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La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Oct
15
1959
Gilbert (Sami Frey) and Dominique (Brigitte Bardot). DP: Armand Thirard.
The day of the court case. Numerous other dates are mentioned, all in flashbacks.
– The Paris Court of Appeals, meeting on October 15, 1959, pursuant to the charges against Dominique Marceau.
– With a girl like that, truth may be the best defense for once.
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Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Sep
6
Tue
Mario (Henri Virlojeux), bathhouse proprietor. A nearby wall calendar reads mardi, septembre 6. DP: Louis Page.
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Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
“The pickings were poor and not worth the risk.”
– Michel
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Petit à petit [Little by Little] (Jean Rouch, 1970)
Sep
3
Skyscraper Day
Damouré (Damouré Zika) measures a Parisian with craniology callipers. No skyscraper in this still, but there's scaffolding. DP: Jean Rouch.
In the sequel to Rouch's Jaguar (1967), Damouré wants a high rise for his Niger business with “as many floors as he has wives”. He decides to travel to Paris to learn about the construction of such building, and what made Paris to the Paris of today. While there, he gets distracted by the peculiarities of the French natives. Worried about Damouré's increasingly puzzling postcards, his company sends out Lam (Lam Ibrahim Dia) to bring him home.
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Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)
Aug
24
black
Black, in food or fashion*
“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”
– Musidora
Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.
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Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)
Aug
15
cerulean
Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.
Cerulean, or blue: in food or fashion*
“I'm just fine. I have everything here. I have the TV. You can see the whole world”
– the mother
How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.
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E-clip-se (Chris Marker, 1999)
Aug
11
1999
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La grande bouffe (Marco Ferreri, 1973)
Jul
21
A character pigging out*
“The most revolting film I have ever seen”
Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.
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Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Jun
18
International Panic Day
M Tavernier (Maurice Ronet) seated in an elevator, calmly smoking. Around him several items speak of less calm moments. DP: Henri Decaë.
“Have you seen Mr Tavernier tonight?”
Julien Tavernier has a plan about how to run off with his boss' wife. There's just this one snag. No time to panic, c'est cool c'est cool.
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Bob le flambeur [Bob the Gambler] (Jean-Pierre Melville, 1956)
Jun
13
frites
Anne (Isabelle Corey), a cute blonde with a beret, eats a fry (French, obviously) while giving us a side glance. It's all very proto-Vague. DP: Henri Decaë.
– I saw you the other morning, eating frites.
– I like frites.
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