settima

1930s

大佛廻國 [Daibutsu kaikoku / The Great Buddha Arrival] (Yoshirō Edamasa, 1934)

Dec

22

Daibutsu kaikoku (1934)

Buddha takes a holiday. A gigantic Buddha statue rests his hand on a multi-story building in possibly Kyoto. In front and sprawling out are multiple small wooden establishments with people in kimono and several bicycles in front of them. A tram, the only thing that suggests the 20th century, can be seen almost off-screen. (via). DPs: Haruzo Ando & Harumi Machii.

Something tall*

 

In this very early kaiju moving picture, Buddha returns and goes on a sightseeing trip through Japan.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Children's Party (Joseph Cornell, c. 1938/1969)

Dec

18

Las Posadas

Children's Party (1938)

Exuberant dancers at the children's party.

A festive child for Las Posadas

“Shadow boxes become poetic theaters or settings wherein are metamorphosed the element of a childhood pastime.”

– Joseph Cornell

Children of all ages are entertained by a menagerie of dancers, acrobats, talented fauna and bobbing apples in this exhilarating found-footage party. Part of The Children's Trilogy, together with Cotillion (c. 1938/1969) and The Midnight Party (c. 1938/1969).

L'Atalante (Jean Vigo, 1934)

Dec

16

on a river

L'Atalante (1934)

Juliette (Dita Parlo) in her bridal dress walks the cover of her husband's river barge L'Atalante. A steam barge putputs by (via). DP: Boris Kaufman.

Set on a river*

Jean: Are you bored? Juliette: Oh, no. Jean: Don't worry. There'll be places to see. Juliette: Riverbanks.

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)

Nov

20

1936

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? (1937)

Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.

A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.

“Fascism is not to be debated, it is to be destroyed.”

– Buenaventura Durruti

The Walking Dead (Michael Curtiz, 1936)

Nov

16

The Walking Dead (1936)

John Ellman (Karloff), dead man walking. DP: Hal Mohr.

“You take away my life and offer me a favor in return. That's what I call a 'bargain'.”

– John Ellman

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Nov

11

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Bela Lugosi). DPs: Eric Cross & Geoffrey Faithfull.

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

有りがたうさん [Arigatō-san / Mr. Thank You] (Hiroshi Shimizu, 1936)

Nov

6

Arigatō-san (1936)

Arigatō-san (Ken Uehara) courteously thanks someone who shares the road for giving way. DP: Isamu Aoki.

A movie that makes you want to travel*

“Arigatō! [Thank you!]”

– Mr Thank You to everyone – poultry included – he passes on his bus

Friendly and helpful, Arigatō-san (Ken Uehara) is there for his passengers and non-bus travellers alike. A sweet roadmovie from a Japan now lost to time.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Fury (Fritz Lang, 1936)

Oct

26

1936

Fury (1936)

A distraught Joe Wilson (Spencer Tracy ) in the sheriff's office. DP: Joseph Ruttenberg.

 

Il caso Valdemar [The Facts in the Case of M. Valdemar] (Gianni Hoepli + Ubaldo Magnaghi, 1936)

Oct

24

Il caso Valdemar (1936)

M. Valdemar on his deathbed.

[A] favourite horror movie overall*

”'M. Valdemar,' I said, 'are you asleep?' He made no answer, but I perceived a tremor about the lips, and was thus induced to repeat the question, again and again. At its third repetition, his whole frame was agitated by a very slight shivering; the eye-lids unclosed themselves so far as to display a white line of the{n} ball; the lips moved sluggishly, and from between them, in a barely audible whisper, issued the words:

'Yes; — asleep now. Do not wake me! — let me die so!'”

– Edgar Allan Poe, The Facts in the Case of M. Valdemar (1845) (via)

A man agrees on being hypnotised while in the state of dying. This particularly haunting and efficiently gory film – the first in the genre – is the result.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Oct

23

Bela Lugosi

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Lugosi) at Mary Celeste's wheel. DPs: Eric Cross & Geoffrey Faithfull.

[A favourite] Bela Lugosi film*

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

A post-Dracula Lugosi demonstrates that he's more than the cursed aristocrat. An efficient early Hammer production, made just a year after their founding.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.