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Un comisar acuză [A Police Inspector Calls] (Sergiu Nicolaescu, 1974)
Nov
26
1940
DP: Alexandru David.
Takes place on the night of November 26-27, 1940.
“Mister Moldovan, this is not for the first time that a criminal case is entrusted to you. It is precisely your political objectivity that made us choose you.”
– Alexandru Dincă
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E tanta paura [Plot of Fear] (Paolo Cavara, 1976)
Nov
14
1975
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Two newspaper clippings in a scrapbook, one of them with the date November 14. DP: Franco Di Giacomo.
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Emperor of the North Pole (Robert Aldrich, 1973)
Oct
25
Lobbycard. The blurb reads: “The battle for the title of “Emperor of the North Pole” begins between Shack (ERNEST BORGNINE) and A-No. 1 (LEE MARVIN)“. DP: Joseph F. Biroc.
“Stay off the tracks. Forget it. Its a bum's world for a bum.”
– Shack
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Nattmara [Nightmare] (Arne Mattsson, 1965)
Oct
19
Tue
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spoiler warning: click to read
Hands hold up a small diary. The camera is focussed on Tuesday the 19th of October, 1965. Handwriting, a chicken scrawl, reads CITROEN A66692 MAJ BERG ✝. Besides that the week is uneventful. DP: Max Wilén.
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The Sniper (Edward Dmytryk, 1952)
Oct
4
Man's hands, one bandaged, holding a rifle. DP: Burnett Guffey.
“I'm gonna be happy for a change.”
– Edward Miller
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Le boucher [The Butcher] (Claude Chabrol, 1970)
Oct
3
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Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)
Sep
10
Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.
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Nuits rouges [L'homme sans visage / Shadowman] (Georges Franju, 1974)
Sep
6
A faceless man in black wearing a red balaclava (Jacques Champreux) holds his right wrist, which is bleeding profusely. DP: Guido Bertoni.
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La horse [Horse] (Pierre Granier-Deferre, 1970)
Aug
28
1923
Francis Grutti's (Armando Francioli) ID, handled by someone wielding a large stamp. His birthday is August 28, 1923. DP: Walter Wottitz.
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Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)
Aug
24
black
Black, in food or fashion*
“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”
– Musidora
Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.
