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Le mépris [Contempt] (Jean-Luc Godard, 1963)
May
5
Europe Day
Michel Piccoli, director Fritz Lang, Jack Palance, and director Jean-Luc Godard behind the scenes. The clapperboard held by Godard is for the movie that Lang's working on in Le Mépris, an adaption of Homer's Odyssey. DP: Raoul Coutard.
A director from the EU for Europe Day
“Producers are something I can easily do without”
– Fritz Lang
A film in a film, the latter directed by Fritz Lang, directed by Godard.
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Todo modo [One Way or Another] (Elio Petri, 1976)
May
1
National Day of Prayer
M. (Gian Maria Volontè) speaks to the gathered elite while a gypsum Christ multiplies bread and fishes. DP: Luigi Kuveiller.
“Have you ever tried to dress as a priest? Try it, at least once. It's a bit like being a woman. In summer the breeze enters under the genitals. You can go without briefs. Priests are half men and half women.”
– Don Gaetano
Inspired by the Spiritual Exercises of Ignatius of Loyola, Italy's political leaders, industrialists, bankers, and business leaders gather for a retreat as an atonement for their past crimes of corruption and unethical practices, and to reinforce their power.
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Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)
Apr
26
Fri
Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.
“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”
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Prigionieri della guerra [Prisoners of War] (Yervant Gianikian + Angela Ricci Lucchi, 1995)
Apr
24
Armenian genocide
Horse-pulled carts arrive at a cross (via). DPs: Yervant Gianikian & Angela Ricci Lucchi.
“Parfois ils disent que nos images sont esthétiques, mais nous disons que les images esthétiques sont des images hautement étiques. Pour nous éthique et esthétique marchent ensemble. Re-filmer signifie re-signifier.”
– Yervant Gianikian and Angela Ricci Lucchi in conversation with Daniele Dottorini, 2007 (via)
Re-purposed propaganda reels show citizens – displaced, dehumanised – turned into prisoners of war, and finally into corpses.
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Una giornata particolare [A Special Day] (Ettore Scola, 1977)
Apr
19
National Hanging Out Day
Antonietta (Sophia Loren) and Gabriele (Marcelo Mastroianni) on the roof of their building, clean sheets like a fort around them. DP: Pasqualino De Santis.
– As they say, 'Tidiness is the virtue of a mediocre mind.'
– Then I'm a genius.
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L'eclisse del 17 aprile [An Eclipse of the Sun] (1912)
Apr
17
1912
Scientists in impeccable suits observing the 1912 solar eclipse. The colour used for tinting this scene, a turquoise, indicates moonlight/dusk. Image source: Cineteca di Bologna (via).
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Ladri di biciclette [The Bicycle Thieves] (Vittorio De Sica, 1948)
Apr
11
National Cheese Fondue Day
Bruno (Enzo Staiola) eating mozzarella. DP: Carlo Montuori.
“Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?”
– Antonio Ricci
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Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Apr
2
1964
A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.
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Ludwig (Luchino Visconti, 1973)
Mar
25
Elton John – 1947
Elisabeth “Sissi” of Austria (Romy Schneider) and King Ludwig II of Bavaria (Helmut Berger) in his beloved Venus Grotto below Schloss Linderhoff. Ludwig wanted blue light in reference to the Grotta Azzurra in #Capri, and had electricity installed in the grotto, which was the first usage of electricity in Austria. DP: Armando Nannuzzi.
A flamboyant character for Elton John’s birthday (1947).
“I want to remain an enigma forever. To others, and also to myself.”
– Ludwig II
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Mar
20
natural phenomena
Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.
“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”
During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.