“The pickings were poor and not worth the risk.”Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
– Michel
“The pickings were poor and not worth the risk.”Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
– Michel
海底から来た女 [Kaitei kara kita onna / Woman from the Sea] (Koreyoshi Kurahara, 1959)
Sep
4
The mysterious sea woman (Hisako Tsukuba, who under the name Chako van Leeuwen went on to produce the Jawsploitation franchise Piranha) and a bewitched Toshio (Tamio Kawachi). Note how the boat's sail resembles a shark's dorsal fin. DP: Yoshihiro Yamazaki.
It's this month's Bales Challenges' dad's VaderJaws' birthday! Celebrating with Vader, or sharks, or churches, or Chvrches. Erm… let's stick to sharks.
A strange woman appears in the life of a young man. He falls in love with her, but the fishermen know. She's the wife of a shark killed years ago. And she's out for revenge.
Doing Hooptober parallel to Bales. Expect some contamination of the September/October posts.
– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it's a chore.
– Admit it, you love it.
Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)
Aug
29
grey
A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.
[A favourite] colour: grey*
Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).
In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “Nineteen Eighty-Four (Rudolph Cartier, 1954)
Aug
18
indigo
Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.
Indigo, in food or fashion*
– George Orwell, Nineteen Eighty-Four (1949) (via)
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!” Lola Montès (Max Ophüls, 1955)
Aug
14
Bavaria
The crowned royal mistress on display in glorious Eastmancolor (via). DP: Christian Matras.
Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*
– circus master
Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”Du côté de la côte [Along the Coast] (Agnès Varda, 1958)
Aug
9
yellow
Two people, one big one small, in identical canary yellow robes and straw sun hats on the beach (more here). DPs: Quinto Albicocco & Raymond Castel.
Yellow, in food or fashion*
– narrator
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)
Aug
7
1949
A little boy runs down a Roman street. Superimposed a calendar page: SUNDAY AUGUST 7 S. GAETANO THE SUN RISES AT 5:15 SUNSET AT 19:42 – CRESCENT MOON. “S. Gaetano” refers to Saint Cajetan, who's feast day is on August 7. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.
“Today is the first day of a life of sacrifice.” 地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)
Aug
4
orange
The shrine's torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama.
Orange: a building or structure*
– Moritoo Endō
Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii.
Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté's Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come.
Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
Το κορίτσι με τα μαύρα [To koritsi me ta mavra / A Girl in Black] (Mihalis Kakogiannis, 1956)
Jul
30
Marina (Ellie Lambeti) in the port of Hydra. DP: Walter Lassally.
Someone is sad, or cries*
A wealthy Athenian writer on holiday on Hydra falls for the morose Marina (Ellie Lambeti), one of the daughters of his widowed innkeeper, causing disruption in the close-knit island community.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“I guess we like each other a lot, huh?”Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)
Jul
27
Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.
Someone naps or sleeps*
– Monika Eriksson
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.