settima

WW2

Blue Remembered Hills (Brian Gibson, 1979)

Jun

16

Youth Day

Blue Remembered Hills (1979)

The children playing in the Forest of Dean. From left to right: Raymond (John Bird), Angela (Helen Mirren), Willie (Colin Welland), and Audrey (Janine Duvitski). DP: Nat Crosby.

A [favourite] child character for Youth Day (ZA)

“Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those?

That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again.”

– narrator, after A.E. Housman's A Shropshire Lad

A group of children plays. It's sunny and lovely in the Forest of Dean, a day to remember for as long as one lives. The war, the second one, is one of the adults' plays and far away from the children's much simpler life. It seeps through, though. You may run around, imagining being a fighter bomber, putt-putt-putting while you do so. And your uncle, your uncle!, is a parachutist! And maybe your dad is missing and your mum is doing something that involves bed sheets, and the other kids are mean about that. That too. That too is the cruelty of blue remembered hills.

Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)

Jun

13

Wyszedł w jasny, pogodny dzień (1972)

Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.

Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)

Jun

5

Sorry I Was on a Boat Day

Le chagrin et la pitié (1969)

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

Zítra vstanu a opařím se čajem [Tomorrow I'll Wake Up and Scald Myself with Tea] (Jindřich Polák, 1977)

Jun

1

Zítra vstanu a opařím se čajem (1977)

Time-traveling tourist Shirley White (Marie Rosůlková) dragging a bewildered Hitler (František Vicena) in front of her husband's photo camera. DP: Jan Kališ.

“Patrick, it's Hitler! Yes it is Hitler! Patrick, you must take a picture of me with him!”

– Shirley White, American time traveler

La caduta degli dei (Götterdämmerung) [The Damned] (Luchino Visconti, 1969)

May

18

Visit Your Relatives Day

La caduta degli dei (Götterdämmerung) (1969)

Martin Von Essenbeck (Helmut Berger) entertains the family. DPs: Pasqualino De Santis & Armando Nannuzzi.

A family gathering on Visit Your Relatives Day (USA)

“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”

– Aschenbach

The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.

Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)

May

8

VE Day

Летят журавли (1957)

A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.

A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.

“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”

– Stepan

When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite

 

The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.

Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)

May

2

Un condamné à mort s'est échappé ou Le vent souffle où il veut (1956)

A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.

“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”

– Fontaine

Két félidő a pokolban [Two Half-Times in Hell] (Zoltán Fábri, 1961)

Apr

20

Két félidő a pokolban (1961)

A sour looking player with a flood of Nazis coming towards him. DP: Ferenc Szécsényi.

Una giornata particolare [A Special Day] (Ettore Scola, 1977)

Apr

19

National Hanging Out Day

Una giornata particolare (1977)

Antonietta (Sophia Loren) and Gabriele (Marcelo Mastroianni) on the roof of their building, clean sheets like a fort around them. DP: Pasqualino De Santis.

A clothesline in support of Project Laundry List's National Hanging Out Day (USA)

– As they say, 'Tidiness is the virtue of a mediocre mind.'

– Then I'm a genius.

ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956)

Apr

8

花祭り

ビルマの竪琴 (1956)

Mizushima (Shōji Yasui) holding his harp, looked over by the reclining Buddha. DP: Minoru Yokoyama.

A film about Buddhism, or set in Japan, in honour of the birth of Buddha, celebrated in Japan on April 8 as 花祭り (Hana Matsuri, aka Flower Festival)

“Can't you see that whatever you do is futile? The armies of Britain and Japan can come and fight all they wish. Burma is still Burma. Burma is the Buddha's country.”

– old monk

While stationed in Burma, Mizushima disguises himself as a dhutanga, a wandering Buddhist monk, burying the remains of his fellow Japanese soldiers.