The siblings – children on the cusp of adulthood, played by adults – sharing a bed. Elisabeth (Nicole Stéphane) points up towards the ceiling with one arm wrapped around her brother Paul's (Edouard Dermithe) neck. Both wear dressing gowns. DP: Henri Decaë.
With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.
– Jean Cocteau, Les enfants terribles (1929)
Withdrawn in their family home, they form a strong manipulative bond, drawing others into their games.
“I never lose. Never really.”
Le Samouraï [The Samurai] (Jean-Pierre Melville, 1967)
Apr
25
License Plates Day
A pair of hands switching license plates on the front of a Citroën DS. The scene is almost black-and-white. DP: Henri Decaë.
Hitman Jef Costello (Alain Delon) coolly drives a #Citroën DS 21 to his garagiste (André Salgues), who routinely switches the license plates in a beautifully wordless, efficiently lit scene.