The Trial of the Catonsville Nine (Gordon Davidson, 1972)
May
17
1968
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Director Gordon Davidson and the defense attorney (David Spielberg) on set. DP: Haskell Wexler.
“Murder's nothing. It's just a simple experience. Murder and rape? Do you know what beauty there is in evil?”
Compulsion (Richard Fleischer, 1959)
May
16
Straus (Bradford Dillman) with Steiner (Dean Stockwell) behind the wheel. They're beaming. DP: William C. Mellor.
The Searchers (John Ford, 1956)
May
12
1852
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A little girl finds comfort in a rag doll. She's sitting against a wooden grave marker. Another scene reveals the date. DP: Winton C. Hoch.
“What mystery, what beauty.”
Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
May
8
birthdays
Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.
May 8 is both director Rossellini and Bergman's character Karen's #birthday.
– Karen
“It's a weird, crazy idea, but that's the reason it intrigues me.”
Beyond a Reasonable Doubt (Fritz Lang, 1956)
May
7
Susan Spencer (Joan Fontaine) lighting Tom Garrett's (Dana Andrews) cigarette. DP: William E. Snyder.
– Tom Garrett
“It's spooky! It sounds… unholy!”
The Unholy Three (Tod Browning, 1925)
May
6
Tweedledee (Harry Earles), Hercules (Victor McLaglen), and Echo – The Ventriloquist (Lon Chaney). DP: David Kesson.
– Echo
– You haven't forgotten us again, have you, Marion? – You know perfectly well I'm Julia Ross!
My Name Is Julia Ross (Joseph H. Lewis, 1945)
May
5
Nina Foch as Julia Ross… or is she… Julia's lying on a made bed, looking over her shoulder at two middle-aged men and an elderly woman standing in the doorway to her room. DP: Burnett Guffey.
Japanicky [Felix the Cat in Japanicky] (Otto Messmer, 1928)
May
03
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A cheeky looking Felix stands in a doorway with a bamboo roller shutter. Inside the room a woman in Japanese dress sits in front of a tea bowl and pot on top of a small platform. From the ceiling hangs a (Chinese) lantern and from the wall a large scroll that reads May 3 in stereotypical Oriental lettering.
and May 4.
“Based on a true occult event”
The Kirlian Witness (Jonathan Sarno, 1978)
Apr
27
A ficus hooked up to a polygraph. DP: João Fernandes.
– tagline
Распад [Raspad / Collapse / Decay] (Mikhail Belikov, 1990)
Apr
25
1986
A young boy looks over his shoulder into the camera. He's seated at an extended table, set with food for many. A man in the back is on the phone; a woman walks around cradling a newborn child. In the corner of the room a baby cot. DP: Vasiliy Trushkovskiy.