settima

1980s

Angst [Fear] (Gerald Kargl, 1983)

May

23

National Title Track Day

Angst (1983)
Klaus Schulze (1983)

1: K. Out. Out. DP: Zbigniew Rybczynski.
2: Klaus Schulze at work in 1983 (via)

A killer title track for National Title Track Day (USA)

“The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.”

– opening lines

What stabs you harder in the chest than Klaus Schulze's synth-driven killing spree?

Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)

May

14

Receptionist Day

Anayurt Oteli (1987)

Receptionist Zebercet. DP: Orhan Oğuz.

A receptionist or secretary for Receptionist Day

 

The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.

The Appointment (Lindsey C. Vickers, 1982)

May

14

Tue

The Appointment (1982)

“Subject, Sandy Fremont. The last positive sighting of the child was on her way home from a school orchestra rehearsal. This was on Tuesday May 14th at approximately 6:30 in the evening.”

Παραγγελιά! [Parangelia! / Request for a Song] (Pavlos Tasios, 1980)

May

13

Top Gun Day

Παραγγελιά! (1980)

A man dances the Zeibekiko, with another close to him. DPs: Sakis Maniatis & Kostas Papagiannakis.

Testosterone! for Top Gun Day (USA)

 

The Ζεϊμπέκικο (Zeibekiko) is a Greek dance, improvised by one man, alone. It's a dance that shows the performer's manliness, both his pride and his sorrows. Out of respect for the dancer, the others sit down, watch, and relate to him.

 

When the police enters the establishment – and this is 1973, the colonels ruled the naton – and interrupt the dancer, his older brother steps in.

アントニー・ガウディー [Antonio Gaudí] (Hiroshi Teshigahara, 1984)

May

12

National Anthony Day

アントニー・ガウディー (1984)

A woman in shorts and T-shirt lounges on the serpentine mosaic bench in Parc Güell, which blues compliment her outfit. Planned as a housing development project, the park is a welcome break from the busy city for all Catalans, regardless of class. DPs: Junichi Segawa, Ryu Segawa & Yoshikazu Yanagida.

An actor, director or character named Anthony for National Anthony Day (USA).

“Everything comes from the Great Book of Nature. Human attainments are an already printed book.”

– Antoni Gaudí

Зеркало для героя [Zerkalo dlya geroya / Mirror for a Hero] (Vladimir Khotinenko, 1987)

May

8

1949

Зеркало для героя (1987)

Sergey Pshenichnyy (Sergey Koltakov) speaking to one of the 1940s farmers. DP: Evgeniy Grebnev.

Katar [Cold] (Hieronim Neumann, 1984)

May

6

Childhood Depression Awareness Day

Katar (1984)

One little girl sneeze even bursts the camera! A – psik (achoo)! DP: Zbigniew Kotecki.

A child with health struggles for Childhood Depression Awareness Day (USA)

“Spotkał katar Katarzynę – A – psik! Katarzyna pod pierzynę – A – psik!”

– Jan Brzechwa, Katar (via)

A little girl has the sniffles, sees the doctor, and so happily spreads the bug all over town. A quirky animated short based on a poem by Jan Brzechwa.

حاجی واشنگتن [Hajji Washington / Haji Washington] (Ali Hatami, 1983)

Apr

30

George Washington – 1789

Hajji Washington (1983)

The ambassador and guest in the embassy. The guest, a white cowboy peeling peanuts, leisurely rests on a Persian rug with a hookah by his side. The ambassador recites from a book, with his chaii within reach (via). DP: Mehrdad Fakhimi.

The White House, or set in Washington, DC, in commemoration of the first inauguration of George Washington in 1789.

 

Hajji Hossein-Gholi Noori was Iran's first ambassador to the United States in 1889. Stuck in DC, homesick, and without any US-based Iranians to serve, he slowly unravels

Normalsatz [Ordinary Sentence] (Heinz Emigholz, 1982)

Apr

30

1975

Normalsatz (1982)

A woman, seated on a bed, speaks to a second woman who is pressed against the side of a bookcase. Still via. DP: Heinz Emigholz.

Part of the Trilogie der Siebziger Jahre (“Trilogy of the Seventies”).

Bom Povo Português [The Good People of Portugal] (Rui Simões, 1980)

Apr

25

1974

Bom Povo Português (1980)

A young soldier triumphantly holds up his riffle. DPs: Manuel Barros, Mário Cabrita Gil, José Luís Carvalhosa, Gérard Collet, Acácio de Almeida, Russell Parker & José Reynès.

Takes places between April 25th, 1974 and November 25th, 1975, during the Revolução dos Cravos.