settima

MonicaVitti

La notte [The Night] (Michelangelo Antonioni, 1961)

Feb

7

Falò delle vanità – 1497

La notte (1961)

Author Giovanni Pontano (Marcello Mastroianni) pondering next to a full bookcase. DP: Gianni Di Venanzo.

Books, or art, in commemoration of Savonarola's 1497 Florentine falò delle vanità (bonfire of the vanities).

“I used to spend afternoons reading in bed. Tommaso would call and find me there. He could have kissed me. I wouldn't have resisted, out of boredom. But he was satisfied to watch me as I read. All those purposeless books.”

– Lidia

A lavish #CocktailParty in celebration of the launch of a novel is bookended by tragedy, in the loss of a befriended writer and the unraveling of another writer and his wife's marriage.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

10

Mon

L'eclisse (1962)

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.

“Everything's crashing here.”

– Vittoria's mother

Eclipse

Slnko v sieti (1963) L'éclipse du soleil en pleine lune (1907) Werckmeister harmóniák (2000) L’Eclisse (1962) That Cloud Never Left (2019) Wunder der Schöpfung (1920/25)

April 8, 2024

“Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us.” –Lars Rudolph as János Valuska in “Werckmeister harmóniák”

Slnko v sieti [The Sun in a Net] (Štefan Uher, 1963) L'éclipse du soleil en pleine lune [The Eclipse: The Courtship of the Sun and Moon] (Georges Méliès, 1907) Werckmeister harmóniák [Werckmeister Harmonies] (Béla Tarr, 2000) L’Eclisse (Michelangelo Antonioni, 1962) That Cloud Never Left (Yashaswini Raghunandan, 2019) Wunder der Schöpfung [Our Heavenly Bodies] (Hanns Walter Kornblum, 1920/25)

#Arcs #MariánBielik #JanaBeláková #LarsRudolph #MonicaVitti #AlainDelon #eclipse #todo

La ragazza con la pistola [The Girl with a Pistol] (Mario Monicelli, 1968)

Jul

28

La ragazza con la pistola (1968)

Assunta Patanè (Monica Vitti) seated between two dinner tables on a long, padded bench. She's clutching her purse and appears to be waiting for something. On the table to her right a sugar bowl and a branded ashtray. DP: Carlo Di Palma.

“Ah, well, if you love somebody, shoot!”

– Dr. Tom Osborne

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

19

fruit

L'eclisse (1962)

Vitti as Vittoria in front of a fruit stand next to La Borsa, the Rome stock exchange located in the remnants of the Hadrianeum. The fruit in the middle is a Melone Mantovano, a type of cantaloupe. DP: Gianni Di Venanzo.

“I still can't figure out if it's an office, a market place, or a boxing ring. And maybe I don't even need to.”

– Vittoria

Le fantôme de la liberté [The Phantom of Liberty] (Luis Buñuel, 1974)

Mar

9

World Kidney Day

Le fantôme de la liberté (1974)

Five adults and a child at a large table. They're all seated on toilets. One of the men is defecating. DP: Edmond Richard.

Eating is taboo, and relieving oneself is performed on a toilet at a communal table in Luis Buñuel's Le fantôme de la liberté. The farce strings together events from #Buñuel's life (who was 74 by the time he made this film), with dreams remembered by both Buñuel and co-writer Jean-Claude Carrière.

“Madrid was filled with the stench of – pardon my language – food. It was indecent.”

– le professeur des gendarmes

The title references the opening sentence from Marx and Engels' Communist Manifesto (1848): “A spectre is haunting Europe—the spectre of communism.”. What follows is a wonderful, free-flowing pastiche performed by a sublime cast.