“What I'd give for a sink full of dirty dish.”Caged (John Cromwell, 1950)
Jun
20
prison chow
The girls eating their grub. It'd be Marie Allen's (Eleanor Parker) first of many. DP: Carl E. Guthrie.
– Millie
“What I'd give for a sink full of dirty dish.”Caged (John Cromwell, 1950)
Jun
20
prison chow
The girls eating their grub. It'd be Marie Allen's (Eleanor Parker) first of many. DP: Carl E. Guthrie.
– Millie
“I think it's really rotten of them to lock you up like this for making love to a boy.”Die Konsequenz [The Consequence] (Wolfgang Petersen, 1977)
Jun
17
prison grub
Thomas (Ernst Hannawald), the warden's son, and convicted homosexual Martin (Jürgen Prochnow) sharing a mug, a meal, a cell. DP: Jörg-Michael Baldenius.
– Thomas Manzoni
A cavallo della tigre [On the Tiger's Back] (Luigi Comencini, 1961)
Jun
4
Mario (Mario Adorf) rinsing his mouth while eyeing two of the wardens. DP: Aldo Scavarda.
or June 5th?
“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
May
2
A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.
– Fontaine
A cavallo della tigre [On the Tiger's Back / Jail Break] (Luigi Comencini, 1961)
Jan
6
Two men in a doorway with a stunned look on their faces and their mouths stuffed with food. DP: Aldo Scavarda.
“Time to empty our slop pails and run a little water over our faces, then back to our cells for the entire day.”Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
Dec
29
slop
A man's hand holding a spoon at a perpendicular angle. DP: Léonce-Henri Burel.
– Fontaine
“Nice guys.” Canon City (Crane Wilbur, 1948)
Aug
1
Colorado Day
Counting the inmates. DP: John Alton.
They've been planning this for months, Canon City's Colorado Territorial Correctional Facility's toughest inmates. It's going to happen on December 30, and all men are ready to go.
Fascinating about Canon City is the usage of some of the actual locations, ánd people, involved in the 1947 #prison break.
Also striking, unfortunately, is the unevenness of the affair. John Alton's cinematography, while wonderful, wanders between noir and stuck camera shutter. And that voice-over… well, lets not mention that at all.
Le trou [The Hole / The Night Watch] (Jacques Becker, 1960)
Jun
25
care package
Butchering a care package – butter, sausage and other joys of life – for contraband. DP: Ghislain Cloquet.
“Hello. My friend Jacques Becker recreated a true story in all its detail. My story. It took place in 1947 at La Santé prison.”Le trou [The Hole / The Night Watch] (Jacques Becker, 1960)
Jun
19
International Box Day
The prisoners keep themselves occupied with making cardboard folding boxes. The second man from the right is the novel's author and real-world (ex-) inmate José Giovanni aka Jean Keraudy as Roland Darbant. DP: Ghislain Cloquet.
Inmates preoccupy themselves with making cardboard boxes. While working together, talking, gaining trust, plans for an escape unfold.
– Jean Keraudy as himself
Le trou is based on a real prison escape and introduced by one of the men involved, Jean Keraudy.
“Officer, come here. I wanna spit in your fucking eye!”Ghosts… of the Civil Dead (John Hillcoat, 1988)
Apr
26
Hug An Australian Day
One of the inmates near a small window. The light's cold. DPs: Paul Goldman & Graeme Wood.
John Hillcoat's deeply unpleasant debut is based on In the Belly of the Beast (1981), a collection of excerpts of letters between prisoner Jack Henry Abbott and author Norman Mailer. True to the book's format, Ghosts consists of disjointed vignettes of monologues, #CCTV footage, title cards, and prisoners' phone calls.
For the last 37 months, these filters inform the observer, the hypermodern #supermax Central Industrial Prison has been in permanent lockdown. The cast, a mix of professional actors and ex-cons, and the location, a clean factory-style hangar in the middle of the Australian desert, underscore the underlying raw brutality of the unfolding events.
– Maynard
The #industrial soundtrack is by Bad Seed Nick Cave (co-writer and starring as Maynard), Mick Harvey, and Blixa Bargeld from when they were still closer to being birthday boys than morose crooners.