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آداب بهاری [Adab-e Bahari / Rites of Spring] (Ali Asghar Agahbanaei, 1982)
Aug
11
spring
In a dewdrop hanging from a rose, the face of a smiling woman appears.
Dita e Verës, a pagan spring celebration from Albania, celebrated in March: a spring scene*
The restless anticipation of spring. Iran as it was before and after the 1979 toppling of the Shah. While the snow melts away, the Revolution takes place, and fresh buds appear on the rose bushes. A poem.
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E-clip-se (Chris Marker, 1999)
Aug
11
1999
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Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)
Aug
10
green
The old folks pushing the cart past the hamlet's name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev.
Green: a building or structure*
“That's all the people we've got now. We'll get there somehow.”
As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.
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Du côté de la côte [Along the Coast] (Agnès Varda, 1958)
Aug
9
yellow
Yellow: in food or fashion*
“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”
– narrator
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8-8-88 Church of Satan Mansonite Rally (Boyd Rice, 1988)
Aug
8
1988
The marquee of the San Francisco Strand Theater. Mentioned are two films: animation A Bitter Message of Hopeless Grief by Jonathan Reiss (1988), and excellent Mansonsploitation drama The Other Side of Madness aka The Helter Skelter Murders by Frank Howard (1971). Also billed (what a night!) are NON and Secret Chiefs 3.Still (via). DP: ?.
“The entire world is rotten and corrupt… to us they're dead people who refuse to lay down, they're cadavers”
– Boyd Rice speaking to Geraldo Rivera (via)
Please note that the linked article is written by an dimwitted ignoramus completely oblivious of Boyd Rice's, and Anton LaVey's, prankster background.
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Paparazzi (Jacques Rozier, 1963/1964)
Jul
29
A character has a camera or takes photos*
It buzzes on the set of Le mépris. These mosquitos, the Italians say paparazzi, swarm La Bardot and making it merely impossible for anyone – themselves included – to do their job. But Bardot knows them, too well, and gives them what they want, when she wants it.
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Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)
Jul
20
1969
A Bavarian onion dome with the date July 20, 1969 superimposed over it. DP: Kidlat Tahimik.
“Fantastic! You are a first class dilettante!”
– Kidlat's proud parents
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Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)
Jul
19
Wed
Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.
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La Soufrière – Warten auf eine unausweichliche Katastrophe [La Soufrière: Waiting for an Inevitable Catastrophe] (Werner Herzog, 1977)
Jul
13
Someone at a theme park or national park*
“Telephones were still working, we are told, and the air-conditioning and refrigerators in many houses were still on.”
– narrator
The highest peak in the Parc national de la Guadeloupe is called La Grande Soufrière. The volcano had erupted before and was bound to do soon again. Hastily, the 76,000 islanders were evacuated with one farmer staying put. For Herzog reason to halt the editing of Herz aus Glas and make his way to the island.
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The Governor (Stan Brakhage, 1977)
Jul
4
1976
And July 20
“On July 4, 1976 I and my camera toured the state of Colorado with governor Richard D. Lamm, as he traveled in parades with his children, appeared at dinners, lectured, etc. On July 20, I spent the morning in his office in the state capitol and the afternoon with himself and his wife in a television studio, then with Mrs. Lamm greeting guests to the governor’s mansion and finally with Governor Lamm in his office again. These two days of photography took me exactly one year to edit into a film which wove itself thru multiple superimpositions into a study of light and power.”
– Stan Brakhage