settima

holidays

À Meia Noite Levarei Sua Alma [At Midnight I'll Take Your Soul] (José Mojica Marins, 1964)

Jun

6

Robert Englund – 1947

À Meia Noite Levarei Sua Alma (1964)

Josefel Zanatas, aka Coffin Joe, summoning you to your early grave. DP: Giorgio Attili.

[A] favourite horror movie villain for Robert Englund's birthday (1947).

“What is life? It is the beginning of death. What is death? It is the end of life! What is existence? It is the continuity of blood. What is blood? It is the reason to exist!”

– Zé do Caixão (Coffin Joe), opening lines

In 1963, long before Freddy's got his claws, Brazil didn't have any horror films of its own. Then, José Mojica Marins woke up from uneasy dreams. He had seen himself being dragged across a cemetery by a dark figure, towards a grave with his name on it. Now wide awake in a pool of sweat, José became Josefel Zanatas – the true name of the godless undertaker from his dream.

 

Josefel, nicknamed Zé do Caixão, or Coffin Joe as he was rechristened for the English speaking world, would be Marins' alter ego in numerous movies and TV shows. His gnarly nails clawed their way past Brazil's censorship, dug themselves out of the pits of obscurity, and impaled themselves deep into this disciple's heart.

La última cena [The Last Supper] (Tomás Gutiérrez Alea, 1976)

Apr

18

Good Friday

La última cena (1976)

The count, Christ, flanked by two of his slaves, John and Thomas respectively. DP: Mario García Joya.

Good Friday: an occurrence during a Friday or weekend.

 

During Holy Week, a count visits his sugar mill on the day one of his slaves has escaped. Reluctant, overseer Don Manuel picks twelve slaves to join the count at his dinner table for a lecture about the possibility of happiness in slavery, all made up to resemble the Last Supper, with the count as Christ and the slaves as his apostles. Then conversation picks up, and the slaved men request, and are granted, a day off on Good Friday.

Macario (Roberto Gavaldón, 1960)

Jan

22

National Poverty in America Awareness Month

Macario (1960)

Macario (Ignacio López Tarso) passes a Día de los Muertos altar, stacked high with candles, human skulls and bones, and cempasúchil (marigolds), whose fragrant and colour lead the Dead back to their family on this revered day. DP: Gabriel Figueroa.

Poverty (National Poverty in America Awareness Month).

 

Macario, poor and hungry, wishes to eat a whole turkey all by himself on Día de los Muertos. When he finally has the opportunity, he is interrupted three times: by the Devil, by God, and by Death. With one of them, he shares his meal.

X2000 (François Ozon, 1998)

Jan

1

2000

X2000 (1998)

A young, naked man holding a drink observes two men asleep in a sleeping bag on the floor. On the wall behind them the text “2000” spelled out with tinsel garlands. DP: Pierre Stoeber.

La noche de los Inocentes [Night of the Innocents] (Arturo Sotto Díaz, 2007)

Dec

28

La noche de los Inocentes (2007)

The cast in the hospital. Lighting and stances appear theatre-like. DP: Ernesto Granado.

Cali: de película (Luis Ospina, 1973)

Dec

26

Feria de Cali

Cali: de película (1973)

A child hands a man in indigenous garb a small liquor bottle during the cabalgata, the parade of horseback riders. The man's horse is painted to resemble a zebra. DP: Carlos Mayolo.

A parade for Feria de Cali, Columbia.

Kisapmata [Sa bawat kisapmata / In the Wink of an Eye] (Mike De Leon, 1981)

Dec

8

Tue

Kisapmata (1981)

Noel (Jay Ilagan) enters Milagros' (Charo Santos-Concio) room. On a sparse green wall a calendar with an image of the Virgin Mary. The 8th, the Feast of the Immaculate Conception, is marked red as a holiday. DP: Rody Lacap.

Night of the Comet (Thom Eberhardt, 1984)

Sep

20

cereal

Night of the Comet (1984)

An empty box or Raisin Bran lies tipped-over next to a Toshiba boombox. Just visible but out of focus is Samantha Belmont (Kelli Maroney) in her cheerleader uniform DP: Arthur Albert.

“Hey! If you're going to throw those guns away, can I have one?”

– Sarah

Kisapmata [Sa bawat kisapmata / In the Wink of an Eye] (Mike De Leon, 1981)

Aug

18

gatas

Kisapmata (1981)

Adelina Carandang (Charito Solis) unwell in bed. She holds a glass of milk. DP: Rody Lacap.