During one scene a perpetual calendar is visible. It's a 26^th.

– Why do they call you The Gorilla? – Because I'm big and strong… and everyone has to have a name.

“Oh keiner macht's wie du, Wie du so traut sich's keiner, So wie du”

– DAF – El Que (Gold und Liebe (1981)

A movie that feels like autumn*

 

A family of four share the same house and live their own lives. When the parents attend a company party, the neighbour's teenage daughter reluctantly babysits the children then promptly runs off with her secret boyfriend. Left to his own devices, the bored 10-year old Achim plays a game with his little sister

“Junge, du bist ja ganz woanders!”

I Initially nomintad the RAF critique Deutschland im Herbst (1978) for today's challenge, when I realised that Bübchen too is about Germany's youth's antics and the society that planted its seeds. Here again, a repressed community dutifully finds a way to bury the terror into the fabric of mundanity. You'll find it again in Michael Haneke's Das weiße Band (2009), now foretelling the German youth that came to embrace Nazism.

 

Eternal return, ad nauseam.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

[A favourite] horror remake*

“I never thought I could be friends with a German again. But here I am… Werner is somehow like Murnau brought back to life.”

– Lotte Eisner visiting the set of Herzog's Nosferatu (via)

Coming back to Murnau's expressionist masterpiece was Herzog's bridge between the films made by the grandfathers of German cinema and his era. Herzog, born in 1942 Munich, noted this void created by that philistine regime and felt that, by picking up the thread cut a quarter of a century earlier, German culture could see a restoration to its (non-nationalistic) greatness. Thus a menagerie of rats and actors was released in a reluctant, bourgeois Dutch town.

 

But that's a story for another generation to draw upon.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

A favourite Dracula movie. As my very most favourite Dracula movie has been claimed, I go with its nearest competitor that somehow also features my favourite Jesus*

 

Linda (Ewa Strömberg) has been summoned by Countess Nadine Carody (Soledad Miranda) to handle a real estate inheritance from a certain Count Dracula. Spellbound, she finds herself on a small island, and helpless in the Countess' embrace.

“You are one of us now. The Queen of the Night will bear you up on her black wings.”

– Countess Nadine Carody

A film that can easily hold up against Jean Rollins' dreamy vampire erotica, this love letter to Soledad Miranda's brooding torment is a delight to watch and a pinnacle in Jess Franco's filmography. Its influence on neo-Giallo Amer and Dario Argento – particularly his Suspiria – is evident, and that in itself should give you enough clues of how much of an essential chapter Vampyros Lesbos is in adult European filmmaking.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Billiards, or Paul Newman (1925 – 2006).

“There's too much on my mind There's too much on my mind And I can't sleep at night thinking about it I'm thinking all the time There's too much on my mind It seems there's more to life than just to live it”

– The Kinks, Too Much On My Mind (from Face To Face, 1966)

Hanns (Hanns Zischler) plays billiards with Wim Wenders.

Chocolate for International Chocolate Day (Milton S. Hershey's birthday)

“In all my years of practice, I've never seen anything so sweet. A rosebud.”

– Dr. Mittelfinger

Miss Canada, winner of the “most virgin” contest, escapes her rich, milk tycoon husband into a world of anarchy, lust, and sugar.

We watch the final report by Will Roczinski, who sadly died in a car crash while working on a TV documentary about UFOs and the like. A fascinating early “faux footage” film from the BRD. One can only wonder how the average West German processed the fantastic premise.