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6-18-67 (George Lucas, 1967)
Jun
18
1967
The opening credits with the date 6-18-67 superimposed over it. DPs: Charles Braverman, George Lucas, David MacDougall & David Wyler.
“We had never been around such opulence, zillions of dollars being spent every five minutes on this huge, unwieldy thing. It was mind-boggling to us because we had been making films for three hundred dollars, and seeing this incredible waste – that was the worst of Hollywood.”
– pre-blockbuster George Lucas
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Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)
Jun
13
Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.
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Deň radosti [A Day of Joy] (Dušan Hanák, 1972)
Jun
12
1971
Exuberant revellers. DPs: Martin Gazík, Alojz Hanúsek & Oskár Šághy.
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Wholly Communion (Peter Whitehead, 1966)
Jun
11
1965
Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.
“Love! Love!”
– anonymous poet interrupting Harry Fainlight
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Crisis: Behind a Presidential Commitment (Robert Drew, 1963)
Jun
10
1963
An energetic Bobby arrives at the White House in his limousine. DP: Gregory Shuker.
“This nation, for all its hopes and all its boasts, will not be fully free until all its citizens are free.”
– JFK
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Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)
Jun
5
Sorry I Was on a Boat Day
“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”
And what is yours?
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1999 A.D. (Lee Madden, 1967)
Jun
2
1999
Mother Karen (Marj Dusay) busy with online meal planning, her husband supervising her from the other screen. While she scheduling for Tuesday, June 2, 1999 in reality fell on a Wednesday. DP: Vilmos Zsigmond.
“What year is it now? I forgot.”
– Jamie
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Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)
May
29
Ascension Day
The birth, life, death or teachings of Jesus on Ascension Day
“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”
– Klaus Kinski
It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.
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فلسطين في العين [Filastin fi al-ayn / Palestine in the Eye] (Mustafa Abu Ali, 1977)
May
28
Amnesty International Day
Palestinian freedom fighters.
“Everyone has the right to life, liberty, and security of person”
– The Right to Live, the third of the Human Rights
Filmmaker #HaniJawharieh died while working for the #PLO Film Unit, an organisation fighting for the rights of the Palestinian people. His own death in 1976, which he caught on camera, is edited into this documentary.
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Grands soirs & petits matins [May Days] (William Klein, 1978)
May
24
1968
Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.
“Soyez réalistes, demandez l'impossible”
– May 68 slogan