settima

1960s

A Sunday in September (James Hill, 1961)

Sep

17

1961

A Sunday in September (1961)

A large group of bobbies attempts to block off the street in front of an Underground station. They're greatly undone by the large group of protesters behind them (via).

 

La fórmula secreta [Coca-Cola en la sangre / The Secret Formula] (Rubén Gámez, 1965)

Sep

16

El Grito de Independencia

La fórmula secreta (1965)

Grinning seminary boys hang from monkey bars. DPs: Salvador Gijón, Rubén Gámez & Segismundo Pérez de Pedro 'Segis'.

El Grito de Independencia: ¡Viva México!

“¡Mexicanos! ¡Vivan los héroes que nos dieron patria! ¡Viva Hidalgo! ¡Viva Morelos! ¡Viva Josefa Ortiz de Domínguez! ¡Viva Allende! ¡Vivan Aldama y Matamoros! ¡Viva la independencia nacional! ¡Viva México! ¡Viva México! ¡Viva México!”

El Grito

Accompanied by Juan Rulfo's poem, Gámez explores Mexico's identity, and loss thereof. Crying out for the Mexican with Coca-Cola in the blood.

The War Game (Peter Watkins, 1966)

Sep

16

The War Game (1966)

An old man in uniform, possibly a mailman or traffic warden, stands motionless in a crowd of people. He looks off into the distance. DPs: Peter Bartlett & Peter Suschitzky.

“In the next world war, I believe that both sides could stop before the ultimate destruction of cities so that both sides could retire for a period of ten years or so of post-attack recuperation, in which world wars four to eight could be prepared.”

– a leading American nuclear strategist

Hullumeelsus [Безумие / Madness] (Kaljo Kiisk, 1968)

Sep

15

International Day of Democracy

Hullumeelsus (1968)

Windisch (Jüri Järvet) pacing, blending in with a white-clad inmate. DP: Anatoliy Zabolotskiy.

On the International Day of Democracy, the word “democracy” is spoken.

“Stop shooting! Stop democracy!”

– Person Nr. 1

The Gestapo arrives to liquidate the inmates of a mental hospital. Then Windisch, plainclothes Nazi, brings them a letter: there's a special commando hiding amidst the 583 patients. Interrogating them slowly pushes Windisch among them.

In the Heat of the Night (Norman Jewison, 1967)

Sep

13

In the Heat of the Night (1967)

Det. Virgil Tibbs (Sidney Poitier) and Chief Bill Gillespie (Rod Steiger) at the train station. The timetable is written by hand on a blackboard. DP: Haskell Wexler.

“They call me MISTER TIBBS.”

– Det. Virgil Tibbs

血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)

Sep

11

Chi wa kawaiteru (1960)

The September 11 copy of a scandal magazine. It costs 30 yen. DP: Tōichirō Narushima.

 

Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)

Sep

10

Maléfices (1962)

Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.

The Year of the Sex Olympics (Michael Elliott, 1968)

Sep

7

ESPN – 1979

The Year of the Sex Olympics (1968)

The people of a suspiciously 60s looking future critically watch the audience of a reality TV show called The Hungry Angry Show.

Sports watching on TV for ESPN's debut.

“Sex is not to do. Sex is to watch.”

– Nat Mender

All that's on TV is pornography and violence. Welcome to the Year of the Sex Olympics.

More (Barbet Schroeder, 1969)

Sep

7

More (1969)

Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros.

“I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.”

– Stefan

Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)

Sep

6

Tue

Mélodie en sous-sol (1963)

Mario (Henri Virlojeux), bathhouse proprietor. A nearby wall calendar reads mardi, septembre 6. DP: Louis Page.