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絵を描く子どもたち [E o kaku kodomotachi: jidōga o rikai suru tame ni / Children Who Draw] (Susumu Hani, 1956)
Mar
13
Youth Art Month
A little girl painting. DP: Shizuo Komura.
Small children work with clay, paint, and other materials. Under the camera's watchful eye, we see their work come to life.
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L'immortelle (Alain Robbe-Grillet, 1963)
Mar
12
National Hitchcock Day
A woman in silhouette (Françoise Brion) enters a building. The setup is perfectly symmetrical except a beam of light passing through the opened doors that highlight's the woman's presence, adding a sense of wrong to the scene. DP: Maurice Barry.
“You're a foreigner and you're lost.”
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L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983)
Mar
11
close quarters
Henri (Jeffrey Kime) and the woman (Chantal Akerman) at a claustrophobically small table, each eating their breakfast. The woman has a baguette, a bowl of coffee, and a cigarette. Henri takes up most of the table with a serving tray holding a whole box of Pelletier toast, a plastic milk bottle, and a coffee pot. He's also manspreading. DP: Maurice Perrimond.
Close quarters: US premiere of 10 Cloverfield Lane (2016).
A filmmaker (Akerman) reluctantly hosts a guest (the always imposing Jeffrey Kime) in her already cramped quarters. His increasingly expanding presence in volume, sight and sound are insufferable for the quiet cineast.
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Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)
Mar
10
ithrah69's birthday
Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.
Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.
The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.
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Invasión [Invasion] (Hugo Santiago, 1969)
Mar
9
Bobby Fischer – 1943
Don Porfirio (Juan Carlos Paz) in front of a map of Aquileia. DP: Ricardo Aronovich.
Strategy for Bobby Fischer's birthday (1943).
People meticulously plan, move, and countermove in response to an invasion.
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Nattlek [Night Games] (Mai Zetterling, 1966)
Mar
8
International Women's Day
Jan (Jörgen Lindström) and his mother (Ingrid Thulin) share a bed while she reads him a bedtime story. DP: Rune Ericson.
A mother for International Women's Day.
When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.
This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.
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聖母観音大菩薩 [Seibo Kannon daibosatsu / Eros Eterna] (Kōji Wakamatsu, 1977)
Mar
7
immortality
The yao bikuni (Eiko Matsuda) rises from the ocean. DP: Hideo Itō.
An immortal character on the date Highlander (1986) was released.
– Dont raise your voice! I'll kill you if you make a sound.
– Would you please?
When a woman eats the flesh of a 人魚 (ningyo, litt. “human fish” but in Western context commenly translated as “mermaid”), she may become a 八百比丘尼 [yao bikuni], an 800 year* old Buddhist nun granted youth and longevity.
*The number 8 symbolises growth and prosperity. Larger numbers starting with 8 indicate that the amount is endless, comparable to saying “hundreds/thousands/millions of […]” in English. Therefore, 800 years can be understood as immortal.
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To Lavoisier, Who Died in the Reign of Terror (Michael Snow, 1991)
Mar
6
chemistry
Shot from below through a glass pane, a man pushes a sulphur-yellow substance around.
Chemistry: Dimitri Mendeleev presented his version of the periodic table on this date in 1869. He claimed to have had a dream in which he envisioned a table in which all the chemical elements were arranged according to their atomic weight (via).
“Antoine Lavoisier (1743-1794) was a French chemist who gave the first accurate scientific explanation of the mysteries of fire. He also provided the law of conservation of matter which states that matter can be neither created or destroyed.n His work and this film are situated between modern chemistry and alchemy. The film stages a drama of abstraction and theoretical realism. Everyday life seen photo-chemically and musically. The film is a materialist projected-image conversion of matter.”
– Michael Snow, via
The film stock was chemically altered, giving it an dreamlike quality.
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Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Mar
5
Crispus Attucks – 1770
Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.
A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.
“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”
– The Writer
An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.
Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.
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უჟმური [Ujmuri / Мрачная равнина / Cheerless] (Nutsa Gogoberidze, 1934)
Mar
3
Florida – 1845
A young woman, dress and arms covered in swamp water, raises a muddy shotgun. DP: Shalva Apaqidze.
A swamp or The Everglades on the date that Florida became the 27th state in 1845.
The swamp dwellers' trust in shaman Uzhmuri, the Queen of Frogs, prohibits the authorities from draining the wetlands in their fight against malaria.