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Zig-Zag – le jeu de l'oie (Une fiction didactique à propos de la cartographie) [Snakes and Ladders] (Raúl Ruiz, 1980)
Jul
5
“It appears obvious that the territory is the sum of all the maps, the result of an infinite addition. Or a contrary, the territory is what is left when we remove all the sets of lines, drawings, traces and colors which are covering it. Its existence becomes doubtful.”
A man, H., joins two others playing jeu de l'oie (Game of the Goose), a board game associated with labyrinths and pilgrimage. While the three play, the game opens up maps and new roads to explore.
Following my own Bales' rules, I cannot pick a title twice. See Zig-Zag as an avatar of Raúl Ruiz's O Território [The Territory] from 1981.
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Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)
Jul
1
1978
All set for the July 2, 1978 edition of The New York Times, hot off the press.
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蠱 [Gu / Bewitched] (Chih-Hung Kuei, 1981)
Jun
30
Exorcising demons. DP: Hsin-Yeh Li.
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Le démon dans l'île [Demon Is on the Island / Demon of the Island] (Francis Leroi, 1983)
Jun
28
1947
Dr. Gabrielle Martin (Anny Duperey) reads her digital patient file. It mentions her day of birth, June 28, 1947. DP: Jacques Assuérus.
“Don't think too much, it could affect your health, Gabrielle.”
– Dr. Marshall
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Лісова пісня. Мавка [Lisova pisnya. Mavka / A Story of the Forest: Mavka] (Yuri Ilyenko, 1981)
Jun
7
National Trails Day
Mavka (Lyudmila Efimenko) and the Spirit of the Forest (Boris Khmelnitskiy). DP: Yuri Ilyenko.
Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.
The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.
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Red & Rosy (Frank Grow, 1989)
Jun
3
Big Red (Rico Martinez) in his hotrod. DPs: Frank Grow, Ralph Hawkins & Rico Martinez.
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ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)
May
31
National Utah Day
Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.
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Angst [Fear] (Gerald Kargl, 1983)
May
23
National Title Track Day
1: K. Out. Out. DP: Zbigniew Rybczynski.
“The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.”
– opening lines
What stabs you harder in the chest than Klaus Schulze's synth-driven killing spree?
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Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)
May
14
Receptionist Day
Receptionist Zebercet. DP: Orhan Oğuz.
The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.
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The Appointment (Lindsey C. Vickers, 1982)
May
14
Tue
A schoolgirl with long brown hair seen from the back. She's taking the popular shortcut through the fields. DP: Brian West.
“Subject, Sandy Fremont. The last positive sighting of the child was on her way home from a school orchestra rehearsal. This was on Tuesday May 14th at approximately 6:30 in the evening.”