settima

drama

Que la bête meure [The Beast Must Die] (Claude Chabrol, 1969)

Jan

3

Que la bête meure (1969)

A hand writes 3 janvier in red ink on quad paper. DP: Jean Rabier.

 

Amore di ussaro (Luis Marquina, 1940)

Jan

1

1900

Amore di ussaro (1940)

Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year's Eve when the year changes from 1899 to 1900. DP: Carlo Montuori.

 

儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)

Jan

1

儀式 (1971)

A boy in school uniform has his ear pressed against the ground. DP: Tōichirō Narushima.

Sprawa Gorgonowej [The Gorgon Case] (Janusz Majewski, 1977)

Dec

30

1931

Sprawa Gorgonowej (1977)

Ewa Dałkowska as governess Rita Gorgonowa. DP: Zygmunt Samosiuk.

Canon City (Crane Wilbur, 1948)

Dec

30

1947

Canon City (1948)

A calendar page. It's December 30, 1947. DP: John Alton.

“We're not here to play dominoes.”

La noche de los Inocentes [Night of the Innocents] (Arturo Sotto Díaz, 2007)

Dec

28

La noche de los Inocentes (2007)

The cast in the hospital. Lighting and stances appear theatre-like. DP: Ernesto Granado.

姿三四郎 [Sugata Sanshirō / Judo Saga] (Akira Kurosawa, 1943)

Dec

26

8 p.m.

姿三四郎 (1943)

A letter beckoning to come to Ukyō-ku, on December 26, at 8 o'clock. DP: Akira Mimura.

“On the night of December 26, at 8:00 on Ukyō-ku.”

Balada pro banditu [Ballad for a Bandit] (Vladimír Sís, 1979)

Dec

24

Christmas Eve – Nikolas

Balada pro banditu (1979)

The bandit and his bride. DP: Viktor Růžička.

A Nikolas or Nicholas for Christmas Eve.

 

The tale of legendary highwayman Nikola Šuhaj from Koločava.

Nowhere to Go (Seth Holt + Basil Dearden, 1958)

Dec

22

Tue

Nowhere to Go (1958)

A man checks into a hotel. A wall calendar reads December 22, a Tuesday. DP: Paul Beeson .

“Sloane! Be lucky!”

– Paul Gregory

Die Blechtrommel [The Tin Drum] (Volker Schlöndorff, 1979)

Dec

21

winter solstice

Die Blechtrommel (1979)

Little Oskar with his tin drum. DP: Igor Luther.

Something short for winter solstice.

“He's growing! Look! See how he's growing! I have seen the Lord! The Lord! The Lord!”

– Schugger-Leo

On the eve of World War 2, little Oskar – just three years old – decides he doesn't want to grow anymore.