Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9

Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9

Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
“You represent everything I detest in a man.”Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)
Feb
13
J&B
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Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She's deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori.
– Lily Harmer
Amore di ussaro (Luis Marquina, 1940)
Jan
1
1900
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Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year's Eve when the year changes from 1899 to 1900. DP: Carlo Montuori.
Accidente 703 [Los culpables] (José María Forqué, 1962)
Dec
21

A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it's the 21st. DP: Juan Mariné.
“Fascism is not to be debated, it is to be destroyed.”20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)
Nov
20
1936

Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.
A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.
– Buenaventura Durruti
“Well, as I said before, I say again, here's… Here's to a son… to the house of Frankenstein.” Frank Stein (Iván Zulueta, 1972)
Oct
30
Karloff

The Monster (Karloff) in Zulueta's recut (via). DP: Iván Zulueta / Arthur Edeson + Paul Ivano.
A [favourite] Boris Karloff film*
– Baron Frankenstein
Zulueta's mycotoxic fever dream of Whale's Frankenstein.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
“Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!” Soy leyenda (Mario Gómez Martín, 1967)
Oct
3
zombies

Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña.
(A favourite) zombie movie*
Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.
– Richard Matheson, I Am Legend (1954)
Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson's post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.
In the man's mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
“You are one of us now. The Queen of the Night will bear you up on her black wings.” Vampyros Lesbos (Jesús Franco, 1971)
Oct
2
Dracula

The Countess (Soledad Miranda, sigh…) in a blood curling striptease (via). DP: Manuel Merino.
A favourite Dracula movie. As my very most favourite Dracula movie has been claimed, I go with its nearest competitor that somehow also features my favourite Jesus*
Linda (Ewa Strömberg) has been summoned by Countess Nadine Carody (Soledad Miranda) to handle a real estate inheritance from a certain Count Dracula. Spellbound, she finds herself on a small island, and helpless in the Countess' embrace.
– Countess Nadine Carody
A film that can easily hold up against Jean Rollins' dreamy vampire erotica, this love letter to Soledad Miranda's brooding torment is a delight to watch and a pinnacle in Jess Franco's filmography. Its influence on neo-Giallo Amer and Dario Argento – particularly his Suspiria – is evident, and that in itself should give you enough clues of how much of an essential chapter Vampyros Lesbos is in adult European filmmaking.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
“I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.”More (Barbet Schroeder, 1969)
Sep
7

Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros.
– Stefan
Le vampire de Düsseldorf [The Vampire of Dusseldorf] (Robert Hossein, 1965)
Sep
5

Robert Hossein as Peter Kuerten [sic]. DP: Alain Levent.