settima

colours

花樣年華 [Fa yeung nin wah / In the Mood for Love] (Wong Kar-Wai, 2000)

Mar

17

Irish-American Heritage Month

花樣年華 (2000)

A close-up of a pea-green phone with Mrs. Chan's (Maggie Cheung) hands resting on the receiver. Her dress is a bright green, with an abstract graphic in white. DPs: Christopher Doyle, Pun Leung Kwan & Ping Bin Lee.

Green for Irish-American Heritage Month (USA).

“He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.”

– caption

Blue (Derek Jarman, 1993)

Jul

13

Oxymoron Day

Blue (1993)

Not a screenshot from the film, but a pure representation of International Klein Blue.

Synchronous to the screening of a film that wasn't, Derek Jarman's Blue was broadcast on radio and television. Those who tuned into the radio could request a special card printed in that most spectral of colours, International Klein Blue, a blue that according to its creator Yves Klein, has “a quality close to pure space” and “immaterial values beyond what can be seen or touched”.

“You say to the boy 'Open your eyes'. When he opens his eyes and sees the light, you make him cry out, saying 'Oh, Blue, come forth! Oh, Blue, arise! Oh, Blue, ascend! Oh, Blue, come in!'.”

– Nigel Terry

Submerged in #blue, seeing through what was left of Jarman's eyes, we live through the artist's life, and love, and loss. When you leave the theatre, put down that card, you're temporarily blinded by the physiological afterimage of a devastating disease. What remains is the voice of a filmmaker who lost his sight.

Inauguration of the Pleasure Dome (1954) & The Wormwood Star (1956)

The Scarlet Woman (Marjorie Cameron) wearing a fantastic peacock-like robe and crown. DP: Kenneth Anger.

Inauguration of the Pleasure Dome (1954)

March 26: someone wears purple on #PurpleDay / #InternationalEpilepsyDay

Inauguration of the Pleasure Dome (Kenneth Anger, 1954)

Purple beyond purple: it is the light higher than eyesight. — Liber AL vel Legis sub figura CCXX

Both in The Wormwood Star (Curtis Harrington, 1956) and Inauguration of the Pleasure Dome (Kenneth Anger, 1954) Marjorie Cameron wears shades of purple. Professionally known as Cameron, she was a follower of #Thelema, the philosophical movement founded by occultist Aleister Crowley.

Cameron as herself. Here too she wears references to the peacock Aiwass, who dictated The Book of the Law to Crowley.

The Wormwood Star (1956)

The Wormwood Star (Curtis Harrington, 1956)

Meanwhile in 1946, rocket scientist #JackParsons and (pre-Scientology) sci-fi author #LRonHubbard worked on a series of #Crowley-related magic ceremonies named Babalon Working. After Parsons declared the rituals a success, he encountered Cameron in his own house. She became the element required to continue the ceremonies, this resulting in her being declared Babalon, the #Scarlet Woman.

#Bales2023FilmChallenge #KennethAnger #SamsonDeBrier #MarjorieCameron #AnaïsNin #CurtisHarrington #PaulMathison #colours #purple #occultism #Magick #ShortFilm #Avantgarde #USA #1950s ★★★★☆

#Bales2023FilmChallenge #CurtisHarrington #Cameron #PhilipHarland #LeonaWood #PaulMathison #documentary #occultism #FineArt #colours #purple #witches #USA #AleisterCrowley #1950s ★★★½

#todo

Malá morská víla [The Little Mermaid] (Karel Kachyňa, 1976)

Mar

3

National Dress In Blue Day

Malá morská víla (1976)

The little mermaid (Miroslava Safránková) in her wonderful sea-blue dress, puts a coral-red rose in her blue hair. DP: Jaroslav Kučera.

Miroslava Safránková plays Hans Christian Andersen's doomed little mermaid – Malá morská víla in Czech – who falls in love with a mortal and gives up her beautiful voice to be with him. Sadly, the mortal, a prince, doesn't recognize his mute saviour and doesn't return his love.

“The other day I got caught in some fishermen's net. Of course, I had to drown them. I couldn't allow them to touch me, could I?”

– the little mermaid

The wonderful soundtrack is by Zdeněk Liška who also composed music for Ikarie XB 1 (Jindřich Polák, 1963) and Spalovač mrtvol (Juraj Herz, 1969).