settima

history

Surma hinda küsi surnutelt [Ask the Dead About the Price of Death] (Kaljo Kiisk, 1977)

Dec

1

1924

Surma hinda küsi surnutelt (1977)

A woman wearing a crochet skull cap and an ominous look on her face. DP: Jüri Sillart.

 

Un comisar acuză [A Police Inspector Calls] (Sergiu Nicolaescu, 1974)

Nov

26

1940

Un comisar acuză (1974)

DP: Alexandru David.

Takes place on the night of November 26-27, 1940.

“Mister Moldovan, this is not for the first time that a criminal case is entrusted to you. It is precisely your political objectivity that made us choose you.”

– Alexandru Dincă

3. November 1918 [Third of November 1918] (Edwin Zbonek, 1965)

Nov

3

1918

3. November 1918 (1965)

A calendar page for November 3, 1918. It's a Sunday. DP: Rudolf Sandtner.

Takes place on November 2 and 3.

 

Il pleut sur Santiago [Rain over Santiago] (Helvio Soto, 1975)

Sep

11

1973

Il pleut sur Santiago (1975)

Naicho Petrov as Chilean president Salvador Allende. DP: Georges Barsky .

Procès de Jeanne d'Arc [The Trial of Joan of Arc] (Robert Bresson, 1962)

Aug

17

forgiveness

Procès de Jeanne d'Arc (1962)

Jeanne (Florence Delay) bound to the stake. DP: Léonce-Henri Burel.

Holi: someone is forgiven (forgiveness being an important aspect of Holi)*

“Pray for me. I forgive the evil done me.”

– Jeanne d'Arc

Jeanne trusts her delusions to forgive the people who brought her to justice.

 

Lola Montès (Max Ophüls, 1955)

Aug

14

Bavaria

Lola Montès (1955)

The crowned royal mistress on display in glorious Eastmancolor (via). DP: Christian Matras.

Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*

“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”

– circus master

Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.

 

地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)

Aug

4

orange

Jigokumon (1953)

The shrine's torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama.

Orange: a building or structure*

“Today is the first day of a life of sacrifice.”

– Moritoo Endō

Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii.

 

Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté's Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come.

 

Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.

 

Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] (Werner Herzog, 1972)

Jun

20

World Productivity Day

Aguirre, der Zorn Gottes (1972)

Don Lope de Aguirre (Kinski), his eyes focussed. DP: Thomas Mauch.

A character who is always on the GO [sic] for World Productivity Day

“I am the great traitor. There must be no other. Anyone who even thinks about deserting this mission will be cut up into 198 pieces. Those pieces will be stamped on until what is left can be used only to paint walls. Whoever takes one grain of corn or one drop of water… more than his ration, will be locked up for 155 years. If I, Aguirre, want the birds to drop dead from the trees… then the birds will drop dead from the trees. I am the wrath of God. The earth I pass will see me and tremble. But whoever follows me and the river, will win untold riches. But whoever deserts…””

– Don Lope de Aguirre

Conquistador Don Lope de Aguirre drives his men deep into the Peruvian jungle, to El Dorado

The Diary of an Unknown Soldier (Peter Watkins, 1959)

Jun

14

Army Day

The Diary of an Unknown Soldier (1959)

That glance. Any soldier at any time. DP: Peter Watkins.

“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”

Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.

Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)

Jun

5

Sorry I Was on a Boat Day

Le chagrin et la pitié (1969)

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?