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The Diary of an Unknown Soldier (Peter Watkins, 1959)
Jun
14
Army Day
That glance. Any soldier at any time. DP: Peter Watkins.
A [favourite] soldier in film for Army Day (USA). I can not in all seriousness link to any official website in fear of throwing up, so please follow along here
“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”
Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.
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Culloden (Peter Watkins, 1964)
Apr
16
1746
“Sir Thomas Sheridan, Jacobite military secretary. Suffering advanced debility and loss of memory. Former military engagement, 56 years ago. Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities.' John William O'Sullivan, Jacobite quartermaster general. Described as 'an Irishman whose vanity is superseded only by his lack of wisdom.' Prince Charles Edward Stuart, Jacobite commander in chief. Former military experience: 10 days at a siege at the age of 13.”
– narrator
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Symbiopsychotaxiplasm: Take One (William Greaves, 1968)
Feb
1
Filmmaking
Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.
A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.
“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”
– William Greaves – Director
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کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Jan
19
Hossain Sabzian on the back of a motorcycle on a busy tree-lined, four lane street. He's holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.
– Is there anything I can do for you?
– You could make a film about my suffering.
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Canon City (Crane Wilbur, 1948)
Dec
30
1947
A calendar page. It's December 30, 1947. DP: John Alton.
“We're not here to play dominoes.”
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Couro de Gato [Cat Skin] (Joaquim Pedro de Andrade, 1962)
Dec
27
Junkanoo
A man plays a small hand drum, the tamborim, with a cat skin head. DP: Mário Carneiro.
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December 7th (John Ford + Gregg Toland, 1943)
Dec
7
1941
A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.
“If that's Americanism, it's very hyphenated.”
– narrator
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আকালের সন্ধানে [Akaler Sandhane / In Search of Famine] (Mrinal Sen, 1982)
Sep
7
A clapperboard in the jungle. DP: K.K. Mahajan.
“Past. Presence. And future.”
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Punishment Park (Peter Watkins, 1971)
Dec
13
U.S. National Guard Birthday
A European camera crew follows a diverse group of American minor dissidents – pacifists, feminists, communists – who are given the choice to spend decades in federal prison, or three days in Bear Mountain Punishment Park, chased by National Guardsmen and law enforcement officers. If they manage to capture the American flag, they're free to go.
“America is as psychotic as it is powerful and violence is the only goddamn thing that will command your attention.”
– Defendant Lee Robert Brown
While the washed-out 16mm footage and references to #Nixon may tell you otherwise, Punishment Park remains a gut-punching portrait of a timeless America.
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Weihnacht (Roland Klick, 1963)
Nov
24
Black Friday
The miracle of Christmas, as seen in a fancy shop window. A dress shirt is on display among Sputnik-style decorations and an entranced toddler is reflected in a gilded mirror. From across the street, “Woolworth's” in neon text bounces off the window pane. DPs: Jochen Cerhak & Roland Klick.
A little boy takes in the magic of pre-Christmas, while the adults rush and worry about all that must to be bought.