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Requiem for a Village (David Gladwell, 1975)
Nov
14
The wedding's party revellers sing. DP: Bruce Parsons.
“Early one morning, just as the sun was rising,
I heard a maid sing in the valley below;
‘O don’t deceive me, O never leave me!
How could you use a poor maiden so?”
– Early one morning, via
A sort of Wicker Man visits Mon oncle, this painting of an old England is. Painter filmmaker David Gladwell's impressionist work takes us to a small Suffolk community that, like all other communities, is both frozen in time and unable to escape its progression. The churchyard's caretaker, amongst the living and the dead, watches, works, and knows.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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하녀 [Hanyeo / The Housemaid] (Kim Ki-young, 1960)
Nov
13
Adding one more ingredient. DP: Deok-jin Kim.
A memorable kitchen or cooking scene*
“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”
– Dong-sik Kim
A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)
Nov
12
1943
Pornography peddler Carla Aulaulu's (Carla Egerer) criminal record. She's born on November 12, 1943 in Kronstadt. DP: Dietrich Lohmann.
During one scene a perpetual calendar is visible. It's a 26th.
– Why do they call you The Gorilla?
– Because I'm big and strong… and everyone has to have a name.
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Bröllopsbesvär [Wedding: Swedish Style] (Åke Falck, 1964)
Nov
11
Bride and groom, and resentfulness at front. DP: Rune Ericson.
A dysfunctional family*
On a wedding day, and night, a family's dirty secrets are laid bare.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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有りがたうさん [Arigatō-san / Mr. Thank You] (Hiroshi Shimizu, 1936)
Nov
6
Arigatō-san (Ken Uehara) courteously thanks someone who shares the road for giving way. DP: Isamu Aoki.
A movie that makes you want to travel*
“Arigatō! [Thank you!]”
– Mr Thank You to everyone – poultry included – he passes on his bus
Friendly and helpful, Arigatō-san (Ken Uehara) is there for his passengers and non-bus travellers alike. A sweet roadmovie from a Japan now lost to time.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Jules et Jim (François Truffaut, 1962)
Nov
4
sweaters
Catherine (Jeanne Moreau) in a raggedy, moth-eaten sweater and oversized newsboy cap, wears a moustache and smokes a cigar (via). DP: Raoul Coutard.
A movie with gorgeous sweater fashion*
“She's a strange breed.”
– Jim
Throwing in a little Movember for good measure.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)
Nov
4
1933
Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.
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3. November 1918 [Third of November 1918] (Edwin Zbonek, 1965)
Nov
3
1918
Takes place on November 2 and 3.
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I pugni in tasca [Fists in the Pocket] (Marco Bellocchio, 1965)
Nov
3
Alessandro (Lou Castel). DP: Alberto Marrama.
“I'm a volcano of ideas.”
– Alessandro
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المخدوعون [Al-makhdu'un / The Dupes] (Tawfiq Saleh, 1972)
Nov
2
النَّكْبَة
Starting over*
“A man with no country, will have no grave in the Earth, I forbid you to leave.”
A few years after the start of the Nakba, three generations hope to make a new life for themselves. In the steel belly of a water truck, the men travel Palestine into Iraq, then crossing the desert towards the promised land, Kuwait.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.