settima

1960s

The Haunting (Robert Wise, 1963)

Oct

21

1873

The Haunting (1963)

Eleanor (Julie Harris), with Dr. John Markway (Richard Johnson) and Theodora (Claire Bloom) in conversation behind her. DP: Davis Boulton.

– “Memories for Abigail Lester Crain: A Legacy for Her Education and Enlightenment. From her devoted father, Hugh Desmond Lester Crain, Hill House, October 21, 1873.”

– But that's today.

– Tomorrow and 90 years later.

La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)

Oct

21

1967

La sixième face du pentagone (1968)

Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.

Swissmade [Swiss Made 2069] (Fritz E. Maeder, Fredi M. Murer + Yves Yersin, 1968)

Oct

20

Alien

Swissmade (1968)

A man hooked up to a device with tubes dreams about a strange, unsettling creature. Just out of a frame someone (H.R. Giger himself) works on the being with a grinder. DPs: Witold Lesiewicz, Fritz E. Maeder & Fredi M. Murer.

[Favourite] Alien [“alien”?] movie*

 

Three segments envision the future of the Swiss Confederation. In the Fredi M. Murer instalment 2069 – oder wo sich Futorologen und Archäologen gute Nacht sagen, an alien visits surveillance state Switzerland. The visitor in question is designed by H.R. Giger, and glimpses of the XX121 xenomorph are present in its exoskeletal core.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Nattmara [Nightmare] (Arne Mattsson, 1965)

Oct

19

Tue

spoiler warning: click to toggle image Nattmara (1965)
spoiler warning: click to read

Hands hold up a small diary. The camera is focussed on Tuesday the 19th of October, 1965. Handwriting, a chicken scrawl, reads CITROEN A66692 MAJ BERG ✝. Besides that the week is uneventful. DP: Max Wilén.

La vérité [The Truth] (Henri-Georges Clouzot, 1960)

Oct

15

1959

La vérité (1960)

Gilbert (Sami Frey) and Dominique (Brigitte Bardot). DP: Armand Thirard.

The day of the court case. Numerous other dates are mentioned, all in flashbacks.

– The Paris Court of Appeals, meeting on October 15, 1959, pursuant to the charges against Dominique Marceau.

– With a girl like that, truth may be the best defense for once.

Le mystère Koumiko [不思議なクミコ / The Koumiko Mystery] (Chris Marker, 1965)

Oct

11

1964

Le mystère Koumiko (1965)

The film covers multiple days. Koumiko thinks on October 17. DP: Chris Marker.

“Mr. Everyman explains how to look like a Japanese and thus impress those wild and not very civilized people. Mrs. Everyman replies that for savages, they look remarkably civilized. Meanwhile, Mr. Everyman, seeing more people looking even more Japanese, is reassured. Mrs. Everyman sees soldiers parading in European uniform. She smiles ironically. But now a number of typical Japanese walk into the house. Her irony disappears. And Mr. Everyman is not ashamed to admit… he is mystified.”

– narrator

Satan bouche un coin (Jean-Pierre Bouyxou + Raphaël Marongiu, 1968)

Oct

10

Satan bouche un coin (1968)

In an autoerotic display, Androgyne (Pierre Molinier) fondles a woman (Janine Delannoy) wearing one of his masks that echoes Molinier's deceased sister (via). DPs: Jean-Pierre Bouyxou, Raphaël Marongiu & Loïc Picard.

A [favourite] color [horror] film*

“Here lies Pierre MOLINIER born on 13 April 1900 died around 1950 he was a man without morals he was proud of it and gloried in it No need to pray for him.”

– Pierre Molinier, mock-epitaph (via, NSFW as goes without saying)

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Il demonio [The Demon] (Brunello Rondi, 1963)

Oct

6

exorcism

Il demonio (1963)

While several men hold her down, Purif (Daliah Lavi) sticks out her tongue to the crucifix held up to her. DP: Carlo Bellero.

[A favourite] exorcism film*

“Blood of Christ. Demon. A curse upon this man. A curse that he will never forget me. Blood of my body. Until the grave. A curse that he will never forget me.”

– Purificazione

When a rejected young woman puts a curse on her heart's desire, the locals see nothing less than witchcraft. It is decided that Purif must be possessed, and exorcised.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Soy leyenda (Mario Gómez Martín, 1967)

Oct

3

zombies

Soy leyenda (1967)

Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña.

(A favourite) zombie movie*

 

Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.

“Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!”

– Richard Matheson, I Am Legend (1954)

Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson's post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.

 

In the man's mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Charlie Is My Darling [Rolling With The Stones] (Peter Whitehead, 1966)

Sep

28

Ben E. King – 1938

Charlie Is My Darling (1966)

Charlie sheepishly smells a carnation (via), Brian can be seen in the background. DP: Peter Whitehead.

Soul or rhythm and blues for Ben E. King's birthday.

“Let's face it; the future as a Rolling Stone is very uncertain.”

– Brian Jones

While then-manager Oldham's dream of an all-Stones A Clockwork Orange never manifested, there was an attempt to counter The Beatles' A Hard Day's Night (1964). That too, failed. Instead, Charlie became a cinéma vérité roadmovie of the Stones' touring Ireland in 1965. Whitehead's camera is there for Charlie.