settima

colours

Touki bouki [Journey of the Hyena] (Djibril Diop Mambéty, 1973)

Jun

23

National Pink Day

Touki bouki (1973)

Mory (Magaye Niang) and Anta (Myriam Niang) in romanticised European outfits. DP: Georges Bracher.

A character wearing pink on National Pink Day (USA), not to be confused with the much more poignant International Day of Pink

“Paris, Paris, Paris C'est sur la Terre un coin de paradis Paris, Paris, Paris, De mes amours c′est lui le favori Mais oui, mais oui, pardi Ce que j'en dis on vous l′a déjà dit Et c'est Paris, qui fait la parisienne Qu′importe, qu'elle vienne du nord ou bien du midi Et c'est aussi le charme et l′élégance Et l′âme de la France Tout cela, mais c'est Paris”

Joséphine Baker, Paris, Paris (Georges Zacharie Tabet)

Cowherd Mory and student Anta journey from Dakar to their new destination, the city of Paris.

花樣年華 [Fa yeung nin wah / In the Mood for Love] (Wong Kar-Wai, 2000)

Mar

17

Irish-American Heritage Month

花樣年華 (2000)

A close-up of a pea-green phone with Mrs. Chan's (Maggie Cheung) hands resting on the receiver. Her dress is a bright green, with an abstract graphic in white. DPs: Christopher Doyle, Pun Leung Kwan & Ping Bin Lee.

Green for Irish-American Heritage Month (USA)

“He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.”

– caption

Blue (Derek Jarman, 1993)

Jul

13

Oxymoron Day

Blue (1993)

Not a screenshot from the film, but a pure representation of International Klein Blue.

Synchronous to the screening of a film that wasn't, Derek Jarman's Blue was broadcast on radio and television. Those who tuned into the radio could request a special card printed in that most spectral of colours, International Klein Blue, a blue that according to its creator Yves Klein, has “a quality close to pure space” and “immaterial values beyond what can be seen or touched”.

“You say to the boy 'Open your eyes'. When he opens his eyes and sees the light, you make him cry out, saying 'Oh, Blue, come forth! Oh, Blue, arise! Oh, Blue, ascend! Oh, Blue, come in!'.”

– Nigel Terry

Submerged in #blue, seeing through what was left of Jarman's eyes, we live through the artist's life, and love, and loss. When you leave the theatre, put down that card, you're temporarily blinded by the physiological afterimage of a devastating disease. What remains is the voice of a filmmaker who lost his sight.

Inauguration of the Pleasure Dome (Kenneth Anger, 1954) & The Wormwood Star (Curtis Harrington, 1956)

Mar

26

Purple Day

Inauguration of the Pleasure Dome (1954)
The Wormwood Star (1956)

1: The Scarlet Woman (Marjorie Cameron) wearing a fantastic peacock-like robe and crown. DP: Kenneth Anger.
2: Cameron as herself. Here too she wears references to the peacock Aiwass, who dictated The Book of the Law to Crowley.

Someone wears purple on Purple Day (International Epilepsy Day).

 

Both in The Wormwood Star (Curtis Harrington, 1956) and Inauguration of the Pleasure Dome (Kenneth Anger, 1954), Marjorie Cameron wears shades of purple. Professionally known as Cameron, she was a follower of #Thelema, the philosophical movement founded by occultist Aleister Crowley.

“Purple beyond purple: it is the light higher than eyesight”

– Aleister Crowley, Liber AL vel Legis sub figura CCXX (1904)

Malá morská víla [The Little Mermaid] (Karel Kachyňa, 1976)

Mar

3

National Dress In Blue Day

Malá morská víla (1976)

The little mermaid (Miroslava Safránková) in her wonderful sea-blue dress, puts a coral-red rose in her blue hair. DP: Jaroslav Kučera.

Miroslava Safránková plays Hans Christian Andersen's doomed little mermaid – Malá morská víla in Czech – who falls in love with a mortal and gives up her beautiful voice to be with him. Sadly, the mortal, a prince, doesn't recognize his mute saviour and doesn't return his love.

“The other day I got caught in some fishermen's net. Of course, I had to drown them. I couldn't allow them to touch me, could I?”

– the little mermaid

The wonderful soundtrack is by Zdeněk Liška who also composed music for Ikarie XB 1 (Jindřich Polák, 1963) and Spalovač mrtvol (Juraj Herz, 1969).