settima

WestGermany

Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)

Mar

9

Fata/Morgana (1966)

Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.

Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)

Mar

5

Crispus Attucks – 1770

Io la conoscevo bene (1965)

Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.

A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.

“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”

– The Writer

An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.

 

Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.

Der große Verhau [The Big Mess] (Alexander Kluge, 1971)

Feb

19

Copernicus born

Der große Verhau (1971)

Space ships made out of all sorts of junk pass a moon. DPs: Thomas Mauch & Alfred Tichawsky.

A film about outer space for Nicolaus Copernicus' birthday (1473).

 

In a galaxy far far away, the opening scroll informs us, a civil war rages between governments, greedy conglomerates, and rebels. Only a few scrap-dealing space pirates can save the day!

Der Riese [The Giant] (Michael Klier, 1983/1984)

Feb

15

freebie: a movie from 1984

Der Riese (1983/1984)

A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.

January 21 redux: a film from 1984 on the date Orwell died (1950).

“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”

– Michael Klier, via

According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.

Die bitteren Tränen der Petra von Kant [The Bitter Tears of Petra von Kant] (Rainer Werner Fassbinder, 1972)

Jan

31

freebie: high fashion

Die bitteren Tränen der Petra von Kant (1972)

Fashion designer Petra von Kant (Margit Carstensen) – pouting in her emerald-green dress – is kneeled on a large, sheepskin carpet in front of a huge Baroque painting (Nicolas Poussin's Midas und Bacchus, ca. 1624). In front of her a small bottle of gin and a phone. DP: Michael Ballhaus.

A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.

– You have a good figure. You could use it to your advantage. Get in touch with me some time. – I'd love to.

With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.

Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)

Jan

25

Chamonix 1924 Winter Olympics

Die große Ekstase des Bildschnitzers Steiner (1974)

Live footage of Steiner preparing for his flight. DP: Jörg Schmidt-Reitwein.

Winter sports in celebration of the Chamonix 1924 Winter Olympics.

“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”

– Walter Steiner

In a film that is as much about Herzog as it is about Steiner, we follow the soft-spoken woodcarver in preparation of his definitive ski flight in Planica, Yugoslavia.

Operation Ganymed [Helden, verloren im Staub der Sterne] (Rainer Erler, 1977)

Jan

7

moons

Operation Ganymed (1977)

Jupiter rising. DP: Wolfgang Grasshoff.

Moons for Galileo Galilei's observation of Jupiter's four largest moons in 1610: Ganymede and Callisto on January 7, and Europa and Io on January 8.

“I therefore concluded and decided unhesitatingly, that there are three stars in the heavens moving about Jupiter, as Venus and Mercury round the Sun; which at length was established as clear as daylight by numerous subsequent observations. These observations also established that there are not only three, but four, erratic sidereal bodies performing their revolutions round Jupiter… the revolutions are so swift that an observer may generally get differences of position every hour.”

– Galileo Galilei, Sidereus Nuncius (”Starry Messenger”), 1610

A spacecraft named Ganymede II returns back to Earth after its expedition to Jupiter's moons followed by 1500 days stuck in space. The Earth they find, is deserted.

Auch Zwerge haben klein angefangen [Even Dwarfs Started Small] (Werner Herzog, 1970)

Dec

30

National Short Person Day

Auch Zwerge haben klein angefangen (1970)

Some of the main cast members, with three women in focus. They're outdoors and several animals, including a kneeling dromedary, can be spotted in the background. DP: Thomas Mauch.

A short main character for National Short Person Day (USA).

“When we behave nobody cares. But when we are bad nobody forgets.”

– Hombré

La polizia ringrazia [Execution Squad / The Law Enforcers] (Steno, 1972)

Nov

23

La polizia ringrazia (1972)

Sandra (Mariangela Melato) and Francesco Bettarini (Franco Fabrizi). DP: Riccardo Pallottini.