Something something Greece (or the Olympics) on the date of the 1896 Summer Olympics

 

Athens seen through words put down in letters, forming a narrative of the city, Greece, its history, and its people.

The assassination of Martin Luther King Jr.: civil rights being fought for.

“All the ideas I'd previously had were shown to be completely false. This was the first time I had really seen the strength and the power of a mass struggle; ordinary people directly participating in organizing their communities, and the defense of their communities.”

– Arthur MacCaig, title card

Mail or a mail carrier for Pony Express Day (USA).

“Dear child, l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.

Your loving mother” (quote via)

Chantal Akerman reads out letters that her mother wrote to the former's stay in New York City between 1971 and 1973. The words slowly blend with the city.

Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934* with the Road Traffic Act.

“This film portrays the traffic war that goes on every day. — Tokyo, 1964”

– opening title

*I find no solid proof to support this statement

Ice or cold food to celebrate the final day of the Reykjavík Food & Fun Festival

“For me it’s important to note that the film’s information is also the only thing you know. That’s the idea of the tip of the iceberg, provided that only the portion above the water exists (in the film), because you know nothing of what’s under water and therefore it’s impossible for you to describe the entire iceberg.   For example, in De nieuwe ijstijd the characters are not described 'in their entirety'. What is shown is only what we’ve encountered when we were filming. It’s always a limited, fragmentary knowledge of everything that exists, and that’s how it’s shown.”

– Johan van der Keuken, via

Part three of Van der Keuken's Noord-Zuid trilogy. Again we are confronted with the contrast between the First and Third world, here represented by a Dutch family of monotonous ice-cream factory hands, and impoverished Peruvian workers establishing self-governance, accompanied by Willem Breuker's punching free jazz cacophony.

An artistic child for Youth Art Month (USA).

 

Small children work with clay, paint, and other materials. Under the camera's watchful eye, we see their work come to life.

“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”

– Walter Steiner

Time flies while waiting for Fidel, and before you know it, it's March 8.

 

 

Film du Jour posts does not list holidays on their respective date, unless a film or scene happens to take place on one.

A film about communism to commemorate the dissolution of the Warsaw Pact on February 25, 1991.

“Alexandre Ivanovitch Medvedkine est le seul cinéaste russe né en 1900. (…) Son énergie, son courage, ses illusions, ses désillusions, ses compromissions, ses bagarres avec les bureaucrates, ses illuminations prophétiques, ses aveuglements, volontaires ou non, son humour indestructible et la lumière déchirante que l’effondrement de l’URSS jette rétrospectivement sur toute sa vie, ce sont ceux de toute une génération, et c’est le portrait de cette génération que j’entends tracer à travers le portrait d’un ami.”

– press kit (via)

A film essay using the life and work of filmmaker Aleksandr Medvedkin to tell the story of communism. Medvedkin traveled the Soviet Union with his Kinopoezd or Cinetrain (also Agit-train), a moving film production train with the sole purpose to create Agitprop while documenting the Five Year Plan.