settima

travelogue

Du côté de la côte [Along the Coast] (Agnès Varda, 1958)

Aug

9

yellow

Du côté de la côte (1958)

Two people, one big one small, in identical canary yellow robes and straw sun hats on the beach (more here). DPs: Quinto Albicocco & Raymond Castel.

Yellow: in food or fashion*

“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”

– narrator

Hägringen [Mirage] (Peter Weiss, 1959)

Feb

12

Hägringen (1959)

An uncomfortably close close-up up of a man's mouth eating something. Tongue and mouth are visible. He's got stubble. DP: Gustaf Mandal.

Mit dem Motorrad über die Wolken [A Motorcycle Trip Among the Clouds] (Lothar Rübelt, 1926)

Jan

9

roadside picnic

Mit dem Motorrad über die Wolken (1926)

A man and woman (Signorina Hansi) in 1920s motorcycle outfits enjoy a cheese-and-wine picnic at the Waldsee. DP: Franz Sochor.

66 scener fra Amerika [66 Scenes from America] (Jørgen Leth, 1982)

Jul

4

Independence Day

66 scener fra Amerika (1982)

Director Jørgen Leth capturing Tsé Biiʼ Ndzisgaii [Merrick Butte] in Monument Valley, AZ, for the opening scene. He's waving a small American flag in front of the camera. DP: Dan Holmberg.

A road movie becomes interesting when the traveller is a stranger. When he or she takes that first step, head still firmly planted at home, soul on its way out.

“Salt, pepper, sugar, ketchup and napkins, New York.”

Jørgen Leth is a Danish documentary maker who in the early 80s sent sixty-six postcards from America. These postcards form a #travelogue of bewilderment. The #landscape, #food, language, anything an American may take for granted framed in a moving still. The American, ever ready for stardom, poses and orates. The scenes become show, regardless if it's a New York cabbie or a man famously (falsely) credited for predicting fame, slowly eating a Whopper.

 

The resulting 66 scener fra Amerika is as much a time capsule as it is a portrait of forever.