settima

France

Le temps des loups [The Heist] (Sergio Gobbi, 1970)

Jun

12

1938

Le temps des loups (1970)

Dillinger (Robert Hossein) followed by Stella (Virna Lisi). DP: Daniel Diot.

 

Sochaux, 11 juin 1968 [Sochaux June 11th 1968] (Bruno Muel, 1970)

Jun

11

1968

Sochaux, 11 juin 1968 (1970)

Several of the striking workers in a row. The composition echoes the famous propaganda image of Marx, Engels, Lenin etc. DP: Groupe Medvedkine de Sochaux.

Grands soirs & petits matins [May Days] (William Klein, 1978)

May

24

1968

Grands soirs & petits matins (1978)

Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.

“Soyez réalistes, demandez l'impossible”

– May 68 slogan

Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)

May

22

dishes

Les yeux cernés (1964)

Dirty plates on what looks like a professional kitchen's counter. A bobbed woman in black moves cutlery out of the frame. DP: Jean Boffety.

La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)

May

20

1943

La Femme Bourreau (1968)

A dark-haired woman lounging on a bed. DP: Gérard de Battista.

“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”

Le 15 mai (Claire Denis, 1971)

May

15

Thu

Le 15 mai (1971)

Claudia Morin in her silver dress showing up in Philippe Rouleau's office. The perpetual calendar behind her – Enzo Mari's Formosa from 1963 – tells us it is May 15. DP: Dominique Le Rigoleur.

“Of course, it's the 15th of May.”

Les félins [Joy House / The Love Cage] (René Clément, 1964)

May

14

Les félins (1964)

Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.

Le Horla [The Horla] (Jean-Daniel Pollet, 1966)

May

08

Le Horla (1966)

A reel-to-reel tape recorder. DP: Jean-Jacques Rochut.

and subsequent days.

“8th of May. What a lovely day!”

– voice on tape

Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)

May

2

Un condamné à mort s'est échappé ou Le vent souffle où il veut (1956)

A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.

“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”

– Fontaine

Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)

Apr

2

1964

Les yeux cernés (1964)

A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.