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Les demoiselles de Rochefort [The Young Girls of Rochefort] (Jacques Demy, 1967)
APr
10
Siblings Day
Sisters Delphine and Solange Garnier mid-song, played by real-world sisters Catherine Deneuve and Françoise Dorléac. DP: Ghislain Cloquet.
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The Patriot Game (Arthur MacCaig, 1979)
Apr
4
MLK Jr. – 1968
“All the ideas I'd previously had were shown to be completely false. This was the first time I had really seen the strength and the power of a mass struggle; ordinary people directly participating in organizing their communities, and the defense of their communities.”
– Arthur MacCaig, title card
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News from Home (Chantal Akerman, 1976)
Apr
3
Pony Express Day
New York, a street scene. Superimposed a quote from one Chantal Akerman's mother's letters. DPs: Jim Asbell & Babette Mangolte.
“Dear child,
l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.
Your loving mother” (quote via)
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Le moindre geste [The Slightest Gesture] (Jean-Pierre Daniel, Fernand Deligny + Josée Manenti, 1962–1964, 1971)
Apr
2
World Autism Awareness Day
Yves (Yves Guignard), resting. Deligny wrote a lot about the lack of words, and how it stays close to the heart of cinema. Still (and a wonderful essay) via. DP: Josée Manenti.
“Celui qui n’a jamais rien dit
a cinquante ans d’âge
et ne dira jamais rien
s’est appris à lire
dans les moindres gestes”
– Fernand Deligny, Essi & Copeaux. Derniers écrits et aphorismes, via
Over time, the film was forgotten and even lost, until it was found in a tree, then completed with a narrative and soundtrack in 1969, selected for the 1971 Cannes Film Festival and praised by Cahiers du Cinéma, lost once more, and eventually – with support of Chris Marker – restored and brought to a wider audience.
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Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Apr
2
1964
A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.
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Rosalie et son phonographe [Rosalie and Her Phonograph] (Romeo Bosetti, 1911)
Mar
28
Something-on-a-Stick Day
Bonsoir. Je m'appelle Rosalie!
Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!
Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.
Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.
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Paris, Texas (Wim Wenders, 1984)
Mar
27
94th Academy Awards
Travis (Harry Dean Stanton) wandering the desert. DP: Robby Müller.
“The Dust has come to stay. You may stay or pass on through or whatever.”
– gas station sign
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Ludwig (Luchino Visconti, 1973)
Mar
25
Elton John – 1947
Elisabeth “Sissi” of Austria (Romy Schneider) and King Ludwig II of Bavaria (Helmut Berger) in his beloved Venus Grotto below Schloss Linderhoff. Ludwig wanted blue light in reference to the Grotta Azzurra in #Capri, and had electricity installed in the grotto, which was the first usage of electricity in Austria. DP: Armando Nannuzzi.
A flamboyant character for Elton John’s birthday (1947).
“I want to remain an enigma forever. To others, and also to myself.”
– Ludwig II
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Mr. Freedom (William Klein, 1968)
Mar
23
freebie: liberty
Freebie: “Give me liberty or give me death!” (Patrick Henry, March 23, 1775)
“F-R-double-E-D, D-O-M spells Freedom! We fight for freedom, for one and for all! It's you-and-me-dom, and ten foot tall! Freedom, freedom, and oh-can-you-see-dom, we'll always beat 'em with star-spangled freedom!”
– Mr. Freedom singing his theme song
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Mar
20
natural phenomena
Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.
“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”
During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.