settima

Switzerland

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

L'argent [Money] (Robert Bresson, 1983)

Jul

22

L'argent (1983)

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.

Everything's expensive: someone is a at bank or ATM*

 

Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)

Jun

5

Sorry I Was on a Boat Day

Le chagrin et la pitié (1969)

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

La caduta degli dei (Götterdämmerung) [The Damned] (Luchino Visconti, 1969)

May

18

Visit Your Relatives Day

La caduta degli dei (Götterdämmerung) (1969)

Martin Von Essenbeck (Helmut Berger) entertains the family. DPs: Pasqualino De Santis & Armando Nannuzzi.

A family gathering on Visit Your Relatives Day (USA)

“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”

– Aschenbach

The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.

Grauzone [Zones] (Fredi M. Murer, 1979)

Mar

21

1976

Grauzone (1979)

The anonymous, urgent newspaper announcement referencing the oath of secrecy considering a mysterious epidemic, starting March 21, 1976. It lists all the symptoms. DP: Hans Liechti.

Eine mysteriöse EPIDEMIE ist ausgebrochen.

Mauvais sang [Bad Blood / The Night Is Young] (Leos Carax, 1986)

Jan

8

David Bowie – 1947

Mauvais sang (1986)

(Alex) Denis Lavant in a scene set to David Bowie's Modern Love. DP: Jean-Yves Escoffier.

A [favourite] scene featuring a Bowie song for David Bowie's birthday (1947).

“They pulled in just behind the fridge He lays her down, he frowns “Gee, my life's a funny thing Am I still too young?” He kissed her then and there She took his ring, took his babies It took him minutes, took her nowhere Heaven knows, she'd have taken anything”

– David Bowie, Modern Love (from Let's Dance, 1983)

Die Sage vom alten Hirten Xeudi und seinem Freund Reiman [The Legend of the Old Shepherd Xeudi and His Friend Reimann] (Hans-Jakob Siber, 1973)

Dec

11

International Mountain Day

Die Sage vom alten Hirten Xeudi und seinem Freund Reiman (1973)

The two friends setting off on their track of the Swiss mountains. Their chalet can be seen in the foreground. DP: Hans-Jakob Siber.

Mountain living on International Mountain Day. Available to watch via the Zürcher Hochschule der Künste's media archive.

Die Sage vom alten Hirten Xeudi und seinem Freund Reiman [The Legend of the Old Shepherd Xeudi and His Friend Reimann] (Hans-Jakob Siber, 1973)

Sep

3

potatoes

Die Sage vom alten Hirten Xeudi und seinem Freund Reiman (1973)

Gloomy potatoes and a small metal peeler on a wooden surface. DP: Hans-Jakob Siber.

Available to watch via the Zürcher Hochschule der Künste's media archive.

Kick That Habit (Peter Liechti, 1989)

Nov

16

National Andy Day

Kick That Habit (1989)

Andy Guhl of experimental Swiss music/art group Voice Crack playing metal wire strung along a room. DP: Peter Liechti.

Everything is noise. Everything is light. Everything is dark. Everything is motion. Everything is static. Everything is energy. Everything is lethargy. Everything is rhythm. Everything is chaos. Everything is silent

Die schwarze Spinne [The Black Spider] (Mark M. Rissi, 1983)

Oct

20

Die schwarze Spinne (1983)

Christine (Beatrice Kessler) and her junkie friends eating the old man's food. DP: Edwin Horak.

“Nur ein leichtfertig Knechtlein, dem es gleichgültig war, regne oder sonnenscheine es in der Ernte, wenn nur das Jahr umging und der Lohn kam und zu jeder Essenszeit das Essen auf den Tisch, griff zum Löffel und berichtete Christine, daß noch keine Buche gepflanzet sei und alles gehe, als ob sie verhext wären.”

– Jeremias Gotthelf, Die schwarze Spinne (1842)