settima

Poland

Die Blechtrommel [The Tin Drum] (Volker Schlöndorff, 1979)

Dec

21

winter solstice

Die Blechtrommel (1979)

Little Oskar with his tin drum. DP: Igor Luther.

Something short for winter solstice.

“He's growing! Look! See how he's growing! I have seen the Lord! The Lord! The Lord!”

– Schugger-Leo

On the eve of World War 2, little Oskar – just three years old – decides he doesn't want to grow anymore.

Wojna Światów – Następne Stulecie [The War of the Worlds: Next Century] (Piotr Szulkin, 1981)

Dec

18

1999

Wojna Światów - Następne Stulecie (1981)

Reporter Iron Idem (Roman Wilhelmi) bringing the news. DP: Zygmunt Samosiuk.

Pasażerka [Passenger] (Andrzej Munk, Witold Lesiewicz + Andrzej Brzozowski, 1963)

Dec

9

cruise

Pasażerka (1963)

Marta and Liza on the cruise ship (via). DP: Krzysztof Winiewicz.

On a cruise, from [OP] Cinn’s bucket list. Well, not in the context of today's film pick*

 

1960. On a luxury line, former prisoner Marta and her warden Liza meet again. Things had happened years before, in Auschwitz. This new confrontation reverses their roles.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)

Nov

4

1933

Na wylot (1972)

Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.

Śledztwo [The Investigation] (Marek Piestrak, 1974)

Oct

28

Śledztwo (1974)

A person offscreen shoots a handgun. DP: Edward Kłosiński.

Medium (Jacek Koprowicz, 1985)

Oct

2

Medium (1985)

A man in an impeccable, light-colored suit. His nose is bleeding. DPs: Jerzy Zieliński & Wit Dąbal.

Wśród nocnej ciszy [Quiet Is the Night] (Tadeusz Chmielewski, 1978)

Sep

14

Wśród nocnej ciszy (1978)

A young student sits on the ledge of a barge, looking up at another man. DP: Jerzy Szurowski.

Czułe miejsca [Tender Spots] (Piotr Andrejew, 1981)

Aug

28

1998

Czułe miejsca (1981)

Janek (Michał Juszczakiewicz) and Ewa (Hanna Dunowska) in embrace on a bed. DPs: Jerzy Zieliński & Ryszard Lenczewski.

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

Seksmisja [Sexmission] (Juliusz Machulski, 1984)

Aug

9

Seksmisja (1984)

Two poor captured extinct men enjoying breakfast and cigarettes. DP: Jerzy Łukaszewicz.

– Men are extinct.

– They were not mammoths!