settima

WW2

December 7th (John Ford + Gregg Toland, 1943)

Dec

7

1941

December 7th (1943)

A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.

“If that's Americanism, it's very hyphenated.”

– narrator

Careful, Soft Shoulders [Lady in a Quandry] (Oliver H.P. Garrett, 1942)

Dec

7

1941

Careful, Soft Shoulders (1942)

Thomas Aldrich (James Ellison) and Connie Mathers (Virginia Bruce). DP: Charles G. Clarke.

1943-1997 ['43 – '97] (Ettore Scola, 1997)

Oct

16

1943

1943-1997 (1997)

The boy (Francesco Cencioni) on the run in a locked down town. DP: Carlo Tafani.

Smrt si říká Engelchen [Death Is Called Engelchen] (Ján Kadár + Elmar Klos, 1963)

Sep

19

ER – 1994

Smrt si říká Engelchen (1963)

Pavel (Jan Kačer) recovering face-down in his hospital bed. DP: RudolfMilič.

An emergency room: ER debuts on this date in 1994.

 

A paralysed Czechoslovak partisan recovering from a shot in the back in an emergency ward, feverishly remembers the events that brought him to that moment. He particularly remembers Engelchen, the SS Sturmbannführer who killed his best friend and massacred the local villagers.

Hullumeelsus [Безумие / Madness] (Kaljo Kiisk, 1968)

Sep

15

International Day of Democracy

Hullumeelsus (1968)

Windisch (Jüri Järvet) pacing, blending in with a white-clad inmate. DP: Anatoliy Zabolotskiy.

On the International Day of Democracy, the word “democracy” is spoken.

“Stop shooting! Stop democracy!”

– Person Nr. 1

The Gestapo arrives to liquidate the inmates of a mental hospital. Then Windisch, plainclothes Nazi, brings them a letter: there's a special commando hiding amidst the 583 patients. Interrogating them slowly pushes Windisch among them.

И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)

Sep

9

1944

И дойде денят (1973)

Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

25

1943

Estate violenta (1959)

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.

 

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

19

Estate violenta (1959)

Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.

Characters go on a date, or fall in love*

“It would be thrilling if you were willing, and if it can never be, pity me, for you were born to be kissed, I can’t resist, you are temptation, and I am yours!”

– Nacio Herb Brown & Arthur Freed, Temptation (1933)

On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the fate of the two uneven lovers slowly come to their logical conclusion.

 

Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)

Jun

27

National Sunglasses Day

Popiół i diament (1958)

Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.

[The best] sunglasses in film for National Sunglasses Day (USA)

– Why do you always wear those dark glasses?

– A souvenir of unrequited love for my homeland.

According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.

Blue Remembered Hills (Brian Gibson, 1979)

Jun

16

Youth Day

Blue Remembered Hills (1979)

The children playing in the Forest of Dean. From left to right: Raymond (John Bird), Angela (Helen Mirren), Willie (Colin Welland), and Audrey (Janine Duvitski). DP: Nat Crosby.

A [favourite] child character for Youth Day (ZA)

“Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those?

That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again.”

– narrator, after A.E. Housman's A Shropshire Lad

A group of children plays. It's sunny and lovely in the Forest of Dean, a day to remember for as long as one lives. The war, the second one, is one of the adults' plays and far away from the children's much simpler life. It seeps through, though. You may run around, imagining being a fighter bomber, putt-putt-putting while you do so. And your uncle, your uncle!, is a parachutist! And maybe your dad is missing and your mum is doing something that involves bed sheets, and the other kids are mean about that. That too. That too is the cruelty of blue remembered hills.