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みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Apr
3
1968
A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.
“With bar hostesses, there's a type who are likely to be murdered.”
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Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Apr
2
1964
A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.
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Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)
Mar
30
Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.
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野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Mar
30
7 p.m.
Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.
“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”
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Sisters [Blood Sisters] (Brian De Palma, 1972)
Mar
27
Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor.
“Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!”
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The Man Who Knew Too Much (Alfred Hitchcock, 1934)
Mar
21
Abbott (Peter Lorre). DP: Curt Courant.
“Stand by, there's trouble coming soon.”
– Bob Lawrence
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Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)
Mar
13
Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev.
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Hell Bound (William J. Hole Jr., 1957)
Mar
12
Saturday
A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.
“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”
– narrator
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Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9
Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
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Laukaus tehtaalla [A Shot in the Factory] (Erkko Kivikoski, 1973)
Feb
21
Nixon goes to China
Workers and bosses negotiate the situation. DP: Esko Nevalainen.
The killing of the factory's boss by one of the workers leads to endless negotiations between the two parties.
Shot in cinéma vérité style, with a mostly amateur cast, Laukaus tehtaalla mirrors the working classes' insecurity caused by the 1973 energy crisis in more ways than one.
