settima

1960s

দেবী [Devi / The Goddess] (Satyajit Ray, 1960)

Dec

13

Saint Lucy's Day

Devi (1960)

Doyamoyee, Kali incarnate (via). DP: Subrata Mitra.

Saint Lucy's Day: wearing a garland. Today's and yesterday's theme are virtually interchangeable.

“Kneel before her son. I've had a dream. She's the incarnation of the Goddess, Kali.”

– Kalikinkar Roy

Doyamoyee's father-in-law, and worshipper of Kali, has a dream. The young woman is the goddess' avatar. Locals come to visit the house, and Doyamoyee too starts believing in her divinity.

Hanoi, martes 13 [Hanoi, Tuesday 13th] (Santiago Álvarez, 1968)

Dec

13

Tue

Hanoi, martes 13 (1968)

A collage image of President Lyndon B. Johnson. His face is a hole and footage of a military burial service can be seen. DP: Iván Nápoles.

Balada o trobenti in oblaku [Ballad About a Trumpet and a Cloud] (France Štiglic, 1961)

Dec

11

International Mountain Day

Balada o trobenti in oblaku (1961)

A young couple dances among the mountains (via). DP: Rudi Vaupotič.

Set in the mountains for International Mountain Day

 

1943. With the family preparing for Christmas, old man Temnikar hears the sound of a trumpet. The patriarch sees it as his calling to follow – and kill – the White Guardists who visited his mountain farm looking for wounded Partisans.

Psycho (Alfred Hitchcock, 1960)

Dec

11

Psycho (1960)

Norman Bates (Anthony Perkins) in front of the family motel. DP: John L. Russell.

“The mattress is soft and there're hangers in the closet and stationary with “Bates' Motel” printed on it in case you want to make your friends back home envious.”

– Norman Bates

Pasażerka [Passenger] (Andrzej Munk, Witold Lesiewicz + Andrzej Brzozowski, 1963)

Dec

9

cruise

Pasażerka (1963)

Marta and Liza on the cruise ship (via). DP: Krzysztof Winiewicz.

On a cruise, from [OP] Cinn’s bucket list. Well, not in the context of today's film pick*

 

1960. On a luxury line, former prisoner Marta and her warden Liza meet again. Things had happened years before, in Auschwitz. This new confrontation reverses their roles.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Иваново детство [Ivanovo detstvo / Ivan's Childhood] (Andrei Tarkovsky, 1962)

Dec

7

National Pearl Harbor Remembrance Day

Ivanovo detstvo (1962)

Ivan (Nikolay Burlyaev) scouting (via). DP: Vadim Yusov.

A special soldier for National Pearl Harbor Remembrance Day (USA)

“They sent me out by plane to a boarding school. But I ran away. There's a war on. I can't cram some stupid stuff when it's a war.”

– Ivan

A twelve-year old boy works as a scout for the Soviet army. His age and size make him an inoffensive figure in the war-scarred landscape. But inside, he's brooding for revenge.

Report (Bruce Conner, 1967)

Nov

23

1963

Report  (1967)

Television footage of JFK's state funeral with the caption “November 23, 1963”, superimposed over it.

Mingus: Charlie Mingus 1968 [Mingus / Mingus In Greenwich Village] (Thomas Reichman, 1968)

Nov

22

1968

Mingus: Charlie Mingus 1968 (1968)

Charles Mingus and Carolyn sharing an intimate father/daughter moment in their studio. DPs: Lee Osborne & Michael Wadleigh.

“I pledge allegiance to the flag–the white flag. I pledge allegiance to the flag of America. When they say “black” or “negro,” it means you’re not an American. I pledge allegiance to your flag. Not that I have to, but just for the hell of it I pledge allegiance. I pledge allegiance to the flag of the United States of America. The white flag, with no stripes, no stars. It is a prestige badge worn by a profitable minority.”

– Charles Mingus

El escapulario [The Scapular] (Servando González, 1968)

Nov

20

El escapulario (1968)

Padre Andrés (Enrique Aguilar). DP: Gabriel Figueroa.

Women in Love (Ken Russell, 1969)

Nov

18

Women in Love (1969)

Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.

A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.