settima

MichelLegrand

La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)

Mar

19

Howard University Protest

La chinoise (1967)

Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.

Student activism to commemorate the March 19 1968 Howard University Protest

“One must confront vague ideas with clear images”

– slogan on a wall

Five Maoist students theorise, then practice a radical overthrow via terrorism.

 

Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).

La baie des anges [Bay of Angels] (Jacques Demy, 1963)

Jan

9

Wheel of Fortune

La baie des anges (1963)

Jean (Claude Mann) and Jackie (Jeanne Moreau) at a casino table. The tension is palpable. DP: Jean Rabier.

Good, or bad, fortune on the day Wheel of Fortune premiered in 1975.

– How much did you win?

– 500,000 in less than an hour. It's immoral, but no more than anything else. No more than poverty or ugliness.

La baie des anges [Bay of Angels] (Jacques Demy, 1963)

Aug

6

mercredi

La baie des anges (1963)

The bank where Jean Fournier (Claude Mann) works. A wall calendar, slightly tilted, reads Août 6 Mercredi. DP: Jean Rabier.

“Life has its tricks. Its oddities.”

– Jackie Demaistre

The Thomas Crown Affair (Norman Jewison, 1968)

Jan

26

champagne

The Thomas Crown Affair (1968)

A production photo showing Thomas Crown (McQueen) and Vicki Anderson (Dunaway) sharing foods and drinks. Them seem enthralled with each other. DP: Haskell Wexler.

– Do you play? – Try me.

La baie des anges [Bay of Angels] (Jacques Demy, 1963)

Dec

23

pears

La baie des anges (1963)

A blonde Moreau at a restaurant table with a man seen from the back. There are several semi-empty wine glasses and pears sliced lengthwise on a plate, covered with a napkin. Jeanne's character Jackie Demaistre is holding a small sheet of paper with a schematic drawing of a roulette wheel while throwing the man a sceptical glance. DP: Jean Rabier.

“We'll go back to Nice tomorrow. The Bay of Angels brings us luck.”

– Jean Fournier

1999 A.D. (Lee Madden, 1967)

Nov

27

Cyber Monday

1999 A.D. (1967)

Mother Karen (Marj Dusay) taking a break from online food planning by shopping for a new wardrobe for everyone but herself. DP: Vilmos Zsigmond.

Shopping online on Cyber Monday

 

In the soul crushing future of 1999, one heroic nuclear family bravely fulfils their gender-specific duties. While Father Mike works in his computer-aided office, Son Jamie fails at computer homeschool and Mother Karen slavishly shops, cooks, and cleans as if the 70s never happened.

 

Thankfully, the future turned out to be even bleaker.

La piscine [The Swimming Pool] (Jacques Deray, 1969)

Jul

13

“Chinese food”

La piscine (1969)

The two couples (Delon and Schneider, and Ronet and Birkin) awkwardly sharing dinner. There's wine in red glasses and the food, plated on rustic French dinnerware, is handled with chopsticks. DP: Jean-Jacques Tarbès.

“Change your dreams, not the world.”

– Harry

Vérités et Mensonges [F for Fake] (Orson Welles, Gary Graver, Oja Kodar + François Reichenbach, 1973)

March

29

Smoke And Mirrors Day

Vérités et Mensonges (1973)

A wide shot of Orson Welles in his black cape and wide rimmed hat. His corpulence and black outfit sharply contrast with the bright, white background. The background is a white plane, held up by two assistants. The wide shot reveals that Welles, the white plane, and the assistants are on the platform of a train station, obscuring a passenger train if in close-up. DP: François Reichenbach.

Vérités et Mensonges is what it's actually called, but you may know it as F for Fake. Orson Welles and three uncredited fellow conspirators – Gary Graver, Oja Kodar, and François Reichenbach – delve into the world of #art forger Elmyr de Hory by way of his biographer Clifford Irving.

“Back to the old tricks.”

– Orson Welles

Welles et al free-associate with concepts of art, lies, #deception, and #authenticity. #Houdin, Welles, #Picasso and Hughes, hoaxers, hucksters and artists in their own right. And then it's over: this work of art, this sleight of hand, this demonstration of factuality, an exposé.

Vivre sa vie: Film en douze tableaux (Jean-Luc Godard, 1962)

Feb

11

Global Movie Day

Vivre sa vie: Film en douze tableaux (1962)

Nana (Anna Karina) crying in a dark movie theatre while watching Carl Theodor Dreyer's La passion de Jeanne d'Arc (1928). DP: Raoul Coutard.

A fascinating overlap with The Savage Eye (1959), a film #Godard must have been familiar with in 1962.

“Maybe I'll get into the movies.”

– Nana