settima

documentary

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)

Jul

20

1969

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? (1979)

A Bavarian onion dome with the date July 20, 1969 superimposed over it. DP: Kidlat Tahimik.

“Fantastic! You are a first class dilettante!”

– Kidlat's proud parents

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.

The Governor (Stan Brakhage, 1977)

Jul

4

1976

And July 20

“On July 4, 1976 I and my camera toured the state of Colorado with governor Richard D. Lamm, as he traveled in parades with his children, appeared at dinners, lectured, etc. On July 20, I spent the morning in his office in the state capitol and the afternoon with himself and his wife in a television studio, then with Mrs. Lamm greeting guests to the governor’s mansion and finally with Governor Lamm in his office again. These two days of photography took me exactly one year to edit into a film which wove itself thru multiple superimpositions into a study of light and power.”

– Stan Brakhage

Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)

Jul

1

1978

Farewell, Etaoin Shrdlu (1980)

All set for the July 2, 1978 edition of The New York Times, hot off the press.

Production of the last hot type copy of The New York Times on the night of July 1, 1978. The ETAOIN SHRDLU in the title refers to the accidental string of letters that sometimes would pop up using hot metal typesetting.

 

That Linotype setting, and narration, was provided by Carl Schlesinger. That same old, but now digitally set New York Times, provided a lovely farewell when the man passed. Read it here

La montagne infidèle [The Infidel Mountain] (Jean Epstein, 1923)

Jun

22

1923

La montagne infidèle (1923)

Unrestored film stock showing extensive damage to both the celluloid and the depicted structure. In 2024, the reels were rediscovered in Spain and restored by the Filmoteca de Catalunya (via). DP: Paul Guichard.

Filmmaker Jean Epstein and his cameraman Paul Guichard made their way to the Etna on June 22, 1923. This was merely five days after the eruption started.

“Sicily! The night had a thousand eyes. All sorts of smells shrieked at once. An unfurled coil of wire brought our car, swathed in moonlight as if surrounded by mosquito netting, to a halt. It was hot. Impatient, the drivers broke off singing the most beautiful love song, striking the car with a monkey wrench and insulting Christ and his mother with a blind faith in their efficacy. In front of us: Etna, the great actor who bursts onto the stage two or three times each century, whose tragic extravagances I had arrived to film. An entire side of the mountain was a blazing spectacle. The conflagration reached up to the reddened corners of the sky. From a distance of twenty kilometers, the rumbling at times seemed to be a triumphal reception heard from afar, as if a thousand hands were applauding in an immense ovation.”

– Jean Epstein, Le Cinématographe vu de l’Etna (1926) (via)

6-18-67 (George Lucas, 1967)

Jun

18

1967

6-18-67 (1967)

The opening credits with the date 6-18-67 superimposed over it. DPs: Charles Braverman, George Lucas, David MacDougall & David Wyler.

“We had never been around such opulence, zillions of dollars being spent every five minutes on this huge, unwieldy thing. It was mind-boggling to us because we had been making films for three hundred dollars, and seeing this incredible waste – that was the worst of Hollywood.”

– pre-blockbuster George Lucas

Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)

Jun

13

Wyszedł w jasny, pogodny dzień (1972)

Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.

Deň radosti [A Day of Joy] (Dušan Hanák, 1972)

Jun

12

1971

Deň radosti (1972)

Exuberant revellers. DPs: Martin Gazík, Alojz Hanúsek & Oskár Šághy.

 

Wholly Communion (Peter Whitehead, 1966)

Jun

11

1965

Wholly Communion (1966)

Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.

“Love! Love!”

– anonymous poet interrupting Harry Fainlight

Crisis: Behind a Presidential Commitment (Robert Drew, 1963)

Jun

10

1963

Crisis: Behind a Presidential Commitment (1963)

An energetic Bobby arrives at the White House in his limousine. DP: Gregory Shuker.

“This nation, for all its hopes and all its boasts, will not be fully free until all its citizens are free.”

– JFK