settima

documentary

Mingus: Charlie Mingus 1968 [Mingus / Mingus In Greenwich Village] (Thomas Reichman, 1968)

Nov

22

1968

Mingus: Charlie Mingus 1968 (1968)

Charles Mingus and Carolyn sharing an intimate father/daughter moment in their studio. DPs: Lee Osborne & Michael Wadleigh.

“I pledge allegiance to the flag–the white flag. I pledge allegiance to the flag of America. When they say “black” or “negro,” it means you’re not an American. I pledge allegiance to your flag. Not that I have to, but just for the hell of it I pledge allegiance. I pledge allegiance to the flag of the United States of America. The white flag, with no stripes, no stars. It is a prestige badge worn by a profitable minority.”

– Charles Mingus

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

21

Mix-Up ou Meli-melo (1986)

One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

München-Berlin Wanderung [Walking from Munich to Berlin] (Oskar Fischinger, 1927)

Nov

20

München-Berlin Wanderung (1927)

A bunch of Buben take a moment to pose between troublemaking. DP: Oskar Fischinger.

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)

Nov

20

1936

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? (1937)

Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.

A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.

“Fascism is not to be debated, it is to be destroyed.”

– Buenaventura Durruti

Shoot (Barbara Burden, 1971)

Nov

19

1971

Shoot (1971)

Dunlap aiming at Burden at F Space, Santa Ana, California (via). DP: Barbara Burden.

“At 7:45 p.m. I was shot in the left arm by a friend.”

– Chris Burden

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind [We Who Dwell in the Mountains Cannot Be Blamed for Being There] (Fredi M. Murer, 1974)

Nov

17

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind (1974)

A mountain man smokes his pipe, accompanied by a sow and a toddler in a wooden playpen. The Alps are all around them (via). DP: Iwan P. Schumacher.

A movie set in the woods or mountains*

“Anderntags hat man sofort getauft, weil jede Mutter lieber ein «Gotteskindli» auf die Arme nahm.”

– Gisler-Arnold Babette, midwife (via)

Murer describes the people from Switzerland's gorges in three movements, along the lines of a symphony

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

The White Rose [The White Rose: Jay DeFeo’s Painting Removed by Angelic Hosts] (Bruce Conner, 1967)

Nov

9

1965

The White Rose (1967)

we are not what we seem

– words inscribed in the bottom of DeFeo's painter's stool

Psychic Confession (Danny Korem, 1982)

Oct

23

Psychic Confession (1982)

James Hydrick spins a one dollar bill – balanced on top of a pin, locked into an airtight, glass box – with the power of his own mind.

“My whole idea behind this in the first place was to see how dumb America was. How dumb the world is.”

– James Hydrick

La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)

Oct

21

1967

La sixième face du pentagone (1968)

Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.