settima

documentary

The Devil at Your Heels (Robert Fortier, 1981)

Sep

25

1976

The Devil at Your Heels (1981)

The location of the jump site, marked with a hand painted billboard: KEN CARTER'S JUMP SITE UNDER CONSTRUCTION SAT. SEPT. 25 76 SEE A MAN JUMP A COUNTRY MILE! DP: Barry Perles.

A Sunday in September (James Hill, 1961)

Sep

17

1961

A Sunday in September (1961)

A large group of bobbies attempts to block off the street in front of an Underground station. They're greatly undone by the large group of protesters behind them (via).

 

Die Delegation – Eine utopische Reportage [The Delegation] (Rainer Erler, 1970)

Sep

9

0 h 20 GMT

Die Delegation (1970)

Reporter Will Roczinski (Walter Kohut) picks up mysterieus signals through the ether (via). DP: Charly Steinberger.

We watch the final report by Will Roczinski, who sadly died in a car crash while working on a TV documentary about UFOs and the like. A fascinating early “faux footage” film from the BRD. One can only wonder how the average West German processed the fantastic premise.

Marquette Park I (Tom Palazzolo + Mark Rance, 1976)

Aug

21

1976

Marquette Park I (1976)

A snotty kid – who, like all kids in the 70s, looks like Mick Jagger – holds up a xeroxed pamphlet calling out to the “white voter”.

 

E-clip-se (Chris Marker, 1999)

Aug

11

1999

E-clip-se (1999)

A young woman or child at the Jardin des plantes de Paris wears protective glasses while looking up in amazement during the August 11, 1999 solar eclipse, her baguette a vague memory. DP: Chris Marker.

8-8-88 Church of Satan Mansonite Rally (Boyd Rice, 1988)

Aug

8

1988

8-8-88 Church of Satan Mansonite Rally (1988)

The marquee of the San Francisco Strand Theater. Mentioned are two films: animation A Bitter Message of Hopeless Grief by Jonathan Reiss (1988), and excellent Mansonsploitation drama The Other Side of Madness aka The Helter Skelter Murders by Frank Howard (1971). Also billed (what a night!) are NON and Secret Chiefs 3.Still (via). DP: ?.

Provocateur Boyd Rice and friends perform a Satanic rite on August 8, 1988; exactly 20 years minus one year minus one day after the Tate-LaBianca murders.

“The entire world is rotten and corrupt… to us they're dead people who refuse to lay down, they're cadavers”

– Boyd Rice speaking to Geraldo Rivera (via)

Please note that the linked article is written by an dimwitted ignoramus completely oblivious of Boyd Rice's, and Anton LaVey's, prankster background.

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)

Jul

20

1969

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? (1979)

A Bavarian onion dome with the date July 20, 1969 superimposed over it. DP: Kidlat Tahimik.

“Fantastic! You are a first class dilettante!”

– Kidlat's proud parents

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.

The Governor (Stan Brakhage, 1977)

Jul

4

1976

And July 20

“On July 4, 1976 I and my camera toured the state of Colorado with governor Richard D. Lamm, as he traveled in parades with his children, appeared at dinners, lectured, etc. On July 20, I spent the morning in his office in the state capitol and the afternoon with himself and his wife in a television studio, then with Mrs. Lamm greeting guests to the governor’s mansion and finally with Governor Lamm in his office again. These two days of photography took me exactly one year to edit into a film which wove itself thru multiple superimpositions into a study of light and power.”

– Stan Brakhage

Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)

Jul

1

1978

Farewell, Etaoin Shrdlu (1980)

All set for the July 2, 1978 edition of The New York Times, hot off the press.

Production of the last hot type copy of The New York Times on the night of July 1, 1978. The ETAOIN SHRDLU in the title refers to the accidental string of letters that sometimes would pop up using hot metal typesetting.

 

That Linotype setting, and narration, was provided by Carl Schlesinger. That same old, but now digitally set New York Times, provided a lovely farewell when the man passed. Read it here