settima

horror

El escapulario [The Scapular] (Servando González, 1968)

Nov

20

El escapulario (1968)

Padre Andrés (Enrique Aguilar). DP: Gabriel Figueroa.

하녀 [Hanyeo / The Housemaid] (Kim Ki-young, 1960)

Nov

13

Hanyeo (1960)

Adding one more ingredient. DP: Deok-jin Kim.

A memorable kitchen or cooking scene*

“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”

– Dong-sik Kim

A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Nov

11

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Bela Lugosi). DPs: Eric Cross & Geoffrey Faithfull.

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

The Thing from Another World (Christian Nyby + Howard Hawks, 1951)

Nov

1

The Thing from Another World (1951)

Scientists and crew armed to the teeth. DP: Russell Harlan.

Until November 3.

“No pleasure, no pain… no emotion, no heart. Our superior in every way.”

– Dr. Arthur Carrington

Frank Stein (Iván Zulueta, 1972)

Oct

30

Karloff

Frank Stein (1972)

The Monster (Karloff) in Zulueta's recut (via). DP: Iván Zulueta / Arthur Edeson + Paul Ivano.

A [favourite] Boris Karloff film*

“Well, as I said before, I say again, here's… Here's to a son… to the house of Frankenstein.”

– Baron Frankenstein

Zulueta's mycotoxic fever dream of Whale's Frankenstein.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Night of the Demon (Jacques Tourneur, 1957)

Oct

28

Night of the Demon (1957)

John Holden (Dana Andrews) standing in Stonehenge's inner circle. He's holding a strip of paper with something written on it. DP: Edward Scaife.

“It's in the trees! It's coming!”

Outer Space (Peter Tscherkassky, 1999)

Oct

26

Outer Space (1999)

Barbara Hershey as Carla Moran. DP of The Entity: Stephen H. Burum.

[Favourite] psychological horror*

“A premonition of a horror film”

– tagline

Real horror is not found in broken dinner plates or corpuscular masses of light. It's in what the mind does with that input, in how those lux morph into human-like shapes. In how gusts of wind becomes larynx-touched voices. Cut up the neatly filed research papers and be left with the whispers of the mind.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Il caso Valdemar [The Facts in the Case of M. Valdemar] (Gianni Hoepli + Ubaldo Magnaghi, 1936)

Oct

24

Il caso Valdemar (1936)

M. Valdemar on his deathbed.

[A] favourite horror movie overall*

”'M. Valdemar,' I said, 'are you asleep?' He made no answer, but I perceived a tremor about the lips, and was thus induced to repeat the question, again and again. At its third repetition, his whole frame was agitated by a very slight shivering; the eye-lids unclosed themselves so far as to display a white line of the{n} ball; the lips moved sluggishly, and from between them, in a barely audible whisper, issued the words:

'Yes; — asleep now. Do not wake me! — let me die so!'”

– Edgar Allan Poe, The Facts in the Case of M. Valdemar (1845) (via)

A man agrees on being hypnotised while in the state of dying. This particularly haunting and efficiently gory film – the first in the genre – is the result.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Oct

23

Bela Lugosi

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Lugosi) at Mary Celeste's wheel. DPs: Eric Cross & Geoffrey Faithfull.

[A favourite] Bela Lugosi film*

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

A post-Dracula Lugosi demonstrates that he's more than the cursed aristocrat. An efficient early Hammer production, made just a year after their founding.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Nosferatu: Phantom der Nacht [Nosferatu the Vampyre] (Werner Herzog, 1979)

Oct

22

eternal returns

Nosferatu (1979)

Adjani, Kinski, and Herzog on set. DP: Jörg Schmidt-Reitwein.

[A favourite] horror remake*

“I never thought I could be friends with a German again. But here I am… Werner is somehow like Murnau brought back to life.”

Lotte Eisner visiting the set of Herzog's Nosferatu (via)

Coming back to Murnau's expressionist masterpiece was Herzog's bridge between the films made by the grandfathers of German cinema and his era. Herzog, born in 1942 Munich, noted this void created by that philistine regime and felt that, by picking up the thread cut a quarter of a century earlier, German culture could see a restoration to its (non-nationalistic) greatness. Thus a menagerie of rats and actors was released in a reluctant, bourgeois Dutch town.

 

But that's a story for another generation to draw upon.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.