view
Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)
Apr
26
Fri
Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.
“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”
view
Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)
Feb
13
J&B
Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She's deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori.
“You represent everything I detest in a man.”
– Lily Harmer
view
E tanta paura [Plot of Fear] (Paolo Cavara, 1976)
Nov
14
1975
spoiler warning: click to toggle image
Two newspaper clippings in a scrapbook, one of them with the date November 14. DP: Franco Di Giacomo.
view
La donna del lago [The Lady of the Lake / The Possessed] (Luigi Bazzoni + Franco Rossellini, 1965)
Oct
25
Tilde (Virna Lisi) caressing a man's hand, resting on her shoulder, with her cheek. DP: Leonida Barboni.
Until November 20.
view
Sep
30
International Translation Day
“This mirror reflected a painting… with words. Chinese idiograms. 'The she-crane calls in the shadow. Her cheek answers.'”
– Alice Campos
Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.
Some English-language posters try to sell Le orme as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you're in for one unsettling treat! Le orme can be placed somewhere between Don't Look Now and that other Alice film, Chabrol's Alice ou la dernière fugue. Drifting and elegant, distant and claustrophobic.
.png)
