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فلسطين في العين [Filastin fi al-ayn / Palestine in the Eye] (Mustafa Abu Ali, 1977)
May
28
Amnesty International Day
Palestinian freedom fighters.
“Everyone has the right to life, liberty, and security of person”
– The Right to Live, the third of the Human Rights
Filmmaker #HaniJawharieh died while working for the #PLO Film Unit, an organisation fighting for the rights of the Palestinian people. His own death in 1976, which he caught on camera, is edited into this documentary.
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Grands soirs & petits matins [May Days] (William Klein, 1978)
May
24
1968
Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.
“Soyez réalistes, demandez l'impossible”
– May 68 slogan
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Ich bin meine eigene Frau [I Am My Own Woman] (Rosa von Praunheim, 1992)
May
16
Honor Our LGBT Elders Day
Ichgola Androgyn, Jens Taschner, and Charlotte von Mahlsdorf as Charlotte von Mahlsdorf. DP: Lorenz Haarmann.
“Ich bin meine eigene Frau” (“I am my own woman/wife”)
– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married
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アントニー・ガウディー [Antonio Gaudí] (Hiroshi Teshigahara, 1984)
May
12
National Anthony Day
A woman in shorts and T-shirt lounges on the serpentine mosaic bench in Parc Güell, which blues compliment her outfit. Planned as a housing development project, the park is a welcome break from the busy city for all Catalans, regardless of class. DPs: Junichi Segawa, Ryu Segawa & Yoshikazu Yanagida.
An actor, director or character named Anthony for National Anthony Day (USA).
“Everything comes from the Great Book of Nature. Human attainments are an already printed book.”
– Antoni Gaudí
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Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)
May
3
1808
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Das Netz – Unabomber / LSD / Internet [The Net] (Lutz Dammbeck, 2003)
Apr
27
personal computer mouse – 1981
A mouse in action. Note the stress ball. DPs: James Carman, István Imre & Thomas Plenert.
A computer mouse: the first personal computer mouse debuted on this day in 1981.
“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.”
– Theodore J. Kaczynski
A Gedankenspiel.
Similar to the way moveable print has accelerated the spread of ideas, the personal computer mouse accelerated the speed of which individualist's ideas can spread. However, like the printing press and unlike the spoken word, the mouse can only point and enhance pre-existing notions, thus neutering any prospect of revolutionary change on an individual level.
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Bom Povo Português [The Good People of Portugal] (Rui Simões, 1980)
Apr
25
1974
A young soldier triumphantly holds up his riffle. DPs: Manuel Barros, Mário Cabrita Gil, José Luís Carvalhosa, Gérard Collet, Acácio de Almeida, Russell Parker & José Reynès.
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Prigionieri della guerra [Prisoners of War] (Yervant Gianikian + Angela Ricci Lucchi, 1995)
Apr
24
Armenian genocide
Horse-pulled carts arrive at a cross (via). DPs: Yervant Gianikian & Angela Ricci Lucchi.
“Parfois ils disent que nos images sont esthétiques, mais nous disons que les images esthétiques sont des images hautement étiques. Pour nous éthique et esthétique marchent ensemble. Re-filmer signifie re-signifier.”
– Yervant Gianikian and Angela Ricci Lucchi in conversation with Daniele Dottorini, 2007 (via)
Re-purposed propaganda reels show citizens – displaced, dehumanised – turned into prisoners of war, and finally into corpses.
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Hotel of the Stars (Jon Bang Carlsen, 1981)
Apr
21
Heartbreak Hotel
The setting for a dramatic reenactment, watched over by the King. DP: Alexander Gruszynski.
A film set in a hotel, or involving Elvis Presley, on the date Heartbreak Hotel topped the charts in 1956.
“I love to see myself in Technicolor.”
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L'eclisse del 17 aprile [An Eclipse of the Sun] (1912)
Apr
17
1912
Scientists in impeccable suits observing the 1912 solar eclipse. The colour used for tinting this scene, a turquoise, indicates moonlight/dusk. Image source: Cineteca di Bologna (via).