settima

HannsEisler

Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)

Feb

28

unemployment

Kuhle Wampe oder: Wem gehört die Welt? (1932)

The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.

Someone quits something or is unemployed: the abdication of Pope Benedict XVI in 2013.

“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”

– Marcel Carné, via

Kuhle Wampe, Berlin slang that means something like “empty stomach”, is the name of a real-world, improvised encampment for the unemployed at the Müggelsee. Here we find a family who lost everything after the death of one of them.

 

This late-Weimar, brechtian film was quickly banned by the German government.

Les sorcières de Salem [The Witches of Salem / The Crucible] (Raymond Rouleau, 1957)

Mar

7

National Town Meeting Day

Les sorcières de Salem (1957)

The townspeople meet in the barn to judge the accused. DP: Claude Renoir.

Raymond Rouleau's Les sorcières de Salem – with a screenplay by Marxist philosopher Jean-Paul #Sartre – is a very early film adaptation of Arthur Miller's 1953 #TheatrePlay The Crucible. An allegory of #McCarthyism, the play is a (partially dramatised) retelling of the #SalemWitchTrials, a dramatic episode in early US-American history. During several court and town meetings, 200 people were falsely accused of meddling with the Devil; 19 of them were eventually executed.

“If she is innocent! Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean as God's fingers? I'll tell you what's walking Salem — vengeance is walking Salem. We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!”

– Arthur Miller, The Crucible (1953)

Miller himself was accused of un-American activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. Which doesn't mean that #WitchTrials are a thing of the past. As easily one can transplant Puritan religious mass hysteria to 1950s McCarthy anti-socialism, as easy is it applicable to the state of the world today.