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Taxi zum Klo (Frank Ripploh, 1980)
Sep
2
Christa McAuliffe 1948 – 1986
Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.
A teacher for what would have been Christa McAuliffe's birthday.
“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”
– Frank Ripploh
Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.
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Endişe [Anxiety] (Yılmaz Güney + Şerif Gören, 1974)
Sep
1
Labor Day
A Kurdish worker in the cotton fields. She looks straight into the camera while two others continue their work. DP: Kenan Ormanlar.
The Industrial Revolution, or unions, for Labor Day (USA)
Kurdish seasonal cotton pickers fear losing their job when mechanisation is preferred by their overseers. While unionising, Cevher, one of the workers – tries to stay out of the hands of his enemies, who want him because of a blood feud.
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Shock Corridor (Samuel Fuller, 1963)
Aug
30
1954
Inpatient Stuart (James Best) in one of the many scenes that appear to bear some of the seeds of Mark Frost & David Lynch's Twin Peaks (1990–1991). DPs: Stanley Cortez & Samuel Fuller.
“Life is a messy weapon.”
– Pagliacci
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Les créatures [The Creatures] (Agnès Varda, 1966)
Aug
29
Mylène (Catherine Deneuve) and Edgar (Michel Piccoli) Piccoli playing checkers at a small table. DPs: Willy Kurant, William Lubtchansky & Jean Orjollet.
“Everything is rotten. Decadence is everywhere. Why fight it?”
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La horse [Horse] (Pierre Granier-Deferre, 1970)
Aug
28
1923
Francis Grutti's (Armando Francioli) ID, handled by someone wielding a large stamp. His birthday is August 28, 1923. DP: Walter Wottitz.
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Czułe miejsca [Tender Spots] (Piotr Andrejew, 1981)
Aug
28
1998
Janek (Michał Juszczakiewicz) and Ewa (Hanna Dunowska) in embrace on a bed. DPs: Jerzy Zieliński & Ryszard Lenczewski.
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The Music of the Spheres (G. Philip Jackson, 1983)
Aug
28
1994
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A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)
Aug
27
Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.
“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”
– Thomas Colpeper, JP
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Európa nem válaszol [Europe Doesn't Answer] (Géza von Radványi, 1941)
Aug
26
1939
DP: Rudolf Icsey.
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Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)
Aug
24
black
Black, in food or fashion*
“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”
– Musidora
Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.