settima

comedy

有りがたうさん [Arigatō-san / Mr. Thank You] (Hiroshi Shimizu, 1936)

Nov

6

Arigatō-san (1936)

Arigatō-san (Ken Uehara) courteously thanks someone who shares the road for giving way. DP: Isamu Aoki.

A movie that makes you want to travel*

“Arigatō! [Thank you!]”

– Mr Thank You to everyone – poultry included – he passes on his bus

Friendly and helpful, Arigatō-san (Ken Uehara) is there for his passengers and non-bus travellers alike. A sweet roadmovie from a Japan now lost to time.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Tajemství hradu v Karpatech [The Mysterious Castle in the Carpathians] (Oldřich Lipský, 1981)

Oct

27

1897

Tajemství hradu v Karpatech (1981)

A calendar – undeniably designed by the great Jan Švankmajer – with the date October 27, 1897, set on the day of – or referencing a saint – Sabina. Screenshot via DVDBeaver. DP: Viktor Růžička.

– You surely know that my financial support is unlimited.

– Yes. Long live your false cheque factories!

Au secours ! [Help!] (Abel Gance, 1924)

Oct

18

Au secours !

Au secours ! (1924)

A rather tall ghost struts along a nonplussed Max. DPs: Émile Pierre, André-Wladimir Reybas & Georges Specht.

A [favourite] horror comedy*. This post goes out to Max Linder, who – together with his wife Hélène “Ninette” Peters – took his own life 100 years ago, on October 31, 1925.

 

Max (Max Linder) bets that he can spend one whole hour in a haunted castle without calling for help. In face of all the (in camera!) terrors, Max faces his fears with ease. Until, just minutes before the clock strikes midnight, the phone rings.

“Strange things are happening today.”

– title card

And there was this other bet. One between Linder and director Abel Gance. Linder bet that Gance would not be able to shoot a movie in only three days. With ghosts, skeletons, and wildlife galore, the result is a delightful Grand Guignol à la Max.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Your Safety First (George Gordon, 1956)

Oct

5

2000

Your Safety First (1956)

The protagonist, voiced by George O'Hanlon, reading an ad for tomorrow's car in the October 5, 2000 newspaper.

Ihmemies [Wonderman] (Antti Peippo, 1979)

Sep

21

Peace Day

Ihmemies (1979)

Olli Ruusunen (Antti Litja) in a diner enjoying a small hamburger with a cup of coffee (via). DPs: Pekka Aine & Juha-Veli Äkräs.

The words “world peace” are spoken on Peace Day aka International Day of Peace

TV reporter: We are not alone in the world. An increase of national income in developing countries is absolute requirement for world peace at the end of this century.

Martti Tuomola: Bullshit.

Former child prodigy Olli Ruusunen (Antti Litja) has received special brain capacity training at the Buffalo Institute in the US. Paid for by a Finish company, the idea is that Olli will act as a “rationaliser”, drastically overhauling the inner workings of the company. After getting rid of the entire management team, Olli – like others who have gone through the same training program – becomes increasingly strange. Olli decides to disappear.

Die Republik der Backfische [The Republic of Flappers] (Constantin J. David, 1928)

Sep

20

1928

Die Republik der Backfische (1928)

The Berliner Zeitung (a rag of a paper that's still around to this day) of September 20, 1928. It blares something about America and Graf Zeppelin, the then-new airship. DP: Mutz Greenbaum.

Depending on the language version you watch, you'll see a 1928 newspaper headline dated September 20 (a Thursday), January 10 (a Tuesday), or January 9 (a Monday).

 

Äppelkriget [The Apple War] (Tage Danielsson, 1971)

Sep

17

National Apple Dumpling Day

Äppelkriget (1971)

Locals and a centaur – half man, half papier-mâché – enjoy a drink. DP: Lars Swanberg.

Apples, or dumplings, for National Apple Dumpling Day (USA)

– What are you gonna do with tons of apples? They can't be sold! Ask any apple farmer! They just pile up and rot! – The apple farmers? – No. The apples!

A beautiful, picturesque part of Sweden will become… Deutschneyland! At least, that's the brilliant business plan Herr Volkswagner has. But the local apple farmers – a large family that's half human, half mythological creatures – have no need for an amusement park on their grounds.

Hullumeelsus [Безумие / Madness] (Kaljo Kiisk, 1968)

Sep

15

International Day of Democracy

Hullumeelsus (1968)

Windisch (Jüri Järvet) pacing, blending in with a white-clad inmate. DP: Anatoliy Zabolotskiy.

On the International Day of Democracy, the word “democracy” is spoken.

“Stop shooting! Stop democracy!”

– Person Nr. 1

The Gestapo arrives to liquidate the inmates of a mental hospital. Then Windisch, plainclothes Nazi, brings them a letter: there's a special commando hiding amidst the 583 patients. Interrogating them slowly pushes Windisch among them.

Sweet Movie (Dušan Makavejev, 1974)

Sep

13

International Chocolate Day

Sweet Movie (1974)

The most virgin, Miss 1984 (Carole Laure), bathing in chocolate. DP: Pierre Lhomme.

Chocolate for International Chocolate Day (Milton S. Hershey's birthday)

“In all my years of practice, I've never seen anything so sweet. A rosebud.”

– Dr. Mittelfinger

Miss Canada, winner of the “most virgin” contest, escapes her rich, milk tycoon husband into a world of anarchy, lust, and sugar.

Petit à petit [Little by Little] (Jean Rouch, 1970)

Sep

3

Skyscraper Day

Petit à petit (1970)

Damouré (Damouré Zika) measures a Parisian with craniology callipers. No skyscraper in this still, but there's scaffolding. DP: Jean Rouch.

A skyscraper for Skyscraper Day (USA)

 

In the sequel to Rouch's Jaguar (1967), Damouré wants a high rise for his Niger business with “as many floors as he has wives”. He decides to travel to Paris to learn about the construction of such building, and what made Paris to the Paris of today. While there, he gets distracted by the peculiarities of the French natives. Worried about Damouré's increasingly puzzling postcards, his company sends out Lam (Lam Ibrahim Dia) to bring him home.