settima

Bales2025FilmChallenge

Pasażerka [Passenger] (Andrzej Munk, Witold Lesiewicz + Andrzej Brzozowski, 1963)

Dec

9

cruise

Pasażerka (1963)

Marta and Liza on the cruise ship (via). DP: Krzysztof Winiewicz.

On a cruise, from [OP] Cinn’s bucket list. Well, not in the context of today's film pick*

 

1960. On a luxury line, former prisoner Marta and her warden Liza meet again. Things had happened years before, in Auschwitz. This new confrontation reverses their roles.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

La Terra Trema [The Earth Will Tremble] (Luchino Visconti, 1948)

Dec

8

Féte des Lumiéres

La Terra Trema (1948)

Night fishing (via). DP: G.R. Aldo.

Lights on water for the final day of Féte des Lumiéres, 2025

“In Sicily, Italian is not the language of the poor.”

– title card

Иваново детство [Ivanovo detstvo / Ivan's Childhood] (Andrei Tarkovsky, 1962)

Dec

7

National Pearl Harbor Remembrance Day

Ivanovo detstvo (1962)

Ivan (Nikolay Burlyaev) scouting (via). DP: Vadim Yusov.

A special soldier for National Pearl Harbor Remembrance Day (USA)

“They sent me out by plane to a boarding school. But I ran away. There's a war on. I can't cram some stupid stuff when it's a war.”

– Ivan

A twelve-year old boy works as a scout for the Soviet army. His age and size make him an inoffensive figure in the war-scarred landscape. But inside, he's brooding for revenge.

Le avventure straordinarissime di Saturnino Farandola [The Extraordinary Adventures of Saturnino Farandola] (Marcel Perez + Luigi Maggi, 1913)

Dec

6

hot air balloons

Le avventure straordinarissime di Saturnino Farandola (1913)

A fantastic hot air balloon fight, with machine gunners perched on top of one of the buoyant giants (via). DP: Ottavio De Matteis.

A hot air balloon*

 

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Cabiria (Giovanni Pastrone, 1914)

Dec

5

Cabiria (1914)

The gigantic entrance to the Temple of Moloch in Carthage. Like the entrance to Luna Park Sydney, it's appearance is based on a hellmouth. DPs: Augusto Battagliotti, Eugenio Bava, Natale Chiusano, Segundo de Chomón, Carlo Franzeri & Giovanni Tomatis.

A temple*

“Now consummate the sacrifice in your throat of flame, o father and mother, o god and goddess, o father and mother, o father and son, o god and goddess! Voracious creator! Roaring ardent hunger…”

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Street of Dreams – Musical Mirror Maze [Tiny Tim's Street of Dreams] (Martin Sharp, 1988)

Dec

4

Street of Dreams - Musical Mirror Maze (1988)

Tiny Tim performing in front of the Luna Park's fantastic entrance gate (via). DPs: Russell Boyd, Geoff Burton, Tom Cowan, Michael Edols, David Sanderson & Simon Smith.

A theme park*, or in this case, amusement park.

“Just take it from me I'm just as free as any daughter I do what I like Just what I like and how I love it

I'm right here to stay when I'm old and gray I'll be right in my prime Living in the sunlight, loving in the moonlight Having a wonderful time”

– Tiny Tim, Livin' in the Sunlight, Lovin' in the Moonlight (Al Sherman & Al Lewis, 1930), from God Bless Tiny Tim (1968)

Tiny Tim is a personal hero of mine. A decade after his mainstream TV debut, Tiny's career had taken a tumble but he still was – God bless him – Tiny Tim, and he performed a two-hour-and-seventeen-minute singing marathon at Luna Park Sydney. Just months after that, tragedy hit the park's Ghost Train ride. A fire, arson as it was determined decades later, killed seven. Fellow Tiny-aficionado and OZ artist Don Lane saw a connection between these two events and spend years cutting and editing the musical marathon, nude drunken interview and disaster footage, and Tiny wandering around a mirror maze into a narrative.

 

Lane passed in 2013 and, in respect of his family's wishes, Street of Dreams remains unfinished.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

L'ange et la femme [The Angel and the Woman] (Gilles Carle, 1977)

Dec

3

L'ange et la femme (1977)

Gabriel (Lewis Furey) and the woman he named Fabienne (Carole Laure). DP: François Protat.

A caregiver*

 

A woman is brutally murdered and taken home by a young man. This man – this angel – takes away her wounds, returns her to life, and nurses her. They fall in love.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Vulcano [Volcano] (William Dieterle, 1950)

Dec

2

sisters

Vulcano (1950)

Sisters Maria (Geraldine Brooks) and Maddalena (Anna Magnani) Natoli. Lobbycard for the US market. DP: Arturo Gallea.

Sisters, for one of the OPs' sister's birthday.

 

Expelled prostitute Maddalena returns to her home island Vulcano (Salina in disguise) and moves in with her sister Maria. A handsome fisherman becomes first Maria's, then Maddalena's catch.

 

A revenge film à la lettre, but not as you may think. Anna Magnani was cast as the lead for her lover Rossellini's Stromboli (Terra di Dio) (1950), and – after him having set eyes on Ingrid Bergman – was ditched in the latter's favour. While Rossellini fawned over the blonde, Magnani shot “her” film on a neighbouring volcanic island, blowing her former beau's efforts out of the water.

Noir et blanc (Claire Devers, 1986)

Dec

1

World AIDS Day

Noir et blanc (1986)

Dominique (Jacques Martial) and Antoine (Francis Frappat) in the treatment room (via). DPs: Daniel Desbois, Christopher Doyle, Alain Lasfargues & Jean-Paul Rosa da Costa.

World AIDS Day: conquering fear.

“J’ai mal, mais la douleur me rassure. Son souvenir me donne du plaisir.”

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

21

Mix-Up ou Meli-melo (1986)

One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.