“With bar hostesses, there's a type who are likely to be murdered.”みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Apr
3
1968

A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.
“With bar hostesses, there's a type who are likely to be murdered.”みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Apr
3
1968

A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.
“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Mar
30
7 p.m.

Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.
簪 [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)
Mar
3
melon
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A traditional Japanese room with tatami mats. Boys at a table eat melon slices. A woman makes a phone call. The view through the window reveals a gnarly tree and a mountain in the background. DP: Suketarō Inokai.
”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
Feb
26
1936

Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.
Covers February 26–28, 1936.
– intertitles
燃えつきた地図 [Moetsukita chizu / The Man Without a Map / The Ruined Map] (Hiroshi Teshigahara, 1968)
Feb
2

Shintarō Katsu and Etsuko Ichihara as the detective and the missing man's wife, their faces and gestures warped by a paned window. DP: Akira Uehara.
黒の試走車 [Kuro no tesuto kā / Black Test Car] (Yasuzō Masumura, 1962)
Jan
18
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We watch over a man's shoulder. He's behind a table, wearing a pinstripe suit. In front of him drinks and chopsticks on a chopstick rest. He's signing the top leaf of a chequebook. DP: Yoshihisa Nakagawa.
儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)
Jan
1

A boy in school uniform has his ear pressed against the ground. DP: Tōichirō Narushima.
“On the night of December 26, at 8:00 on Ukyō-ku.”姿三四郎 [Sugata Sanshirō / Judo Saga] (Akira Kurosawa, 1943)
Dec
26
8 p.m.

A letter beckoning to come to Ukyō-ku, on December 26, at 8 o'clock. DP: Akira Mimura.
大佛廻國 [Daibutsu kaikoku / The Great Buddha Arrival] (Yoshirō Edamasa, 1934)
Dec
22
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Buddha takes a holiday. A gigantic Buddha statue rests his hand on a multi-story building in possibly Kyoto. In front and sprawling out are multiple small wooden establishments with people in kimono and several bicycles in front of them. A tram, the only thing that suggests the 20th century, can be seen almost off-screen. (via). DPs: Haruzo Ando & Harumi Machii.
Something tall*
In this very early kaiju moving picture, Buddha returns and goes on a sightseeing trip through Japan.
* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.