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Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)
Aug
24
black
Black, in food or fashion*
“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”
– Musidora
Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.
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Эффект Кулешова [Kuleshov Effect] (Lev Kuleshov, 1918)
Aug
5
Celebrating Dia de Los Muertos [on November 1 and 2, of course]: a cemetery, coffin, or dead person*
“When we began to compare the typically American, typically European, and typically Russian films, we noticed that they were distinctly different from one another in their construction. We noticed that in a particular sequence of a Russian film there were, say, ten to fifteen splices, ten to fifteen different set-ups. In the European film there might be twenty to thirty such set-ups (one must not forget that this description pertains to the year 1916), while in the American film there would be from eighty, sometimes upward to a hundred, separate shots. The American films took first place in eliciting reactions from the audience; European films took second; and the Russian films, third. We became particularly intrigued by this, but in the beginning we did not understand it.”
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L'eclisse del 17 aprile [An Eclipse of the Sun] (1912)
Apr
17
1912
Scientists in impeccable suits observing the 1912 solar eclipse. The colour used for tinting this scene, a turquoise, indicates moonlight/dusk. Image source: Cineteca di Bologna (via).
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कालिया मर्दन [Kaliya Mardan / The Childhood of Krishna] (Dhundiraj Govind Phalke, 1919)
Apr
1
April Fools' Day
Shri Krishna (Mandakini Phalke, the director's seven-year old daughter), playing his flute with a twinkle in his eye. DP: Dhundiraj Govind Phalke.
Kaliya Mardan is one of the handful films from India's early cinematic output that has survived. Do check your attic
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Rosalie et son phonographe [Rosalie and Her Phonograph] (Romeo Bosetti, 1911)
Mar
28
Something-on-a-Stick Day
“Bonsoir. Je m'appelle Rosalie!”
Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!
Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.
Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.
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Homunculus, 4. Teil – Die Rache des Homunculus (Otto Rippert, 1917)
Feb
3
finance
Richard Ortmann, the homunculus (Olaf Fønss). DP: Carl Hoffmann.
A film about finance because “the Commonwealth of Massachusetts issues the first paper money on February 3, 1690”. The oldest surviving paper bill in what is now the United States bears the date February 3, 1690. The first documented paper money was issued during the Tang and Song dynasties in China, starting in the vulgar year 618. Who would have thought those new colonies were not the center of world history… sigh…
In the fourth instalment of the Homunculus saga, the artificial man callously heads the nation's financial powerhouse while secretly goading the workers in revolt against the ruling class. Soulless and unable to love, he aims for the annihilation of mankind.
Some claim that Die Rache des Homunculus, “The Wrath of the Homunculus”, foreshadows Hitler. I say, beware of businessmen enthralling the working classes.
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Die Puppe [The Doll] (Ernst Lubitsch, 1919)
Dec
16
Stupid Toy Day
The doll (Ossi Oswalda) mischievously sticks out her tongue. DPs: Theodor Sparkuhl & Kurt Waschneck .
A ridiculous toy for Stupid Toy Day.
“She must have one complex mechanism!”
– Lancelot
viewРождество обитателей леса (ca 1912)
Various beetles and a grasshopper rejoice around the Christmas tree materialised by Old Man Frost.

December 25: a Santa for #Christmas
Pождество обитателей леса [Rozhdestvo obitateley lesa / The Insects' Christmas] (Wladyslaw Starewicz, ca 1912)
Father Christmas makes a Christmas tree for the people of the forest.
Дед Мороз (Ded Moroz, or Old Man Frost) is the Slavic version of Saint Nicholas or Santa Claus. An ornament depicting the old grey climbs down a child's (or doll's) Christmas tree and sets off to the forest where he plants his magic staff to create a Christmas feast for the woodland animals.
The word “animation” means “a bestowing of life“. Like his ancestor in the arts Bernard Palissy and the ancient winter solstice celebration of the return of light that long ago spawned Christmas, Wladyslaw Starewicz's Insects' Christmas breathes life into real but inanimate beetles, dragonflies, and frogs. The illusion is complete as you effortlessly forget they are painstakingly animated.
From me to you, a little Christmas treat
Director Wladyslaw Starewicz and his daughter Irina (Irene), surrounded by several of his tiny actors. Irina, writer and director in her own right, starred in her father's WW1 short “Liliya Belgii” [“The Lily of Belgium”] (1915).

#Bales2023FilmChallenge #WladyslawStarewicz #Russia #fantasy #animation #ShortFilm #Christmas #holidays #StopMotion #insects #animals #1910s ★★★★☆
#todo
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His Wife's Mistakes (Roscoe Arbuckle, 1916)
Aug
4
National Water Balloon Day
Janitor Roscoe uses the comedy staple seltzer bottle to fill a balloon with some spritz!
The great Roscoe Arbuckle just can't help himself at the wonderfully hedonistic Oriental Café in this delightful short slapstick.