settima

comedy

Your Safety First (George Gordon, 1956)

Oct

5

2000

Your Safety First (1956)

The protagonist, voiced by George O'Hanlon, reading an ad for tomorrow's car in the October 5, 2000 newspaper.

Ihmemies [Wonderman] (Antti Peippo, 1979)

Sep

21

Peace Day

Ihmemies (1979)

Olli Ruusunen (Antti Litja) in a diner enjoying a small hamburger with a cup of coffee (via). DPs: Pekka Aine & Juha-Veli Äkräs.

The words “world peace” are spoken on Peace Day aka International Day of Peace

TV reporter: We are not alone in the world. An increase of national income in developing countries is absolute requirement for world peace at the end of this century.

Martti Tuomola: Bullshit.

Former child prodigy Olli Ruusunen (Antti Litja) has received special brain capacity training at the Buffalo Institute in the US. Paid for by a Finish company, the idea is that Olli will act as a “rationaliser”, drastically overhauling the inner workings of the company. After getting rid of the entire management team, Olli – like others who have gone through the same training program – becomes increasingly strange. Olli decides to disappear.

Die Republik der Backfische [The Republic of Flappers] (Constantin J. David, 1928)

Sep

20

1928

Die Republik der Backfische (1928)

The Berliner Zeitung (a rag of a paper that's still around to this day) of September 20, 1928. It blares something about America and Graf Zeppelin, the then-new airship. DP: Mutz Greenbaum.

Depending on the language version you watch, you'll see a 1928 newspaper headline dated September 20 (a Thursday), January 10 (a Tuesday), or January 9 (a Monday).

 

Äppelkriget [The Apple War] (Tage Danielsson, 1971)

Sep

17

National Apple Dumpling Day

Äppelkriget (1971)

Locals and a centaur – half man, half papier-mâché – enjoy a drink. DP: Lars Swanberg.

Apples, or dumplings, for National Apple Dumpling Day (USA)

– What are you gonna do with tons of apples? They can't be sold! Ask any apple farmer! They just pile up and rot! – The apple farmers? – No. The apples!

A beautiful, picturesque part of Sweden will become… Deutschneyland! At least, that's the brilliant business plan Herr Volkswagner has. But the local apple farmers – a large family that's half human, half mythological creatures – have no need for an amusement park on their grounds.

Hullumeelsus [Безумие / Madness] (Kaljo Kiisk, 1968)

Sep

15

International Day of Democracy

Hullumeelsus (1968)

Windisch (Jüri Järvet) pacing, blending in with a white-clad inmate. DP: Anatoliy Zabolotskiy.

On the International Day of Democracy, the word “democracy” is spoken.

“Stop shooting! Stop democracy!”

– Person Nr. 1

The Gestapo arrives to liquidate the inmates of a mental hospital. Then Windisch, plainclothes Nazi, brings them a letter: there's a special commando hiding amidst the 583 patients. Interrogating them slowly pushes Windisch among them.

Sweet Movie (Dušan Makavejev, 1974)

Sep

13

International Chocolate Day

Sweet Movie (1974)

The most virgin, Miss 1984 (Carole Laure), bathing in chocolate. DP: Pierre Lhomme.

Chocolate for International Chocolate Day (Milton S. Hershey's birthday)

“In all my years of practice, I've never seen anything so sweet. A rosebud.”

– Dr. Mittelfinger

Miss Canada, winner of the “most virgin” contest, escapes her rich, milk tycoon husband into a world of anarchy, lust, and sugar.

Petit à petit [Little by Little] (Jean Rouch, 1970)

Sep

3

Skyscraper Day

Petit à petit (1970)

Damouré (Damouré Zika) measures a Parisian with craniology callipers. No skyscraper in this still, but there's scaffolding. DP: Jean Rouch.

A skyscraper for Skyscraper Day (USA)

 

In the sequel to Rouch's Jaguar (1967), Damouré wants a high rise for his Niger business with “as many floors as he has wives”. He decides to travel to Paris to learn about the construction of such building, and what made Paris to the Paris of today. While there, he gets distracted by the peculiarities of the French natives. Worried about Damouré's increasingly puzzling postcards, his company sends out Lam (Lam Ibrahim Dia) to bring him home.

Taxi zum Klo (Frank Ripploh, 1980)

Sep

2

Christa McAuliffe 1948 – 1986

Taxi zum Klo (1980)

Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.

A teacher for what would have been Christa McAuliffe's birthday.

“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”

– Frank Ripploh

Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.

Happy End (Oldřich Lipský, 1967)

Sep

1

1889

Happy End (1967)

Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.

Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)

Aug

29

grey

Mon oncle (1958)
Koolhaas Houselife (2008)

A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.

[A favourite] colour: grey*

 

Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).

– A house like yours must be such a job! – Oh, a leaf! Ah, yes it's a chore. – Admit it, you love it.

In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.