settima

1960s

Jules et Jim (François Truffaut, 1962)

Nov

4

sweaters

Jules et Jim (1962)

A movie with gorgeous sweater fashion*

“She's a strange breed.”

– Jim

Throwing in a little Movember for good measure.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

3. November 1918 [Third of November 1918] (Edwin Zbonek, 1965)

Nov

3

1918

3. November 1918 (1965)

A calendar page for November 3, 1918. It's a Sunday. DP: Rudolf Sandtner.

Takes place on November 2 and 3.

 

I pugni in tasca [Fists in the Pocket] (Marco Bellocchio, 1965)

Nov

3

I pugni in tasca (1965)

Alessandro (Lou Castel). DP: Alberto Marrama.

“I'm a volcano of ideas.”

– Alessandro

Peace, little girl [Daisy / Daisy Girl] (Sidney Myers, 1964)

Nov

3

1964

Peace, little girl (1964)

Monique Corzilius aka Monique Cozy as the Daisy Girl. DP: Drummond Drury.

“One… two… three… four… five… seven… six… six… eight… nine… nine…”

– Daisy Girl

Bübchen (Roland Klick, 1968)

Nov

1

autumn

Bübchen (1968)

Lobby card. Achim (Alexander Kekulé) at a dreary, autumn-y scrapyard surrounded by several serious looking men in trenchcoats. Bübchen is an endearing term for a little boy (via (spoilers)). DP: Robert van Ackeren.

A movie that feels like autumn*

 

A family of four share the same house and live their own lives. When the parents attend a company party, the neighbour's teenage daughter reluctantly babysits the children then promptly runs off with her secret boyfriend. Left to his own devices, the bored 10-year old Achim plays a game with his little sister

“Junge, du bist ja ganz woanders!”

I Initially nomintad the RAF critique Deutschland im Herbst (1978) for today's challenge, when I realised that Bübchen too is about Germany's youth's antics and the society that planted its seeds. Here again, a repressed community dutifully finds a way to bury the terror into the fabric of mundanity. You'll find it again in Michael Haneke's Das weiße Band (2009), now foretelling the German youth that came to embrace Nazism.

 

Eternal return, ad nauseam.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Zahrada [The Garden] (Jan Švankmajer, 1968)

Oct

25

Zahrada (1968)

Jiří Hálek and Luděk Kopřiva as Josef and Frank. DP: Svatopluk Malý.

La donna del lago [The Lady of the Lake / The Possessed] (Luigi Bazzoni + Franco Rossellini, 1965)

Oct

25

La donna del lago (1965)

Tilde (Virna Lisi) caressing a man's hand, resting on her shoulder, with her cheek. DP: Leonida Barboni.

Until November 20.

Banditi a Milano [The Violent Four] (Carlo Lizzani, 1968)

Oct

22

Banditi a Milano (1968)

Two of the four bandits, Pietro 'Piero' Cavallero (Gian Maria Volontè) and Sante Notarnicola (Don Backy), surrounded by press and Carabinieri. DPs: Giuseppe Ruzzolini & Otello Spila.

The Haunting (Robert Wise, 1963)

Oct

21

1873

The Haunting (1963)

Eleanor (Julie Harris), with Dr. John Markway (Richard Johnson) and Theodora (Claire Bloom) in conversation behind her. DP: Davis Boulton.

– “Memories for Abigail Lester Crain: A Legacy for Her Education and Enlightenment. From her devoted father, Hugh Desmond Lester Crain, Hill House, October 21, 1873.”

– But that's today.

– Tomorrow and 90 years later.

La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)

Oct

21

1967

La sixième face du pentagone (1968)

Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.