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Jonathan (Hans W. Geissendörfer, 1970)
May
26
World Dracula Day
Siring the mortals. DP: Robby Müller.
This deeply political, unpleasant interpretation of Stoker's Dracula can not not be seen against the backdrop of political movements like the #RAF and West-Germany's youth revolting against the failed #Denazification that the country underwent under supervision of the Allied occupying forces. Keep an eye on the usage of colours and grouping of people. Klaus Mann's Mephisto (1981) borrowed quite a few visuals from Jonathan.
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Cuadecuc, vampir (Pere Portabella, 1971)
May
26
World Dracula Day
Lucy (Soledad Miranda) in bloody embrace with Dracula (Christopher Lee). DP: Manel Esteban.
A black forest. A man walks through, holding a smoke machine. Then a carriage with a familiar coachman. Dracula! Where are we? No, not 19th century #Transylvania. The film stock reveals bullet holes in ancient walls, and beyond these walls a ladder, maybe scaffolding. A pneumatic drill, more crew members, lights, a clapperboard. Are the characters aware of that? Them seem to interact with the disturbance yet oblige to the interruptions of the movie set. In a state of hypnopompia, guided by kuroko, maybe?
“cut”
Pere Portabella created a hyper-reality with his Cuadecuc, vampir. A director dismantles the man-behind-the-curtain, Franco, the other #Franco while setting up scaffolding for the next Spain. Everything's a reality, or an illusion, then nothing is.