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Street of Dreams – Musical Mirror Maze [Tiny Tim's Street of Dreams] (Martin Sharp, 1988)
Dec
4
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A theme park*, or in this case, amusement park.
“Just take it from me
I'm just as free as any daughter
I do what I like
Just what I like and how I love it
I'm right here to stay when I'm old and gray
I'll be right in my prime
Living in the sunlight, loving in the moonlight
Having a wonderful time”
– Tiny Tim, Livin' in the Sunlight, Lovin' in the Moonlight (Al Sherman & Al Lewis, 1930), from God Bless Tiny Tim (1968)
Tiny Tim is a personal hero of mine. A decade after his mainstream TV debut, Tiny's career had taken a tumble but he still was – God bless him – Tiny Tim, and he performed a two-hour-and-seventeen-minute singing marathon at the Luna Park Sydney. Just months after that, tragedy hit the park's Ghost Train ride. A fire, arson as it was determined decades later, killed seven. Fellow Tiny-aficionado and artist Don Lane saw a connection between these two events and spend years cutting and editing the musical marathon, nude drunken interview and disaster footage, and Tiny wandering around a mirror maze into a narrative. Lane passed in 2013 and, in respect of his family's wishes, Street of Dreams remains unfinished.
* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.
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Noir et blanc (Claire Devers, 1986)
Dec
1
World AIDS Day
“J’ai mal, mais la douleur me rassure. Son souvenir me donne du plaisir.”
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Mix-Up ou Meli-melo (Françoise Romand, 1986)
Nov
21
One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.
A heartfelt reunion scene*
“Oh, it's you.”
– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events
Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Mix-Up ou Meli-melo (Françoise Romand, 1986)
Nov
18
1936
Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.
A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.
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Polyester (John Waters, 1981)
Nov
10
“Purr Francine! Purr, purr Francine!”
– Cuddles Kovinsky
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Das Gold der Liebe [The Gold of Love] (Eckhart Schmidt, 1983)
Nov
9
DAF-fan Patricia (Alexandra Curtis). DP: Bernd Heinl.
“Oh keiner macht's wie du,
Wie du so traut sich's keiner,
So wie du”
– DAF – El Que (Gold und Liebe (1981)
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Tajemství hradu v Karpatech [The Mysterious Castle in the Carpathians] (Oldřich Lipský, 1981)
Oct
27
1897
– You surely know that my financial support is unlimited.
– Yes. Long live your false cheque factories!
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Psychic Confession (Danny Korem, 1982)
Oct
23
James Hydrick spins a one dollar bill – balanced on top of a pin, locked into an airtight, glass box – with the power of his own mind.
“My whole idea behind this in the first place was to see how dumb America was. How dumb the world is.”
– James Hydrick
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Könnyű testi sértés [Tight Quarters] (György Szomjas, 1983)
Oct
16
Csaba (Károly Eperjes) and Miklós (Péter Andorai) in their reluctantly shared apartment. Every frame is claustrophobically filled with people, including the television. DP: Ferenc Grunwalsky.
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駅 [Eki / Station] (Yasuo Furuhata, 1981)
Oct
12
Eiji Mikami (Ken Takakura) and Kiriko (Chieko Baishō) watching TV in her quiet bar. She sings along with her favourite song. DP: Daisaku Kimura.
Set 278 days before the start of the Tokyo Olympics.
“One can meet only god at such hour.”