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Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)
Jul
20
1969
A Bavarian onion dome with the date July 20, 1969 superimposed over it. DP: Kidlat Tahimik.
“Fantastic! You are a first class dilettante!”
– Kidlat's proud parents
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Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)
Jul
19
Wed
Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.
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The Governor (Stan Brakhage, 1977)
Jul
4
1976
And July 20
“On July 4, 1976 I and my camera toured the state of Colorado with governor Richard D. Lamm, as he traveled in parades with his children, appeared at dinners, lectured, etc. On July 20, I spent the morning in his office in the state capitol and the afternoon with himself and his wife in a television studio, then with Mrs. Lamm greeting guests to the governor’s mansion and finally with Governor Lamm in his office again. These two days of photography took me exactly one year to edit into a film which wove itself thru multiple superimpositions into a study of light and power.”
– Stan Brakhage
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Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)
Jul
1
1978
All set for the July 2, 1978 edition of The New York Times, hot off the press.
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La montagne infidèle [The Infidel Mountain] (Jean Epstein, 1923)
Jun
22
1923
Unrestored film stock showing extensive damage to both the celluloid and the depicted structure. In 2024, the reels were rediscovered in Spain and restored by the Filmoteca de Catalunya (via). DP: Paul Guichard.
Filmmaker Jean Epstein and his cameraman Paul Guichard made their way to the Etna on June 22, 1923. This was merely five days after the eruption started.
“Sicily! The night had a thousand eyes. All sorts of smells shrieked at once. An unfurled coil of wire brought our car, swathed in moonlight as if surrounded by mosquito netting, to a halt. It was hot. Impatient, the drivers broke off singing the most beautiful love song, striking the car with a monkey wrench and insulting Christ and his mother with a blind faith in their efficacy. In front of us: Etna, the great actor who bursts onto the stage two or three times each century, whose tragic extravagances I had arrived to film. An entire side of the mountain was a blazing spectacle. The conflagration reached up to the reddened corners of the sky. From a distance of twenty kilometers, the rumbling at times seemed to be a triumphal reception heard from afar, as if a thousand hands were applauding in an immense ovation.”
– Jean Epstein, Le Cinématographe vu de l’Etna (1926) (via)
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6-18-67 (George Lucas, 1967)
Jun
18
1967
The opening credits with the date 6-18-67 superimposed over it. DPs: Charles Braverman, George Lucas, David MacDougall & David Wyler.
“We had never been around such opulence, zillions of dollars being spent every five minutes on this huge, unwieldy thing. It was mind-boggling to us because we had been making films for three hundred dollars, and seeing this incredible waste – that was the worst of Hollywood.”
– pre-blockbuster George Lucas
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Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)
Jun
13
Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.
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Deň radosti [A Day of Joy] (Dušan Hanák, 1972)
Jun
12
1971
Exuberant revellers. DPs: Martin Gazík, Alojz Hanúsek & Oskár Šághy.
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Wholly Communion (Peter Whitehead, 1966)
Jun
11
1965
Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.
“Love! Love!”
– anonymous poet interrupting Harry Fainlight
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Crisis: Behind a Presidential Commitment (Robert Drew, 1963)
Jun
10
1963
An energetic Bobby arrives at the White House in his limousine. DP: Gregory Shuker.
“This nation, for all its hopes and all its boasts, will not be fully free until all its citizens are free.”
– JFK