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Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)
May
14
Receptionist Day
Receptionist Zebercet. DP: Orhan Oğuz.
The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.
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The Appointment (Lindsey C. Vickers, 1982)
May
14
Tue
A schoolgirl with long brown hair seen from the back. She's taking the popular shortcut through the fields. DP: Brian West.
“Subject, Sandy Fremont. The last positive sighting of the child was on her way home from a school orchestra rehearsal. This was on Tuesday May 14th at approximately 6:30 in the evening.”
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Παραγγελιά! [Parangelia! / Request for a Song] (Pavlos Tasios, 1980)
May
13
Top Gun Day
A man dances the Zeibekiko, with another close to him. DPs: Sakis Maniatis & Kostas Papagiannakis.
The Ζεϊμπέκικο (Zeibekiko) is a Greek dance, improvised by one man, alone. It's a dance that shows the performer's manliness, both his pride and his sorrows. Out of respect for the dancer, the others sit down, watch, and relate to him.
When the police enters the establishment – and this is 1973, the colonels ruled the naton – and interrupt the dancer, his older brother steps in.
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Yngsjömordet [Woman of Darkness] (Arne Mattsson, 1966)
May
11
Mother's Day
spoiler warning: click to toggle image

Anna Månsdotter (Gunnel Lindblom). DP: Lasse Björne.
A good or bad mother for Mother's Day
Arranged by his widowed mother, Per Nilsson marries the wealthy judge's daughter Hanna. The wedlock remains unfulfilled as son and mother find satisfaction in each other. Hanna suspects something.
Based on the Yngsjö murder case, which at the time was considered more noteworthy for the mother/son relationship than the resulting tragedy.
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পথের পাঁচালী [Pather Panchali / Apu 1: Song of the Little Road] (Satyajit Ray, 1955)
May
10
Stamp Out Hunger
Hands exchange food through a worn-out window. DP: Subrata Mitra.
“Those who came before have passed on. And I'm left behind. A penniless beggar. Not a cowrie to my name. Look, my purse is empty… Lord, the day is done and evening falls. Ferry me across to the other shore…”
– Indir Thakrun, singing
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Week-end (Jean-Luc Godard, 1967)
May
9
UN Global Road Safety Week
A terrible, bloody, car crash. There's cars on fire and several injured sprawled around. A lucky survivor exclaims MY HERMÈS HANDBAG! DP: Raoul Coutard.
“My Hermès handbag!”
– Corinne
The bourgeois make their way to the countryside, and find themselves in a cacophony of car crashes, primitive urges, and political uprisings.
* This actually takes places from May 12 to May 18, 2025.
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Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)
May
8
VE Day
A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.
A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.
“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”
– Stepan
When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite
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Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
May
8
birthdays
Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.
May 8 is both director Rossellini and Bergman's character Karen's #birthday.
“What mystery, what beauty.”
– Karen
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En kärlekshistoria [A Swedish Love Story] (Roy Andersson, 1970)
May
7
National Hug Holiday Week
Pär (Rolf Sohlman) and Annika (Ann-Sofie Kylin) hug on a deserted barren soccer pitch. DP: Jörgen Persson.
Two teenagers in love become increasingly oblivious of the grey world around them.
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Beyond a Reasonable Doubt (Fritz Lang, 1956)
May
7
Susan Spencer (Joan Fontaine) lighting Tom Garrett's (Dana Andrews) cigarette. DP: William E. Snyder.
“It's a weird, crazy idea, but that's the reason it intrigues me.”
– Tom Garrett