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Killer's Kiss (Stanley Kubrick, 1955)
Oct
25
Fri
An already worn-out poster for “another great bout” between Davey Gordon and Kid Rodriguez. DP: Stanley Kubrick.
“It's crazy how you can get yourself in a mess sometimes and not even be able to think about it with any sense, and yet, not be able to think about anything else. You get so you're no good for anything or anybody. Maybe it begins by taking life too serious. Anyway, I think that's the way it began for me, just before my fight with Rodriguez three days ago…”
– Davy Gordon
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Your Safety First (George Gordon, 1956)
Oct
5
2000
The protagonist, voiced by George O'Hanlon, reading an ad for tomorrow's car in the October 5, 2000 newspaper.
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The Sniper (Edward Dmytryk, 1952)
Oct
4
Man's hands, one bandaged, holding a rifle. DP: Burnett Guffey.
“I'm gonna be happy for a change.”
– Edward Miller
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Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
“The pickings were poor and not worth the risk.”
– Michel
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海底から来た女 [Kaitei kara kita onna / Woman from the Sea] (Koreyoshi Kurahara, 1959)
Sep
4
The mysterious sea woman (Hisako Tsukuba, who under the name Chako van Leeuwen went on to produce the Jawsploitation franchise Piranha) and a bewitched Toshio (Tamio Kawachi). Note how the boat's sail resembles a shark's dorsal fin. DP: Yoshihiro Yamazaki.
A strange woman appears in the life of a young man. He falls in love with her, but the fishermen know. She's the wife of a shark killed years ago. And she's out for revenge.
Doing Hooptober parallel to Bales. Expect some contamination of the September/October posts.
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Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)
Aug
29
grey
A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.
[A favourite] colour: grey*
Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).
– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it's a chore.
– Admit it, you love it.
In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.
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Nineteen Eighty-Four (Rudolph Cartier, 1954)
Aug
18
indigo
Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.
Indigo, in food or fashion*
“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “
– George Orwell, Nineteen Eighty-Four (1949) (via)
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Lola Montès (Max Ophüls, 1955)
Aug
14
Bavaria
Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*
“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”
– circus master
Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.
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Du côté de la côte [Along the Coast] (Agnès Varda, 1958)
Aug
9
yellow
Yellow, in food or fashion*
“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”
– narrator
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Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)
Aug
7
1949
A little boy runs down a Roman street. Superimposed a calendar page: SUNDAY AUGUST 7 S. GAETANO THE SUN RISES AT 5:15 SUNSET AT 19:42 – CRESCENT MOON. “S. Gaetano” refers to Saint Cajetan, who's feast day is on August 7. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.