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X2000 (François Ozon, 1998)
Jan
1
2000
A young, naked man holding a drink observes two men asleep in a sleeping bag on the floor. On the wall behind them the text “2000” spelled out with tinsel garlands. DP: Pierre Stoeber.
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La noche de los Inocentes [Night of the Innocents] (Arturo Sotto Díaz, 2007)
Dec
28
The cast in the hospital. Lighting and stances appear theatre-like. DP: Ernesto Granado.
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Balada o trobenti in oblaku [Ballad About a Trumpet and a Cloud] (France Štiglic, 1961)
Dec
11
International Mountain Day
A young couple dances among the mountains (via). DP: Rudi Vaupotič.
1943. With the family preparing for Christmas, old man Temnikar hears the sound of a trumpet. The patriarch sees it as his calling to follow – and kill – the White Guardists who visited his mountain farm looking for wounded Partisans.
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Kisapmata [Sa bawat kisapmata / In the Wink of an Eye] (Mike De Leon, 1981)
Dec
8
Tue
Noel (Jay Ilagan) enters Milagros' (Charo Santos-Concio) room. On a sparse green wall a calendar with an image of the Virgin Mary. The 8th, the Feast of the Immaculate Conception, is marked red as a holiday. DP: Rody Lacap.
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Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)
Aug
7
1949
A little boy runs down a Roman street. Superimposed a calendar page: SUNDAY AUGUST 7 S. GAETANO THE SUN RISES AT 5:15 SUNSET AT 19:42 – CRESCENT MOON. “S. Gaetano” refers to Saint Cajetan, who's feast day is on August 7. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.
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À Meia Noite Levarei Sua Alma [At Midnight I'll Take Your Soul] (José Mojica Marins, 1964)
Jun
6
Robert Englund – 1947
Josefel Zanatas, aka Coffin Joe, summoning you to your early grave. DP: Giorgio Attili.
[A] favourite horror movie villain for Robert Englund's birthday (1947).
“What is life? It is the beginning of death. What is death? It is the end of life! What is existence? It is the continuity of blood. What is blood? It is the reason to exist!”
– Zé do Caixão (Coffin Joe), opening lines
Josefel, nicknamed Zé do Caixão, or Coffin Joe as he was rechristened for the English speaking world, would be Marins' alter ego in numerous movies and TV shows. His gnarly nails clawed their way past Brazil's censorship, dug themselves out of the pits of obscurity, and impaled themselves deep into this disciple's heart.
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La última cena [The Last Supper] (Tomás Gutiérrez Alea, 1976)
Apr
18
Good Friday
The count, Christ, flanked by two of his slaves, John and Thomas respectively. DP: Mario García Joya.
Good Friday: an occurrence during a Friday or weekend.
During Holy Week, a count visits his sugar mill on the day one of his slaves has escaped. Reluctant, overseer Don Manuel picks twelve slaves to join the count at his dinner table for a lecture about the possibility of happiness in slavery, all made up to resemble the Last Supper, with the count as Christ and the slaves as his apostles. Then conversation picks up, and the slaved men request, and are granted, a day off on Good Friday.
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Macario (Roberto Gavaldón, 1960)
Jan
22
National Poverty in America Awareness Month
Macario (Ignacio López Tarso) passes a Día de los Muertos altar, stacked high with candles, human skulls and bones, and cempasúchil (marigolds), whose fragrant and colour lead the Dead back to their family on this revered day. DP: Gabriel Figueroa.
Macario, poor and hungry, wishes to eat a whole turkey all by himself on Día de los Muertos. When he finally has the opportunity, he is interrupted three times: by the Devil, by God, and by Death. With one of them, he shares his meal.
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Couro de Gato [Cat Skin] (Joaquim Pedro de Andrade, 1962)
Dec
27
Junkanoo
A man plays a small hand drum, the tamborim, with a cat skin head. DP: Mário Carneiro.
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Cali: de película (Luis Ospina, 1973)
Dec
26
Feria de Cali
A child hands a man in indigenous garb a small liquor bottle during the cabalgata, the parade of horseback riders. The man's horse is painted to resemble a zebra. DP: Carlos Mayolo.
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