“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.” Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Mar
5
Crispus Attucks – 1770
Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.
A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.
– The Writer
An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.
Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.
ComingOfAge
“Yes, it's story time on WJAD in the heart of Times Square, New York, New York. The city so nice, they named it twice.”Times Square (Allan Moyle, 1980)
Jan
10
1967
A bus on Times Square with a large (expensive) ad asking people to be on the lookout for a Pamela Pearl, born January 10, 1967. DP: James A. Contner.
– Johnny LaGuardia, on the air
Sedmi kontinent [Sedmý kontinent / The Seventh Continent] (Dušan Vukotić, 1966)
Dec
13
Francis Drake's circumnavigation
The first two children to set sail, with Iris Vrus on the right, and possibly Tomislav Pasarić on the left. DP: Karol Krška.
A voyage of discovery on the start of Francis Drake's circumnavigation. Children, ignored by their ever-busy parents, set sail to the Seventh Continent.
“I'll be eating frankfurters and onions. Plenty of tomato ketchup. Chips with lots of vinegar. Few cockles and muscles. Jellied eels, Coca-Cola, beer, the old jukebox, lollipops, all the lot.”The Leather Boys (Sidney J. Furie, 1964)
Jun
12
wedding buffet
Newlyweds Dot and Reggie and friends and family about to dig into the wedding buffet. DP: Gerald Gibbs.
– Pete
Slnko v sieti [The Sun in a Net] (Štefan Uher, 1963)
May
9
lunch
An old man, enclosed in a simple, wooden window frame, eating his lunch. DP: Stanislav Szomolányi.
“Trouble is, she likes everything. She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Apr
2
cocktails
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A lone Roberto (Enrico Maria Salerno) at a lively cocktail party in Rome's hypermodern EUR district. DP: Armando Nannuzzi.
– the writer
Mikey and Nicky (Elaine May, 1976)
Jan
27
milk and cigarettes
The titular Mikey and Nicky sharing snacks, smokes, and sips at a tiny fast food table. There are piles of boxes with canned beer behind them. Mikey (Falk) cheesily grins at Nicky (Cassavetes). DPs: Bernie Abramson, Lucien Ballard, Jack Cooperman, Jerry File & Victor J. Kemper.
– So what is your goal in life then? – Satisfaction of the present. The sword, and nothing else.剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
29
Tick Tock Day
One of the kendōka kneeled on the floor in gruelling punishment faces a clock on the wall, while the other students continue their training. DP: Chikashi Makiura.
A clock face for Tick Tock Day, USA.
After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.
Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).
“Only a child can kill the monster.”Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)
Dec
19
National Hard Candy Day
Lucio (Néstor Zavarce) and his new friend sharing one of her fancy 10¢ lollipops. DP: Pablo Tabernero.
Eating hard candy on National Hard Candy Day.
Lucio is the class clown, a ne'er-do-well relying on his police-dad's rank and classmates' homework. One of these classmates, a smart little girl, promises him fancy lollipops in exchange for protection. And she has a secret for him too, about the origin of the candy, and the nice man giving her those and other nice things. Under oath, she tells Lucio everything and then promptly disappears. With his friend gone, killed as he later finds out, and an oath weighing on his heart, what can Lucio do when another girl goes missing?
– narrator
Cornell Woolrich's haunting tales of childhood lost leaped from Ireland to Argentina. With some similarities with Fritz Lang's M (1931), this fairy-tale feels more oppressive; due to the helplessness of a boy's power in an adult world and his understanding of grown-up responsibilities. A restored version in wider circulation is long overdue.