“You need more than luck in Shanghai.”The Lady from Shanghai (Orson Welles, 1947)
Aug
9
Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..
– Elsa Bannister
“You need more than luck in Shanghai.”The Lady from Shanghai (Orson Welles, 1947)
Aug
9
Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..
– Elsa Bannister
Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)
Aug
7
1949
A little boy runs down a Roman street. Superimposed a calendar page: SUNDAY AUGUST 7 S. GAETANO THE SUN RISES AT 5:15 SUNSET AT 19:42 – CRESCENT MOON. “S. Gaetano” refers to Saint Cajetan, who's feast day is on August 7. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.
“Tell me the truth!” Ovoce stromů rajských jíme [We Eat the Fruit of the Trees of Paradise] (Věra Chytilová, 1970)
Aug
6
orange
Eva (Jitka Novákova) devouring oranges under a black umbrella (via). DP: Jaroslav Kučera.
Orange: food or fashion*
– choir
An allegorical, psychedelic retelling of Genesis 3 and the Fall of Man
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“Life has its tricks. Its oddities.”La baie des anges [Bay of Angels] (Jacques Demy, 1963)
Aug
6
mercredi
The bank where Jean Fournier (Claude Mann) works. A wall calendar, slightly tilted, reads Août 6 Mercredi. DP: Jean Rabier.
– Jackie Demaistre
“Today is the first day of a life of sacrifice.” 地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)
Aug
4
orange
The shrine's torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama.
Orange: a building or structure*
– Moritoo Endō
Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii.
Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté's Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come.
Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
黒蜥蜴 [Kurotokage / Kuro tokage / Black Lizard] (Kinji Fukasaku, 1968)
Aug
4
The Black Lizard (Akihiro Miwa) in embrace with Detective Akechi (Isao Kimura). DP: Hiroshi Dōwaki.
“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.” The Red Shoes (Michael Powell + Emeric Pressburger, 1948)
Aug
3
red
A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.
Red: best use of red in food or fashion*
– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via
Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.
Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
Mitt hem är Copacabana [My Home Is Copacabana] (Arne Sucksdorff, 1965)
Aug
2
The favela children on the beach, playing with kites and mingling with the rich kids. DP: Arne Sucksdorff.
A kite in celebration of 浜松まつり, the Hamamatsu Kite Festival, which takes place on May 3–5*
Favela kids steal kites and sell them on in this Copacabana-set Nordic drama.
Toninho Carlos de Lima, Rico in the movie, was not a homeless kid from the favelas but lived in a house with his family when he was send to Sweden to promote Mitt hem är Copacabana. A wealthy Swedish couple offered to adopt him, and his natural mother reluctantly gave in hoping to prevent a life of crime for her son (source). That too, dear reader, is colonialism.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“It's just a dream, Agnes.” Viskningar och rop [Cries and Whispers] (Ingmar Bergman, 1972)
Aug
1
red
The three sisters in the red room (via). DP: Sven Nykvist.
Red: a building or structure*
– Anna
Red as an expression of inner and outer worlds. Even the scene transitions are red.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“Du, Wolf, nächsten Sonntag — ?” Menschen am Sonntag [People on Sunday, a Film Without Actors] (Robert Siodmak, Edgar G. Ulmer, Rochus Gliese, Curt Siodmak + Fred Zinnemann, 1929)
Jul
31
Brigitte Borchert savours her Sunday. The workweek is still lightyears away (via). DP: Eugen Schüfftan.
Someone goes to work*
– title card
Berliners rest on Sunday, we still do. People lounge in the many parks, and on the shores of the city's many lakes. And then, it's Monday.
Released in 1929, according to Atlas Film, who restored this important Weimar classic long before Criterion put their grubby hands on it.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.