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La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)
Mar
19
Howard University Protest
Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.
“One must confront vague ideas with clear images”
– slogan on a wall
Five Maoist students theorise, then practice a radical overthrow via terrorism.
Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).
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Beaubourg, centre d'art et de culture Georges Pompidou [Beaubourg] (Roberto Rossellini, 1977)
Jan
31
1977
Rossellini on site. DPs: Néstor Almendros, Jean Chiabaut & Emmanuel Machuel.
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Touche pas à la femme blanche [Don't Touch the White Woman!] (Marco Ferreri, 1974)
Nov
23
potato chips
“Whoever dies for the country hasn't lived in vain. I, on the contrary, will live for the country because I'm not that stupid.”
– George A. Custer
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Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Nov
22
banquet
Backstage at the Cannes casino, stars and stagehands enjoy their well-deserved end-of-season banquet. Just walking in front of the showgirls is piano player Sam (Jimmy Davis). DP: Louis Page.
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Compartiment tueurs [The Sleeping Car Murder] (Costa-Gavras, 1965)
Nov
8
Eliane Darrès (Simone Signoret) – comédienne, by herself – takes a long hard look at her table-set-for-two. DP: Jean Tournier.
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Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
“The pickings were poor and not worth the risk.”
– Michel
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E-clip-se (Chris Marker, 1999)
Aug
11
1999
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Grands soirs & petits matins [May Days] (William Klein, 1978)
May
24
1968
Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.
“Soyez réalistes, demandez l'impossible”
– May 68 slogan
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La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)
May
20
1943
A dark-haired woman lounging on a bed. DP: Gérard de Battista.
“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”
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Pickpocket (Robert Bresson, 1959)
Mar
12
Michel (Martin LaSalle) in a busy café, observing. An emptied water glass next to the thief should make him look like a paying guest. DP: Léonce-Henri Burel.
“Can we not admit that certain skilled men, gifted with intelligence, talent or even genius, and thus indispensable to society, rather than stagnate, should be free to disobey laws in certain cases?”
– Michel
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