“Dear Sir,

“We are shipping you to-day by Adams Express one specially made Paper Mache Skeleton. Very truly yours,

– H. Brandle.”

The Moon (any moon) to commemorate the end of the final man-manned moon landing.

“Laugh, my friends. Laugh with me, laugh for me, because I dream for you.”

– Georges Méliès, 1937

In true Méliès style, a wild menagerie of showgirls and scientists meet on the Moon in this groundbreaking sci-fi spectacle.

A planet with rings for Saturnalia

 

Two lovely newlyweds and their robot chauffeur take a trip to Saturn for their honeymoon, followed by a jolly ride under the sea. A remake of Booth's own The '?' Motorist from 1906.

A hot air balloon*

 

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

A temple*

“Now consummate the sacrifice in your throat of flame, o father and mother, o god and goddess, o father and mother, o father and son, o god and goddess! Voracious creator! Roaring ardent hunger…”

The world's first epic film and the debut of – the later hugely popular – strongman Maciste.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

To commemorate the launch (not landing) of the Луна 2 aka the Second Soviet Cosmic Rocket on September 12, 1959, we present The Moon.

 

According to Wikipedia, Luna 2 was the first spacecraft to touch the surface of the Moon, and the first human-made object to make contact with another celestial body. Well, Enrico Novelli went there first…

“Mars Daughter, You are fine. I am loving you and I should like very much to marry you.”

– Aldovin, Terrestrial Astronomer (Aldovin's radiotelegraph to Mars), via

…and what an adventure he had! An Earth gentleman points his telescope at the red planet, only to spot a beautiful Martian princess. He promptly falls in love and lo and behold! it's mutual! That asks for an instantaneous wedding halfway, on the Moon, and nothing can stop them!

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.

 

* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.

Celebrating Dia de Los Muertos [on November 1 and 2, of course]: a cemetery, coffin, or dead person*

“When we began to compare the typically American, typically European, and typically Russian films, we noticed that they were distinctly different from one another in their construction. We noticed that in a particular sequence of a Russian film there were, say, ten to fifteen splices, ten to fifteen different set-ups. In the European film there might be twenty to thirty such set-ups (one must not forget that this description pertains to the year 1916), while in the American film there would be from eighty, sometimes upward to a hundred, separate shots. The American films took first place in eliciting reactions from the audience; European films took second; and the Russian films, third. We became particularly intrigued by this, but in the beginning we did not understand it.”

– Lev Kuleshov, The Principles of Montage, from The Practice of Film Direction (pp. 183-195) (source)

Director Lev Kuleshov explains what happens when a scene is followed by a reaction shot. Depending on the preceding image, the viewer projects an emotion onto the performer's facial expression. In his most famous montage, made up of existing footage – because property is theft, we see matinee idol Ivan Mosjoukine “react” to a bowl of soup, a little girl in a coffin, and a woman sprawled out on a divan.

 

* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.

A fool or jokester for April Fools' Day

 

As a child, Shri Krishna, the eighth avatar of Lord Vishnu, was a prankster. The Lord and his childhood friends would steal makhan and, if there was too much to eat all at once, would share it with the monkeys.

 

Kaliya Mardan is one of the handful films from India's early cinematic output that has survived. Do check your attic