Characters go on a date, or fall in love*

“It would be thrilling if you were willing, and if it can never be, pity me, for you were born to be kissed, I can’t resist, you are temptation, and I am yours!”

– Nacio Herb Brown & Arthur Freed, Temptation (1933)

On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the faith of the two uneven lovers slowly come to their logical conclusion.

 

* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.

[The best] sunglasses in film for National Sunglasses Day (USA)

– Why do you always wear those dark glasses?

– A souvenir of unrequited love for my homeland.

According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.

A [favourite] child character for Youth Day (ZA)

“Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those?

That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again.”

– narrator, after A.E. Housman's A Shropshire Lad

A group of children plays. It's sunny and lovely in the Forest of Dean, a day to remember for as long as one lives. The war, the second one, is one of the adults' plays and far away from the children's much simpler life. It seeps through, though. You may run around, imagining being a fighter bomber, putt-putt-putting while you do so. And your uncle, your uncle!, is a parachutist! And maybe your dad is missing and your mum is doing something that involves bed sheets, and the other kids are mean about that. That too. That too is the cruelty of blue remembered hills.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

– Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

“Patrick, it's Hitler! Yes it is Hitler! Patrick, you must take a picture of me with him!”

– Shirley White, American time traveler

A family gathering on Visit Your Relatives Day (USA)

“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”

– Aschenbach

The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.

A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.

“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”

– Stepan

When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite

 

The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.

“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”

– Fontaine